Author: Taylor Jenkins Reid
Genres: Historical Fiction
Pub. Date: June 2021 (read Aug. 2021 on Audible)
Malibu Rising was one of my most anticipated reads of the year, but sadly it was a major letdown. Taylor Jenkins Reid had such success with Evelyn Hugo and Daisy Jones (both of which I loved), so I had very high expectations for this book and sadly it didn’t live up to them. Reid reminds me a bit of Kristin Hannah in that she published a ton of mediocre books before her big break (Evelyn Hugo for Reid, Nightingale for Hannah), followed it up with another smash hit (Daisy Jones and Great Alone), only to regress on the next book (Malibu Rising and Four Winds). Both are accomplished writers, I just think the question becomes whether you’re creative enough to find something else meaningful to write about. Evelyn Hugo had so much great social commentary and Daisy Jones’ format was incredibly unique, but sadly, Malibu Rising had all the trappings of a story that just didn’t need to be told.
Malibu Rising is about the Riva family. Mick Riva rises to fame as a rock artist after marrying June and fathering 4 children. The novel covers their family history before delving into the lives of each of the 4 Riva children, bringing all their family drama to a head at the annual all-night Riva party in Malibu. This had similar vibes to Daisy Jones with the whole rock n roll scene, and the structure and focus on a fire reminded me of Little Fires Everywhere. It’s an all encompassing family drama with a large cast of narrators.
So here’s the thing. This wasn’t a bad book – it did remind me a little bit more of Reid’s earlier work, but it’s still fairly well written. It has a bit of a slow start, but the pace does pick up as the novel progresses and I was honestly just as invested in the past as the present day narrative. So what was the problem with this book? My main issue was that I just didn’t care. I didn’t feel connected to any of the characters and I struggled to understand why I should give a sh*t about any of them. Reid explores several different themes here, but I can’t say I found any of them particularly compelling.
I feel like she was going after something similar to Daisy Jones with the intrigue of the rich and famous (a theme in all her recent bestsellers), but it really didn’t work for me in this book. Like I mentioned, Evelyn Hugo had a lot to say about Hollywood, race, and sexuality, while Daisy Jones had a unique format and a lot to say about gender politics and privilege. But with Malibu Rising I was left scratching my head about why I should really care about this privileged white family? Sure it’s a character study (of many different characters), but a weak one. I didn’t think there was anything really special about these characters and I struggled to relate with them.
I do think one of the problems is that Reid introduces just a few too many characters. I could handle the 4 Riva siblings and June (honestly would have liked Mick to feature more), but for some reason Reid keeps introducing more character perspectives for very limited periods of time. Like, how many random characters did she start adding during the party? I couldn’t keep track of them and they played such small and insignificant roles in the plot that I questioned why bother including them at all? It’s fine to have a large cast of characters, but I don’t need to read from their perspective. It made me question if she was just trying to reach a page count and threw all these other characters in just to add some length.
The same went for Casey and the fire at the end of the book. The fire is alluded to from the beginning of the book, but we don’t actually get into it until the final hour. Very similar to Little Fires Everywhere, but at least in Little Fires Everywhere I felt like it added something to the story, whereas in Malibu Rising I felt that it added nothing to the actual plot and was just used as lazy device for symbolism. Likewise, I thought Casey’s storyline ultimately didn’t really add anything to the plot.
So overall, a very disappointing read for me. I’m between 2 and 3 stars, 2 because it was not a very compelling book, but 3 because it’s still pretty well written. So I guess I’ll end at 2.5 stars. Not a great read, but I still wouldn’t be deterred from reading her next book.
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