Saving Francesca

Rating:
Author: Melina Marchetta
Genres: Young Adult
Pub. date: Mar. 2003 (re-read May 2019)

This was super enjoyable to read for the second time and I actually enjoyed it more on my re-read than I did the first time I read it. I’ve been dying to read her newest book, The Place on Dalhousie, but it’s not available at any bookstores in Canada or on the kindle store, so I finally broke down and ordered a copy from Book Depository. After ordering it, I discovered that it actually includes some of the same characters from Saving Francesca and The Piper’s Son.

Saving Francesca was Marchetta’s second book, published in 2003, and The Piper’s Son was published several years after that. I believe all 3 books involve some of the same characters, but could all be read as stand-alones. The Piper’s Son is the only remaining Marchetta book that I haven’t read, so I decided to take the opportunity to re-read Francesca and Piper before I read the newest book.

I liked Saving Francesca on my first re-through, but it didn’t stand out to me. I think this is because I read it right after the first time I read On the Jellicoe Road. Jellicoe Road is one of my favourite books of all time, so after reading it I was enthusiastic to try out some of Marchetta’s other books, but Francesca couldn’t really compete with Jellicoe, so I didn’t rate it as highly. I’ve probably read Jellicoe 4-5 times since the first time I read it, but this was my first time re-reading Francesca and I really liked it a lot more. Now that I’ve had the time to separate it from Jellicoe Road and view it on its own merits (rather than just comparing it to Jellicoe), it’s actually a really good book.

Saving Francesca is about 16 year old Francesca Spinelli and her family. Francesca has always had a really close relationship with her mother and then one day, her mother basically shuts down and fails to get out of bed. She suffers from depression, which is something Francesca has never really been exposed to and struggles to understand. At the same time, Francesca has just started a new school and she misses her old friends and doesn’t feel like she belongs at her new school.

Even though none of her other books have been as great as Jellicoe Road, I have always loved Marchetta’s writing style and characterization. I would absolutely classify her as one of my favourite authors and even though I’ve outgrown a lot of YA, I don’t feel like I’ll ever outgrow Marchetta’s work. I love the way she writes teenagers and friendships. I don’t know how to describe it, but when I read her books, I feel like I’m walking into a world already fully realized. She is great at Show, Don’t Tell, and I never feel like I’m being introduced to a story, so much as just becoming immersed in it.

Her characters are so vibrant and I love the way they relate to one another. Melina is the master of the “from-hate-to-love” relationships and I love how she develops friendships in her books. Saving Francesca is a coming of age story as well as a book about mental illness. I mostly liked her approach to mental illness, with the exception of the aversion to taking medication for it. There shouldn’t be any stigma associated with taking medication for mental illness and wish it would be normalized more in books. Many people suffer from many different mental illnesses and medication really helps them. Francesca’s family was pretty adverse to it in this book, which was too bad because I think drugs could have helped Mia get back on her feet a lot faster.

But I did like her other themes about being there for one another and that having good days doesn’t mean that you’re better, but that having bad days also doesn’t mean that you’re not okay. The characters gave each other space to work through their issues and I liked that Francesca understood that while there maybe wasn’t a lot that she could do for her mother, simply being there might be enough.

One thing that really makes a book a winner for me is when an author writes well developed secondary characters. I loved all the secondary characters in this book, especially the teenagers. Every single one of them was flawed, yet they all had traits that made them special and likable. I loved Tara’s spirit and Siobhan’s unapologetic approach to life and Justine’s goodness and Thomas Mackee’s nonchalance and Jimmy’s soft understanding and support. I even kind of liked Will this time around, who I definitely didn’t on my first read through. He’s a bit of a shitty character, but I was willing to forgive him for his mistakes this time around and appreciated that he was able to grow and make choices outside of the rigid plans he set for himself.

This is a short book and subtle. I liked the honest depiction of mental illness, but as usual with Marchetta’s books, what really made it stand out was the characters. I love a good character driven book and she never lets me down. Can’t wait to read The Piper’s Son and The Place on Dalhousie!

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Say You Still Love Me

Rating: .5
Author: K.A. Tucker
Genres: Fiction, Romance, New Adult
Pub. date: Aug. 6th, 2019 (read May 2019)

Thanks to Atria Books and Netgalley for providing me with a free advance copy of this book in exchange for an honest review.

The Simple Wild was one of my favourite books of 2018, so I couldn’t wait to get my hands on K.A. Tucker’s new book. I’ll admit, this one didn’t appeal to me quite as much as The Simple Wild, but as someone who worked as a camp counselor as a teenager and also works in a male dominated field, I thought me and Piper could probably relate.

Overall, I liked this book and it kept me engaged throughout, but it definitely couldn’t hold a candle to The Simple Wild. I was looking forward to a slow burn romance, which I got to a certain extent, but mostly this book just left me scratching my head about who the intended audience is.

Say You Still Love Me is about 29 year old Piper Calloway, a senior VP at her Dad’s billion dollar development firm, Calloway Group. Piper is slated to take over the company when her father retires, but as a young woman, she struggles to be taken seriously in this male-dominated environment. Piper is thrown further off guard by the arrival of her first love, Kyle, who takes a job as a security guard in her building. Piper and Kyle fell in love 13 years ago at Camp Wawa when they were counselors at 16. The relationship ended suddenly and PIper always wondered what happened to Kyle and his sudden reappearance forces her to confront questions that have been buried in the past.

The story is told in alternating timelines between 2006 and 2019. The 2006 timeline is a whirlwind camp romance, while the 2019 timeline is more of the slow burn romance I was looking for. 16 year old Piper is totally head over heels for Kyle and acts how you might expect a dopey teenager in love to act. Whereas 29 year old PIper is a high-powered executive who’s trying to figure out her love life while also running a billion dollar company.

Which is why I questioned who the intended audience is. As a 28 year old, I was thrilled to read a new adult book about a successful young woman in her late twenties. I was less interested in reading about a gushy teenager having her first romantic and sexual experiences.

I really think this book is intended for young professionals rather than young adults (teenagers), and no offense, but as a 28 year old, I don’t want to read about Piper’s first fumbling experiences with sex. I’m not a prude, but I don’t really think this book is appropriate for 16 year olds, which begs the question, who is it appropriate for? I don’t have a problem with sex scenes in young adult books because we all know teenagers are having sex, but I’m more a fan of the less-explicit, cutesy love scenes. These are definitely explicit adult sex scenes and as an adult I don’t want to read about two 16 year olds experimenting with blow jobs.

So a lot of the romance made me uncomfortable because I felt too old to be reading it, even though I think I was the intended audience for the book. I also struggled to buy into Kyle and Piper’s romance 13 years later. I do think that your first love holds a bit of a special place in your heart, but these two dated for 6 weeks and then never saw each other for 13 years. I did believe that they would still be attracted to each other and maybe pursue something, but I didn’t buy into the whole no-one-else-measures-up-to-you, I’ve-been-missing-you-for-13-years bit. Mostly because it’s kind of sad. I had to agree with Kyle that he and Piper came from such different backgrounds, it was never going to work between them. Everyone changes and grows an inordinate amount between the ages of 16 and 29 and I thought it was a bit disingenuous to pretend like they were still the same people.

So as a romance, this didn’t really work for me. But part of what made the Simple Wild so great was that it wasn’t just a romance. It was a book about family relationships and choices. If you removed the romance from The Simple Wild, it still had a lot to offer. That’s what I was hoping for from this book and like I said, I was excited to read about an ambitious 29 year old woman trying to make it in real estate development and construction.

Piper was pretty baller as a VP, but unfortunately I didn’t love this story line either. I was thrilled to see a young woman in a position of power, but I was disappointed by how she got there. Was she deserving of a senior partner role? Potentially – I think she had the skills to get there some day, but I’m sorry, as a 29 year old, she was definitely only there because of her father. I was angry about how a lot of the men treated her, but I couldn’t help but agree that it was nepotism that put her there and that’s not the kind of role model I’m looking for. I felt like I was supposed to believe that she got to her position by her own merits, but she so obviously didn’t. It’s so hard for women to get senior management positions and it was irksome to see someone who only made it there because of her father. It was uninspiring.

I also struggled to like Piper. She was a spoiled rich girl. I like that Tucker’s heroines are flawed – Calla definitely got on my nerves sometimes, but at the end of the day, she really grew as a person and I loved watching that process. Piper answered all of her problems with money. She really doesn’t understand how people like Kyle live and her privilege and wealthy father provided her the opportunity to basically live in ignorance. I saw the ending coming a mile away and I was disappointed in Piper for never checking in on her friends after camp or following up on the “incident” that we wait the whole book to find out about.

Kyle talks about how grounded Piper is being nice to her assistant and talking to the old security guard every day and letting her friends live in her penthouse, but I thought those were all just signs of being a normal, nice human being, nothing extraordinary. Piper was a total Daddy’s girl and I always find those kinds of father-daughter relationships creepy. Like she’s your daughter Kieran, she’s not your possession. You have no right to make decisions for her or keep things from her. But I think a lot of girls will still probably like this because America romanticizes the father-daughter relationship and creepy, overprotective, possessive behaviours. It was just not for me.

Unfortunately the writing of this review is diminishing my opinion of this book and I’m struggling to find what I did like about it. I didn’t like Piper’s dad, who demonstrates textbook signs of emotional abuse, I didn’t like how entitled Piper was, and I didn’t like how easily she forgave some pretty sketchy things that Kyle and her Dad did. Even her friends were a bit of a mystery to me. I understand why she stayed friends with Ashley, but I never really understood Christa or how they ended up being friends. They seemed to have nothing in common.

Overall, I just couldn’t suspend my disbelief for this book. I know romances are sometimes over the top, but I prefer ones that are more grounded in reality. I didn’t think this book had a whole lot going for it outside the romance and since that didn’t cut it for me, it didn’t have a lot to offer. The writing is still good though – I didn’t struggle to read this – even though I didn’t enjoy the subject matter. Tucker is good at writing witty dialogue and I thought that held true in this book, it just wasn’t as good coming from two lovestruck teenagers.

The Storied Life of AJ Fikry

Rating:
Author: Gabrielle Zevin
Genres: Fiction
Pub date: Apr. 2014 (read Apr. 2019)

I really put off writing my review for this book, so it’s probably going to be a bit short since the book is no longer fresh in my mind.

Overall The Storied Life of AJ Fikry was a little disappointing for me. Not because it wasn’t good or I didn’t like, but because so many of my goodreads friends have rated the book so high that I went into it with really high expectations, and the story just didn’t quite live up to those expectations. I definitely liked the book, hence the 3 star rating, but it’s not going to make my favourites list.

Gabrielle Zevin has an interesting writing style – I do have an unread copy of one of her other books, Young Jane Young, on my shelf, so I would like to pick that one up soon. This one reminded me a little bit of A Man Called Ove. I wasn’t sure what to think of a lot of the characters initially, but ended up growing to appreciate them all, minor characters included.

It is an interesting book. It’s definitely more of a character driven book than a plot driven book, which I generally prefer, and it was sometimes hard to know where the story was going. I like books that can take the mundane from everyday life and make it fascinating. I really liked AJ Fikry’s character. He’s suffering from the loss of his wife and then loses his fortune, so things are really not looking great for him, but I loved his no nonsense approach to life and the logic through which he ended up welcoming Maya into his life. So I liked that I never really knew where the story was going and that it never really followed any predictable narratives. For example, when Maya showed up, I was like, “Oh, this is going to be a Fredrik Backman type book where Maya opens AJ up to love again”, which she did, but it was never really the focus of the book and the plot went to some places I wasn’t expecting.

As a book lover, it’s hard not to like a story about other book lovers and I liked the way that AJs bookstore became a sort of community centre for the people living on the island. The bookstore wasn’t really doing well after the death of AJ’s wife because people’s pity for AJ kept them out of the store, but after he adopts Maya, I guess the community felt that AJ might need their support and his bookstore became more of a community space as his customers starting joining book clubs.

To conclude, it was a nice story about community and how sometimes misfortune and the mundane can actually end up changing your life.

Queenie

Rating:
Author: Candice Carty-Williams
Genres: Fiction
Pub. date: Mar. 2019 (read Apr. 2019 on Audible)
Narrator: Shvorne Marks

I completely sped through this audiobook! Queenie wasn’t really on my radar at all and then suddenly, it was everywhere! It’s been compared to Bridget Jones and it featured a Jamaican-British, 25 year old, so I was definitely intrigued. Plus the audiobook narrator sounded great in the sample and had me laughing out loud in her 5 minute clip.

The reviews are a bit mixed on the book though and after reading it, I can definitely understand why. Queenie works for a newspaper and has just split up with her boyfriend of 3 years, Tom. They’ve been struggling as a couple, so they decide to go on a break for 3 months. but Queenie really struggles with the separation and turns to casual sex to fill the void in her life. She’s lonely and her break with Tom is really the start of a pretty brutal downward spiral and a ongoing fight with anxiety and depression.

The reason I say I can understand why some people would dislike this book is because Queenie is often a frustrating and sometimes unlikable character. She has very little self esteem or self respect and she struggles to stay motivated at work, making a lot of bad choices, both in her personal and professional life. She’s also black and struggles with institutionalized racism at work, casual racism in her relationship with Tom, and fetishism in her romantic life.

The book is hard to read at times because Queenie is so rough on herself and you just want her to come to terms with reality and start to make her life better. But I loved it because she felt like such a real character. Despite her bad choices, I really empathized with her and her friends. She knows she’s not okay and she just keeps pushing ahead toward the end of her “break” with Tom with the idea that if she can just return to her relationship, everything else will sort itself out. But she eventually has to come to terms with the fact that she is the only person who can sort out her problems and that getting back with Tom won’t fix the other things she’s struggling with.

This is ultimately a book about mental health and the additional struggles that black people and immigrants face in achieving success and finding support. Queenie is up against additional hurdles because she is black and even though her family loves her very much, there’s a real cultural disconnect in the way that they think about mental illness. Her family has suffered so much physical and emotional trauma in immigrating, that they are very dismissive of mental health and the value of therapy. I loved when Queenie was finally able to recognize that counselling might actually be able to help her and that she pursued it despite what her family thought. She is adverse to medicating for her panic attacks though, which I thought was a too bad because it probably would have helped her a lot.

Because of the depth of Queenie’s struggles, I’ve read a lot of reviews that the comparison to Bridget Jones isn’t accurate. I knew that going into the book and I was fine with it because I always prefer a little more depth to my characters, but I would actually agree with the assessment that this is like Bridget Jones. It’s definitely darker and not a fun rom-com like Bridget Jones, but I did notice a lot of parallels, which I thought made the book even more enjoyable.

Queenie has a similar sense of humour to Bridget, which I equate with British humour. She’s self deprecating and unflinchingly honest – to the point of oversharing. Like Bridget, she’s someone who is ready to settle down with a man, but continually finds herself making poor decisions. She works in publishing, makes the mistake of acting on an ill-informed work romance, and has a small group of friends that she turns to for support. Her group of friends consists of Darcy, Cassandra, and Cheska (sorry, I listened to audio so I genuinely have NO idea how to spell her name, so I’m going with the phonetic spelling). I loved that she called her friends “the corgis” and I loved all the interactions she had with them. I thought each of these women were fully realized as secondary characters and I found them all extremely relatable. Everyone has women like this in their lives, even snooty, annoying friends like Cassandra. Cheska was my favourite because her and Queenie understood each other better, both being black, but I also really liked Darcy, who supported Queenie in her own way as well.

Even though I couldn’t personally relate with most of Queenie’s problems, overall I still thought she was so relatable! Her character was so honest and I thought the author did a wonderful job in taking us on Queenie’s journey to self discovery. The book explores how everyone has baggage and that everyone deals with those issues in different ways. You don’t need to apologize for falling apart, and you don’t have to put yourself back together alone. I thought this book also did a great job at shining a light on all of the little microaggressions that black people have to put up with day after day and how people repeatedly dismiss their existence and see them as less than human in some circumstances. Men fetishized Queenie’s black skin and curves and they treated her with less respect than I think they would a white woman. In most cases, Queenie deserved the criticisms she received, but there were definitely other cases where she was discriminated against and treated unfairly as a black woman.

I also liked that this was ultimately a story about self-discovery and self-love and that Queenie never solved her problems by finding romantic love. Stories like this often follow the troupe where the woman has no luck with love but then eventually finds it in the least likely place and everything ends happily ever after. Queenie tries to fill the void in her life with sex, but ultimately realizes that her happiness in not contingent on a man and that her familial and friend relationships are ultimately the most important relationships in her life.

I also liked that when Queenie started looking after her mental health, she found more clarity in where she was at fault in her relationships and where other people were at fault. It’s clear from the beginning that Tom and Queenie had relationship issues. She initially blames Tom for all their issues, and while he is definitely still at fault for a lot of their problems (namely not sticking up for her against his family’s casual racism), Queenie realizes that she is also at fault for some of their problems. She is better able to recognize her own harmful habits and identify the habits others have that are harmful to her, but that she has let slide in the past.

There are some relationships where it is worth forgiving the person who has hurt you. It’s evident from the beginning that Queenie has a bad relationship with her mom, although it’s a while before we learn the extent of why. Her mother undeniably hurt her and some of the decisions she made were terrible, but sometimes it is worth acknowledging a person’s shortcomings, but still deciding to forgive them in the interest of safeguarding that relationship. Then there are other relationships where you really don’t owe the person who has hurt you anything. Just because they want your forgiveness, it doesn’t mean you have to grant it, and there are times when it is better to cut that harmful person out of your life, regardless of how they say they’ve been transformed.

Overall, a great read. Maybe not for everyone, especially if you struggle with frustrating or unlikable characters. Personally, I never disliked Queenie, I just lamented her bad choices. My favourite parts were the frank discussions around mental health and the examples of microaggressions that Black people face on a daily basis. I will miss reading about this character!

Daisy Jones & The Six

Rating:
Author: Taylor Jenkins Reid
Genres: Fiction, Historical fiction
Pub. date: Mar. 5, 2019 (read Mar. 2019 on Audible

I did everything I could to get my hands on an early copy of Daisy Jones & The Six, but friends, I’m so glad I was unsuccessful because that would have deprived me of the joy of listening to this as an audiobook! I usually prefer to read fiction that I think I’m going to love as a paperback because it’s almost never quite as good as an audiobook. But this is one case where I would absolutely recommend reading the audiobook! Audible sold me on this book with the 5 minute sample because it’s read with a full cast, meaning a different voice actor is cast for every single character! It adds so much life to the story when every character is read by a different person and I really felt like listening to this book was an experience in itself. It also works particularly well as an audiobook because the story is written as an “oral history”, meaning almost the entire book is dialogue from the characters as they recount the story. So absolutely read the audiobook, you will not regret it!

For a little background; Taylor Jenkins Reid is the author of The Seven Husbands of Evelyn Hugo, which was published in 2017 and took the book world by storm in 2018. I read it with my book club and LOVED it, so I was really excited to finally get my hands on this book. Daisy Jones & The Six is set in present day, but tells the story of the rise to fame of fictional rock band, Daisy Jones & The Six in the 1970’s, leading up to the break up of the band in 1979 at the height of their popularity. No one knows the true story of why the band broke-up, but for the first time, the members of the band have agreed to tell their story. So the whole thing reads like an MTV-type documentary, where an interviewer has compiled everyone’s accounts of the band’s rise to fame and break-up to finally give readers the full story.

What makes it so interesting is that because the story actually happened 40 years in the past, the band members are, of course, fuzzy on some of the details and many of their stories contradict one another. Because we don’t really know the truth or the motivations of each of each of the characters (some might be motivated to lie for example), it’s up to the reader to decide where the truth actually lies, which the interviewer postulates, is likely somewhere in the middle.

I can see how this book wouldn’t be for everyone – I personally don’t care about 1970’s rock and roll, although I can see how this topic would be an incentive to pick up this book for other readers – but I was captivated from start to finish! I thought the way Jenkins Reid crafted the story was brilliant, as was her writing. Any author that can tell a story this well written and crafted is definitely talented. Plus the voice actors should really be commended because they did a wonderful job capturing the angst and emotion of each character. This is one book I would recommend listening to at normal speed because the actors really are quite talented and absolutely bring this story to life.

One of the best parts of this book is just how real the characters feel. Dialogue can be tricky to write and some authors are just not good at it. But I genuinely felt like every single one of these characters was a real person and it’s hard to believe that Daisy Jones & The Six are not actually a real band. It’s hard to believe someone could bring music that doesn’t even exist to life in such a real way in a book. The most upsetting part is that none of the music in the book actually exists, because I wanted so badly to be able and go and listen to the album that Daisy and Billy wrote together. I kept thinking during the book that the band reminded me of Fleetwood Mac, even though I don’t even know very much about Fleetwood Mac, but I have heard that some of the story is loosely based on that band, although I’m not sure how much truth there is to that rumour.

The overall story is not that different from any other rock story. It has many of the same themes that we regularly see in stories about musicians. The book is filled with sex, drugs, and rock and roll, but the characters and their relationships are really what bring the story to life. However, while the general themes were pretty standard, I did not find the plot predictable. So many of these kinds of stories involve drug abuse and forbidden relationships that tear our artists apart – this book had those elements, yet it still felt fresh and surprising.

Daisy Jones was a solo artist and The Six was a 6-person rock band led by singer Billy Dunne. Both achieved some level of success on their own, but together they were magic. Daisy and Billy had a tumultuous relationship. They both had very strong personalities and opinions about the music they wanted to create, but when they were able to work together, what they created was magical. Likewise, a distinct personality emerged for each of the individual band members and the producers and family members that surrounded the band. I loved the dynamic between Daisy, Billy, and Camila, as well as the dynamics between other band members such as Karen and Graham, Eddie and Billy, and Teddy and Billy. Plus each character had a really well developed sense of self and struggled as much with their own personal demons as they did with the people around them.

I loved the evolution of each character. Everyone had great personality traits and everyone had flaws. You’d start off loving a character, then find them to be quite unlikable, before finally understanding what they’re going through and liking them again. I’ve heard reviews that some people loved Daisy Jones, while others hated her. I was firmly in the middle. She definitely had a spirit that was to be commended, especially for a woman in the 70’s, but she was also undeniably privileged and entitled and often made bad decisions.

Likewise, I loved and hated Billy. Billy had an obvious conflict with Daisy, but his character was really driven by his personal conflict and fight with addiction. Daisy and Billy definitely brought out each other’s flaws, but they also helped one another to grow in ways they never would have without each other.

I’ve heard some people call this a love story, but it was never really a love story for me. It was more a story about people and relationships. Relationships were central to the story, but it wasn’t always about love. It was also about the power of music as a method of expression and the different ways that we express ourselves and learn and grow from our mistakes. Although I will say, I always look for love triangles where you love everyone in the triangle because I think it brings so much more emotion to a story when you want all 3 characters to be happy, but you know only 2 of them will be together. Daisy Jones & The Six has that kind of love story and it will tear your heart out, but it’s so much more interesting to read about.

There’s more men than women in the story – we’re limited pretty much to Daisy, Karen, and Camila as our female characters – but I loved every single one of them. Daisy had a lot of faults, but I loved how unapologetic she was. She refused to be anyone but who she was and even though she was portrayed by the media as a sex icon, she was an icon on her own terms. She dressed for herself and made decisions for herself, she was always focused on her own gaze rather than those around her. But I loved that Jenkins Reid also drew attention to her privilege. She never really had to work for anything and I loved how her character was challenged throughout the book, both as a musician and as a person.

Karen was probably my favourite female character though and I loved how Judy Greer portrayed her in the audiobook. Karen was another character who knew what she wanted and what she didn’t want and she was never going to apologize for it. Her character was in contrast to what most people would expect from a woman in this era and I loved the way the author contrasted Karen and Camila. Karen wanted to be a successful musician, she was interested in love and sex, but never at the expense of her career, she was comfortable being alone, and she never wanted kids. In contrast, Camila was happy to sit back and support Billy as a musician. She wanted nothing more than to be a mother, and though it was hard, she was content in her life and trusted her husband.

They were both completely different people, who had very different thoughts on what they wanted to achieve in life, but they were best friends and neither was threatened by the other’s ambitions and how they differed. I think a lot of mothers are threatened by women who don’t want kids. I don’t really know why, it’s a personal decision and both are right. But Camila was never threatened by Karen’s differing values and never tried to convince her to feel otherwise. They both accepted and respected the others desires.

I don’t want to spoil what happened to break up the band, but I really liked that it was never really about one specific thing. It was a culmination of all the different relationships in the band. There were different catalysts for different people and I loved how this was a study of all of the band members rather than just Billy and Daisy.

I want to get into some spoilers now, so I’ll just say I absolutely loved this book from start to finish and would highly recommend the audiobook! If you haven’t read it yet, tap out now to avoid spoilers, if you have, let’s keep going!

SPOILERS BELOW

So first of all, because I was just talking about Karen and Camila, I want to say that I loved the abortion scene in this book. It was lovely to see a woman put in a tough situation, but confident enough in herself and her dreams to make the right decision for herself and to not regret it. Karen understood that she wouldn’t have the same luxury to continue her career as Billy and Graham would have if they all were parents. Graham clearly didn’t understand and as much as I liked the two of them as a couple, they weren’t meant to be. I also loved that Jenkins Reid took the typical gender dynamic and flipped it in Karen and Graham’s relationship. So often it’s the girl chasing after the guy, but I loved that Karen was one of the few women portrayed as actually being comfortable alone. I loved how she was contrasted to Camila in terms of their personal goals, and how she was also contrasted to Daisy, who hated being alone.

Finally, I want to talk about that killer spoiler at the end where we discover that the person interviewing the band is actually Julia, Billy’s daughter, and that Camila has passed on since being interviewed. The interviewer tells us at the beginning that some of the individuals have sadly passed on, so at first you’re kind of expecting the typical tragic “musician dies from drug abuse and overdoes” story, but because everyone is being interviewed, you understand that means they’re all still alive. It’s not until later that you realize Teddy was never interviewed because he passed away in the late 70’s. Then we’re thrown for a total loop when we discover Camila passed away mid-interview and that the interviewer is actually hers and Billy’s daughter.

To be honest, I didn’t think that much of it, I was just like, okay, that’s kind of weird, but whatever, doesn’t change that much, just makes it seem weird that everyone was talking about her and her parents in the third person. But I watched Hannah’s (A Clockwork Reader) review on Youtube and she brought up a great point about how that shines a different light on absolutely everything that precluded it. Keeping in mind that everyone is telling their story to Billy’s daughter would absolutely change how they would tell their story and should make us question even further what the actual truth is.

It explains why no one every really says anything bad about Camlia, because people don’t really talk bad of the dead and it makes you wonder what Daisy and Billy’s relationship actually was like since it was probably really difficult for them to discuss the topic with Billy’s daughter. Throughout the whole book, I thought that Billy and Daisy had great chemistry, but I was somewhat surprised with their love story. Billy seemed to genuinely love Camila and Billy and Daisy both hated each other on so many different occasions, that it made you wonder if the music was really enough for them to overcome that. But knowing they’re telling their story to Julia paints everything in a different light and kind of makes me want to go back and listen to the whole thing again.

It speaks volumes about Taylor Jenkins Reid’s talent. She really did bring these characters to life in the most impressive way, it’s genuinely a bit jarring to me that none of these people are real. There were no throw-away characters, even annoying characters like Eddie were still incredibly relatable. A lot of the characters made bad decisions, but they were so well developed, it was easy to understand why they made the decisions they did.

Phew, well that was the quite the review and I think it’s actually made me appreciate the book even more than I did when I finished. I love when writing a review helps you confirm how you actually felt about a book and this review definitely helped me. I also love when a book makes you feel so much you can write a review this long. So definitely check out this book and audiobook. I know some people haven’t been loving this book as much as they hoped, but I definitely did!