Rating: ⭐⭐⭐
Author: Christy Lefteri
Genres: Historical Fiction, Fiction
Pub. date: Aug. 2019 (read Jul. 2020 on Audible)
I read The Beekeeper of Aleppo for my July book club meeting. I was super excited when I first heard about this book because it sounded really compelling. It’s about the war in Syria and focuses on the journey of one couple as they decide to leave Syria and flee through Europe to the UK.
Nuri is a beekeeper with his cousin Mustafa and his wife, Afra, is an artist. They are happy in Syria and want to stay, but when war breaks out it becomes unsafe to do so and Afra becomes blind. So they finally decide to leave and try to make it to the UK, where Mustafa, who left earlier, is also trying to go. The book follows their journey across Turkey and Greece and eventually England. They face many struggles along the road, but the real struggle comes when they finally stop moving and are forced to come to terms with everything that happened to them before and along the journey.
I really wanted to love this. There were parts that I really liked and it was an interesting enough story, but I felt like it maybe could have benefited from a stronger author. The story had a lot of potential, but it was just lacking, both in writing style and intrigue. The story moved extremely slowly, which can work in a book like this, but it just didn’t have the writing to carry it through. The author has Greek/Cypriot parents and volunteered with a refugee NGO in Greece, which is what inspired her to write this story. I felt that the author had a story to tell, but unfortunately she just didn’t really have the prowess or the skills to tell it. I feel bad saying that because I’m sure her intentions were good, but the writing just didn’t work for me. I really wanted more from the story.
She does create some interesting characters, but they kind of all fell flat to me, like no one lived up to their potential. For example, why the obsession with bees? Like I get it, but what did the beekeeper story really add to this book? It was overdone with limited meaning. I also found the deeper themes to be lacking. I get what Lefteri was going for with Muhammed and Nuri, but it felt too forced to be natural or cathartic. I felt like she was trying to force an emotional reaction rather than one that would naturally occur from good storytelling and lived experience. Likewise with the symbolism of Afra being blind – it just felt kind of basic to me and I’m not totally sure what it added to the story. Like I get it – I just wish there was more to it.
Which raises the age old question of whether Lefteri was the right person to tell this story. I really do believe that people can and should tell stories that they haven’t been directly impacted by, but in 2020, it is starting to get a bit old reading so many modern day stories not told by own-voices authors. Jeanine Cummins got all kinds of flak for writing American Dirt – I’m not saying it wasn’t justified – but I don’t see how Beekeeper is any different. It just hasn’t been as big a seller I guess and so it hasn’t drawn the same backlash. Personally though, of the two, I thought American Dirt was the better story. But there’s no denying both books could have been written by different authors.
It’s really a hard question about where the line is. Lefteri got published where another Syrian author likely didn’t. I’m sure there are other authors writing these stories and I would love to see them in the mainstream. But honestly – that’s on me as a reader too. As a co-chair to my Book Club it’s something I need to reflect on more and take more ownership over. We are 10 individuals committing to read a book, it’s important that we pick the right ones, even if they’re not always bestsellers…yet. I will try to do better.

I’ve been anxiously waiting for CBC to drop the
My second pick, The Break, was recommended to me by a co-worker and then I started seeing it everywhere and have only heard good things about it. It’s about a Métis woman in Manitoba who potentially witnesses a crime on the break outside her house. I don’t know a whole lot about the plot, but the book synopsis informs me that it’s a inter-generational saga that features the narratives of all the people who get tied up in the case. I’ve been loving family dramas lately, so I’m excited to dive into this one. The Break is also written by a woman of Métis decent, so I was inspired to give this in a read in order to support more first nations writers. Side note:
Finally, I wanted to read something about Newfoundland since it is my homeland and I have a deep love for the island, even though I’ve been loving living in Vancouver for the last 4 years. There is a surprisingly amount of literature about Newfoundland, but it was hard to find one that was super appealing. I decided on A Colony of Unrequited Dreams, which is historical fiction about Joey Smallwood, Newfoundland’s first premier when we joined confederation in 1949.