Firekeeper’s Daughter

Rating: ⭐⭐⭐⭐
Author: Angeline Boulley
Genres: Young Adult, Mystery
Pub. Date: Mar. 2021 (read Apr. 2021)

I’ve been putting off reviewing this book and I’m not sure why. Firekeeper’s Daughter is getting so much buzz this year, and with good reason. First off, the cover art is dreamy, and second, it’s the most wonderful mix of genres. It’s YA, which I know might be a turn off for some, but there’s so much else going on in this book, you don’t need to be a young adult to enjoy it.

Daunis Fontaine is an unenrolled member of the Ojibwe Nation. She’s about to start her first year of College and despite her lofty dreams, she decides to stay home for College to be closer to her mom and grandmother after the death of her Uncle. Daunis is a shining star, but unfortunately drugs have started making their way around her town and on the reservation. After a shocking murder, Daunis becomes entwined in the drug investigation and goes undercover with the FBI. They think the drug producers might be using traditional tribal medicine to create a new hallucinogen and Daunis is able to use her traditional knowledge to help in the investigation.

Daunis is a great character and Boulley does some really interesting things with this book. Daunis is coming to terms with the deaths of multiple people who were important in her life and the struggle of finding where she belongs. She’s biracial, so though she’s accepted within the Ojibwe Nation, she’s not an enrolled member and always feels one step removed from the tribe. She has a traumatic family history, having lost her Dad young, but has a close relationship with her step brother, her mother, and her Dad’s extended family. 

What makes this novel special is that it blends so many aspects of Ojibwe culture into the narrative. Boulley is an enrolled member of the Sault Ste. Marie tribe of Chippewa Indians and sets the story in an area that she knows well. She tackles a lot of different issues in her book, from racism and drug abuse, to grief and growing up. It’s a murder mystery, while also being a family drama. My only complaint is that it’s just too long. 500 pages is long for any book, but especially for a YA mystery novel. It felt like it took a long time for the narrative to really get going. It wasn’t uninteresting and I felt like I was given adequate time to really get to know and love the characters, but it was a little overdone and I think 100 pages could be cut without losing the impact of the story.

Otherwise, I would still recommend. We are seeing more and more books from indigenous authors, but this one definitely blew up in a big way, which is great to see. Definitely hope to see more from this author! 

The Beekeeper of Aleppo

Rating: ⭐⭐
Author: Christy Lefteri
Genres: Historical Fiction, Fiction
Pub. date: Aug. 2019 (read Jul. 2020 on Audible)

I read The Beekeeper of Aleppo for my July book club meeting. I was super excited when I first heard about this book because it sounded really compelling. It’s about the war in Syria and focuses on the journey of one couple as they decide to leave Syria and flee through Europe to the UK.

Nuri is a beekeeper with his cousin Mustafa and his wife, Afra, is an artist. They are happy in Syria and want to stay, but when war breaks out it becomes unsafe to do so and Afra becomes blind. So they finally decide to leave and try to make it to the UK, where Mustafa, who left earlier, is also trying to go. The book follows their journey across Turkey and Greece and eventually England. They face many struggles along the road, but the real struggle comes when they finally stop moving and are forced to come to terms with everything that happened to them before and along the journey.

I really wanted to love this. There were parts that I really liked and it was an interesting enough story, but I felt like it maybe could have benefited from a stronger author. The story had a lot of potential, but it was just lacking, both in writing style and intrigue. The story moved extremely slowly, which can work in a book like this, but it just didn’t have the writing to carry it through. The author has Greek/Cypriot parents and volunteered with a refugee NGO in Greece, which is what inspired her to write this story. I felt that the author had a story to tell, but unfortunately she just didn’t really have the prowess or the skills to tell it. I feel bad saying that because I’m sure her intentions were good, but the writing just didn’t work for me. I really wanted more from the story.

She does create some interesting characters, but they kind of all fell flat to me, like no one lived up to their potential. For example, why the obsession with bees? Like I get it, but what did the beekeeper story really add to this book? It was overdone with limited meaning. I also found the deeper themes to be lacking. I get what Lefteri was going for with Muhammed and Nuri, but it felt too forced to be natural or cathartic. I felt like she was trying to force an emotional reaction rather than one that would naturally occur from good storytelling and lived experience. Likewise with the symbolism of Afra being blind – it just felt kind of basic to me and I’m not totally sure what it added to the story. Like I get it – I just wish there was more to it.

Which raises the age old question of whether Lefteri was the right person to tell this story. I really do believe that people can and should tell stories that they haven’t been directly impacted by, but in 2020, it is starting to get a bit old reading so many modern day stories not told by own-voices authors. Jeanine Cummins got all kinds of flak for writing American Dirt – I’m not saying it wasn’t justified – but I don’t see how Beekeeper is any different. It just hasn’t been as big a seller I guess and so it hasn’t drawn the same backlash. Personally though, of the two, I thought American Dirt was the better story. But there’s no denying both books could have been written by different authors.

It’s really a hard question about where the line is. Lefteri got published where another Syrian author likely didn’t. I’m sure there are other authors writing these stories and I would love to see them in the mainstream. But honestly – that’s on me as a reader too. As a co-chair to my Book Club it’s something I need to reflect on more and take more ownership over. We are 10 individuals committing to read a book, it’s important that we pick the right ones, even if they’re not always bestsellers…yet. I will try to do better.