The Silent Patient

Rating: ⭐⭐.5
Author: Alex Michaelides
Genres: Mystery, Thriller
Pub. date: Feb. 2019 (read Mar. 2020 on Audible)

I have very mixed feelings about this book. I can’t deny that the ending was pretty good and the story was compelling for the last hour (I listened to this one). but the rest of the book was just so damn boring!!!

The Silent Patient tells the story of Alicia Berenson and her therapist, Theo Faber. Alicia was found years earlier in her home having shot her husband in the head 5 times. But after the event she completely clams up and refuses to speak, being admitted to a psychiatric hospital called The Grove. Theo is a psychotherapist and is intrigued by Alicia’s story and believes he can help her. He gets hired on at the Grove and begins looking into Alicia’s past, trying to get her to speak.

What surprises me most after finishing this book is how everyone calls it a page turner and says they couldn’t put it down. Until the big twist, I honestly thought this book was so dull. I really didn’t like Theo and found his repeated attempts to get Alicia to speak super boring. There’s a bunch of red herrings along the way, but I didn’t find any of them particularly compelling either.

At the same time that Theo is investigating Alicia’s past, we get snippets from her diary that she wrote prior to the murder of her husband. In the audiobook, her diary is narrated by a female voice actor, while the rest of the book is narrated by a male voice actor for Theo. I do have to acknowledge that the audiobook may have played a role in my lack of enjoyment of this book. The audio sample was of the female voice actor, who I actually really liked, but it turned out that 70-80% of the book is actually narrated by Theo, and I really didn’t like his voice actor. Although that might be the point because in the audiobook Theo comes across as really pretentious and patronizing. Not sure if others got the same tone from reading the book.

Anyways, despite liking Alicia’s voice actor, I still had a lot of problems with the diary, namely that NO ONE WRITES LIKE THIS IS A DIARY. Alicia includes full dialogue in her diary, which to me was a huge oversight on behalf of the author. I found the story in Alicia’s diary compelling, but it just wasn’t the right medium to tell it if you’re not going to commit to the idea that your character actually wrote it as a private memoir. Diaries are written for the writer and this diary was clearly written for an audience. It just felt like sloppy writing to me.

Moving on, I thought the twist was pretty good, but not totally shocking. I kind of saw it coming, I just wasn’t really sure the logistics of how the author was going to make it work. It’s one of those things where I felt like I knew what the end result was going to be, I just didn’t know how I would get there. I’ll give the author some credit though because I definitely did miss the signs.

I think I’m going to rate to rate this one 2.5 stars. I get the attraction, but I was definitely disappointed with it and was anxious to just finish so that I could move on to something more enjoyable. Maybe I would have had a different experience with this book had I read the paperback, but I just really didn’t like Theo and I felt the story was lacking in intrigue.

Verity

Rating: ⭐⭐⭐⭐
Author: Colleen Hoover
Genres: Thriller, Mystery, Romance
Pub. date: Dec. 2018 (read Nov. 2019)

Every year I see the new Colleen Hoover book and say, “nah, I don’t think I’m gonna read her new book this year.” Then every year she gets nominated in the Goodreads Choice Awards and I decide to read it anyways.

I heard all kinds of reviews about how f-ed up this book is, which are all totally true. Verity is filled with plot twists, suspense, and a really creepy atmosphere, but the biggest question the book leaves me with is this: who the hell classed this book as a romance?!!!

Hoover is known for her romances, which to be honest I don’t really love, but in the last few years she’s been branching out from her normal material in favour of some more thought provoking storylines and social commentary. But romance has still always been central to her stories, so I was surprised when I started reading this one and found myself smack dab in the middle of a mystery thriller! I like a good mystery thriller, but I find them a bit repetitive after a while. Not Verity though – it gripped me from the very start and held my attention to the last page. Hoover still weaves some romance into the story (which I wasn’t that big a fan of), but I was able to move past it because the rest of the writing was great!

I’ve said this before, but Hoover is one of the best first chapter writers I’ve ever encountered. Starting a new book often feels like a bit of a chore because it takes a while to sink into the writing and the narrative, but once I made the decision to read Verity, I was really excited because I knew Hoover would deliver on a compelling beginning. But it wasn’t just the first chapter that was gripping. I read the whole thing in less than 24 hours and pretty much never put it down except to go to work. Say what you want about her romances, but Hoover is a compelling writer.

So what is Verity about might you ask? I skipped reading the synopsis on this one and honestly, I’d advise you to do the same. If you want a mind-bendy, slightly disturbing book with a killer twist, read no further and pick it up. If you need a bit more to go on, Verity is about ghost writer Lowen Ashleigh. She’s asked to author the 3 remaining books in an immensely popular thriller series because the original author, Verity Crawford, is no longer able to do so. To search for material on the rest of the series, she visits the author’s house to go through her office and strikes up a friendship with Verity’s husband, Jeremy. While there, she discovers a disturbing manuscript that makes her question everything she’s been told about Verity.

The setting reminded me a little of Ruth Ware’s, The Turn of the Key, while the plot and storytelling reminded me a lot of Alice Feeney’s, Sometimes I Lie. Lowen discovers a number of disturbing revelations about Verity’s past as creepy things start happening in the house that make her question her sanity. There’s a few random plot lines that don’t really seem to go anywhere, but they still add to the overall atmosphere of the book.

I’ve also said before that I’m not a big fan of the men Hoover writes as the love interests. This was the first Hoover book I read that focused less on the romance than the other aspects of the story though, so it was a welcome change. Emily May sums of my feelings about Hoover’s love interests well in her review where she notes, “I think I enjoy Hoover’s fucked-up books so much because I usually find her regular romances kinda fucked up. I like her books so much more when she’s writing about trauma and morally-questionable characters than when she’s trying to sell me a douche as a love interest.” Which brings me back to my original question – who decided to market this book as a romance? Everything about this book is “mystery/thriller” and someone needs to get this out of the romance genre so that more people pick it up.

Anyways, to sum it up, I really enjoyed it. The themes don’t have the same significance as some of her previous work, but it was still really fun to read and gripped me the entire time I was reading it.

The Blackhouse

Rating:⭐⭐.5
Author: Peter May
Genres: Mystery
Pub. date: Feb. 2011 (read Jul. 2019)

DNF @ 67%

I was going to try and stick it out, but I can’t do it. My Dad’s been trying to get me to read this series for ages and finally picked it up as an audiobook, but it’s just not working out for me.

Even though I haven’t finished it, I feel like I have experienced enough of this book to give it a bit of a review. Honestly, I would probably still give this a middle ground 3 stars, but it started dragging on and I just don’t have the motivation to finish it. It’s possible it’s the audiobook and I might have enjoyed it better as a print book.

The premise is interesting enough. It’s a classic police investigation story where the investigator is forced to return to his childhood home and confront the trauma of his past. The setting is in remote Scotland, which I actually really liked, and I did think Finn was a complex and interesting character. But only half of this book held my attention. Interestingly enough, I actually didn’t care at all about the present day mystery. Finn is forced to go back to his childhood home to investigate the grizzly murder of the town bully. At the same time, we get flashbacks to an overall mundane childhood.

But it was his childhood that intrigued me. The story is very much character driven by a number of seriously flawed individuals and I was actually quite interested in the drama and intrigue between Finn and his best friend Arthur and their mutual crush, Marshali (don’t know actual spelling as I read as audiobook). There’s a lot of interesting details about the way of life in this remote Scottish town that I found pretty interesting. So it does beg the question why I’m deciding to DNF.

Perhaps I might return to it, but I found the murder investigation pretty boring. I’d tune out for long periods of time, such that I was listening to this while running one day and suddenly realized I had no idea what had happened and had to go back more than 20 MINUTES to get to a place I recognized because I tuned out for so long. I’ve been trying to DNF books a little more when I’m not enjoying them, so even though I think I could push through this one, I think I’ll find something else more engaging.

Sorry Dad, don’t think Peter May is for me.

No Exit

Rating: ⭐⭐
Author: Taylor Adams
Genres: Mystery, Thriller
Pub. date: Jun. 2017 (read in Jul. 2019)

Oh boy… I don’t know how to rate this. It’s a fast-paced, dark psychological thriller. It definitely kept me on the edge of my seat, but it was so exhausting to read. The premise was interesting, as the name suggests, this is a closed room mystery thriller where are protagonist is trapped in a snowstorm nightmare with no way out.

Darby Thorne is on her way across the Rockies to visit her dying mother for Christmas when the snow forces her to stop at a rest stop to wait out the weather. There’s 4 other people at the rest stop and no cell service. While there, she discovers one of the others is concealing a massive crime and her attempt to right the wrong ends in a nightmare of epic proportions.

So I wasn’t sure how much of the plot to reveal in my review, but apparently I never read the synopsis before reading this book because Darby discovering a child trapped in a dog cage in the back of one of the vehicles at the rest stop was a total shocker to me, but is actually revealed right in the book synopsis. I wish I’d known this going in because it might have greatly influenced my decision to read this book. I hate stories that mess around with children and find them difficult to read, so had I realized that earlier, I might have opted out of this one. But my book club picked this as our July read, so I stuck it out.

Overall, I do think this was quite a good book and I can see why people might like it. It’s super fast-paced, the stakes are high, the setting is claustrophobic, and our protagonist is relatable. But I personally struggled with it because it includes child violence and graphic depictions of torture and other violence. I find all these things extremely disturbing and hate reading anything with torture in it, particularly if child violence is involved. I had to give up Game of Thrones after season 3 because I couldn’t deal with the torture.

Which is why I’m unsure how to rate this. I don’t think anyone is going to argue that this is outstanding literature. It’s a mindless thriller book that I think pretty much accomplishes what it sets out to. There’s very little character development and it didn’t make me think that much; there are no hidden meanings or deep themes weaved into the story. Mostly it just made me anxious for the entire week that I was reading it. I propelled through it, but mostly just because I wanted it to be over.

I do think the book was dragged down a little bit by the setting and timeline. Any book that takes place in a span of 8 hours with a setting this small will face a challenge in keeping the reader engaged and I don’t think Adams really overcame that. The story started to feel repetitive and towards the end it was really dragged out. There are several false endings and I feel like the author kept dragging it out to make a large enough page count to call this a proper book. Despite the tense nature of the story, I started to get bored towards the end as the same trauma kept repeating itself. Plus, a lot of the drama was unbelievable and I think the author relied on a lot of what I would consider lazy plot devices to carry the story (i.e., the never-ending cell battery and repeatedly using the same escape route).

Beyond that I don’t really have a whole to say about this one. The idea held a lot of promise, but I don’t think the author quite delivered. As a mystery/thriller, I’d give it 3 stars, but I’m going to give it 2 stars overall because it just wasn’t for me. It’s not a reflection on the book or the writing, just that it wasn’t to my tastes.

Miracle Creek

Rating: ⭐
Author: Angie Kim
Genres: Mystery, Fiction
Pub. date: Apr. 2019 (read May 2019 on Audible)

I heard really good things about Miracle Creek, which is what inspired me to pick it up, but I was still totally blown away by this book! I like mystery/thrillers,but they don’t normally stand out in the way a good literary fiction or historical fiction book does. Miracle Creek was everything I didn’t know I was looking for in a mystery novel.

What makes this such a great read is that the author weaves so much nuance into the rest of her story. It’s primarily about solving a crime, but there’s so much else going on and the characters are incredibly well developed and have a huge amount of depth. Kim tackles everything from alternative medicine, to parenting less-abled children, to cultural diaspora, to the challenges of simply growing up.

Miracle Creek is primarily about the Yoo family. Pak, Young, and their daughter Mary, moved to the United States from Seoul, Korea. Each character faces their own challenges in moving to America and their new routines start to create a distance between each of the family members. Pak decides to start up a new business called Miracle Submarine, which is all about the healing powers of hyperbaric pressure chambers, or HBOT. HBOT is a pressurized chamber that allows the patients to breathe in pure oxygen, which is touted as having all kind of medical benefits. However, the benefits are not totally proven and it is a controversial practice.

Pak, Young, and Mary’s lives, as well as the lives of their friends, are totally torn apart when one evening, someone lights a cigarette outside the chamber and blows it up, killing two of the patients inside. The rest of the book is a courtroom drama, investigating who was responsible for the explosion and what exactly happened to lead up to that moment.

The courtroom drama is the focus of the novel, but everything else that happens outside the courtroom is really what makes this read so thrilling. We get to experience the trial from a number of different perspectives. We are never really sure who actually committed the crime, with new evidence continuously keeping you guessing. But the decision to tell this story through multiple perspectives is super effective. Kim humanizes every single one of her characters, making it easy to empathize with them, even when some of their actions shock you.

Outside of the courtroom, she explores so many different conflicts that each character is facing. I loved that I got to explore what it was like for Young living within the confines of a traditional Korean marriage and the impact that moving to America had on her family. I sympathized with Pak being a goose father and the perceived loss of his wisdom when he could no longer communicate himself eloquently. I was captivated by Elizabeth and the other autism moms – the level of responsibility that was thrust upon them and the continued heartbreak every day as they had to watch their children be only a fraction of who they knew they could be. The conflict they felt about HBOT and all the treatments they put their children through and whether it was really worth it and who they were doing it for? I felt bad for Janine as she struggled in her relationship with Matt and the fetishization of Asian women and her indignation that being attracted to Asian women could even be considered a “fetish”, like it was something dirty.

Every single character in this book is so nuanced. I constantly marveled at the author for how she played with so many different social issues and commentaries, all while maintaining an equally thrilling courtroom drama. I loved how she played with regret and “what if’s. How things could have been so dramatically different had one character taken a slightly different action. I wasn’t particularly surprised with the solving of the crime, but I was impressed with how Kim decided to end her novel. In the same way that the story was filled with moments of frustration, bitterness, and anger at the hand that had been dealt to each character, the ending carried on the same theme of cold, hard reality. It reminded me at times of a Greek tragedy in that you saw how easily things could have been different, but the characters, blind to their own shortcomings and missing information, barrel into the unknown, only increasing their mistakes. This book had a lot of irony and that’s what really sticks with you. It get’s under your skin and you get caught up in the what ifs.

I can’t believe this is a debut novel and I can’t wait to see what Angie Kim writes next. Highly recommend this thoughtful and thrilling book!