Tag: 2017 publication

I Am Not Your Perfect Mexican Daughter

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Rating: ⭐⭐⭐⭐.5
Author: Erika L. Sánchez
Narrated by: Kyla Garcia
Genres: Young Adult, Fiction
Pub Date: Oct. 2017 (read Mar. 2018 as an Audiobook)

I listened to I Am Not Your Perfect Mexican Daughter on audiobook and it is definitely the fastest I’ve ever listened to an audiobook! I LOVED IT!

I’ve written a few times about how I don’t love fiction audiobooks because I think they can be very unforgiving of an author’s writing and for some reason hearing fiction read out loud always seems to make the writing sound cheesy or lame. I think non-fiction translates better to audiobooks overall, but this is hand-downs my favourite fiction audiobook that I’ve listened to and I think the narrator, Kyla Garcia is TOPS!

I Am Not Your Perfect Mexican Daughter was a National Book Award finalist in the young readers category and tells the story of Julia, a teenage daughter of undocumented Mexican immigrants. Julia’s older sister Olga has just died tragically in a road accident and her whole family is reeling from the loss. Julia’s mother always viewed Olga as the perfect daughter and Julia’s sharp contrast from Olga creates a lot of tension with her mother, who doesn’t understand why Julia is so difficult.

Julia is 15/16 years old (can’t remember) and she is extremely brash and confrontational. She’s constantly picking fights with those around her, she lies to her parents, she can be vulgar, and she is of course, grieving. In the wake of Olga’s death, Julia starts to discover some of her sister’s secrets and finds that her sister may not have been as perfect as she led everyone to believe. She struggles to justify this new Olga with the sister she knew and in her grief, she acts out against her friends and family.

A lot of the reviews for this book are pretty critical of Julia and I can understand why a lot of readers didn’t like her. She’s not a particularly likable character, but like Scarlett O’Hara, her flaws were what I loved about her, and I definitely loved this character. I have to give some of the credit to the narrator because I thought she captured Julia’s voice and the tone of this novel perfectly. Her Mexican accent was fantastic and she absolutely read this like an angst-y, grief-ridden teenager.

Julia had a lot of spunk and while I couldn’t believe some of the things she was gutsy enough to say to people, I thought she was incredibly relatable as a teenage daughter of immigrants. She’s grown up in completely different circumstances than her parents and they struggle to relate to each other. She’s lived her whole life in the shadow of her perfect older sister and even though Julia is really smart and accomplished herself, she’s always been overshadowed by her sister in her parents eyes. She is critical of Olga’s desk job and can’t imagine settling for a job like that when she wants to be a writer, but her parents are critical of her dreams because they don’t believe a writer is a real job and as people who have done labour their entire lives, they can’t imagine anything better than Olga’s desk job.

Following the death of her sister, her mother suddenly wants to try and give Julia everything she was never able to give Olga. She fears for Julia’s safety and is extremely protective of her, forbidding her to go to parties or spend time with boys. But Julia just wants to live her life and the wedge between her and her mother only grows bigger. Julia becomes depressed and overwhelmed by the constant pressure to be more like Olga and how critical her mother is of everything she does and wants.

While I thought Julia sometimes took things too far, I was incredibly sympathetic for her. She is grieving and her world is crumbling and she has little support to navigate the scary new world around her. I thought this book was so well written and that Sanchez captured what its like to be a teenager so well.

The only reason I rated this 4.5 stars instead of 5 stars is because I didn’t love the last third of the book as much. Julia eventually goes off to Mexico for a period of time and I didn’t think this added a whole lot to the story overall. She does learn more about her family there and starts to better understand her mother, but I felt these epiphanies still could have happened in America and that removing her from America made us have to press pause on the rest of the drama in the story, which made it feel a little bit disjointed. There’s a lot of plot points that surface in the last few chapters of the story and they felt a little out of place because her trip to Mexico disrupted the flow of the story.

But overall, I absolutely loved this and I would highly recommend the audiobook. I’m not convinced I would have liked this quite as much if I’d read it because I thought the narrator did such a good job as Julia!

The Child Finder

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Rating: ⭐⭐⭐.5
Author: Rene Denfeld
Genres: Mystery
Pub Date: Sept. 2017 (read Mar. 2018)

I tore through this short mystery novel in 2 days. The Child Finder tells the story of Naomi, a private investigator who specializes in lost children and has gained a reputation as the ‘Child Finder’. She’s been hired by a couple in Oregon whose daughter disappeared 3 years ago into a snowy forest and was never found. Naomi grew up in Oregon and the return to the woods reminds her of her own upbringing with her foster mom and foster brother, as well as the dark past she has blocked from her memory. As she searches for Madison and her foster mom’s health declines, she must face her own past and relationships in order to ever be whole.

Setting and atmosphere are key in this novel and I loved them both. The story takes place deep in Oregon’s wilderness and in a land of perpetual winter. Denfeld integrates fairy tales into the story and I thought they worked so well against the backdrop of the snowy forest. Everything is so secluded within the park that you feel transported back in time to when trappers still ran the land and lived in their log cabins in the woods, living off the land. Naomi is very much an island herself and the setting mirrored her struggle to build relationships and set down roots. She is always on the move from one missing child case to the next, always running from her past.

I liked this as both a mystery novel and a character study. I really liked Naomi and I’d be interested in reading a sequel to see her deal with her own ghosts and guilt. She was complex, yet simple. I was impressed with how well the author crafted her character in such a short book. I love when characters are so well crafted that they take on a life of their own and you can almost anticipate how they will react because you feel you’ve come to know them so well. I felt this way about Naomi and as much as I wanted her to settle down, I understood why she always had to keep moving.

I don’t have a whole lot to say about the plot. It’s a pretty simple story overall and it felt more about Naomi’s growth than the actual mystery. I liked that the author included two missing children cases, as well as snippets of Naomi’s back story, because it added a bit more intrigue to the book. I quite liked the writing. It was simple but it also had this dreamy quality to it which I thought flowed well throughout the story and is what really helped to create the atmosphere.

Disclaimer, this book does have some disturbing content, but I thought it was actually handled really well by the author. Some books are needlessly gratuitous about physical and sexual violence, and while this book has both, I thought it was well written. It offers some interesting insight into the cycle of abuse and how isolation and never knowing love can impact children and the people they grow up to be.

Before We Were Yours

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Rating: ⭐⭐⭐⭐
Author: Lisa Wingate
Narrated By: Emily Rankin
Genres: Historical Fiction
Pub Date: June 2017 (read Mar. 2018 as an Audiobook)

I listened to Before We Were Yours as an audiobook. It reminded me a lot of The Alice Network, which I also listened to as an audiobook and had a similar format, alternating back and forth between a present day and historical perspective based on true events. I thought The Alice Network told a fascinating story about a real-life individual, Louise de Bettignies, who ran a spy network in World War I, but I found the second narrative boring, poorly written, and unnecessary to the story. Fortunately I felt differently about Before We Were Yours and while I still thought the writing was a little cliche in places, I thought this story was better done overall.

The whole present day narrator investigating the past is such a common troupe in historical fiction and a lot of the time it’s just not well done (also thinking of The Life She Was Given) but I didn’t mind it too much in this book. In my opinion, this troupe doesn’t always add something meaningful to the story, but I do think this element worked in this book because of the way that families were torn apart and how it took many families generations to reunite, if at all. Audiobooks also tend to make the writing seem a little cheesy and there were definitely parts where I rolled my eyes, but overall this translated well in audiobook and I thought the narrator was fantastic.

Let’s get into the plot. Before We Were Yours focuses on a little known piece of American history that is both fascinating and horrifying. The story starts in Tennessee in 1939 and looks at real-life individual Georgia Tann and her work with the Tennessee Children’s Home. Rill Foss and her 4 siblings have grown up as river gypsies, living in a house boat, running their way up and down the Mississippi River. At the beginning of the novel, their mother is about to give birth with the help of a midwife, but things become complicated when they discover she’s actually pregnant with twins and the midwife forces her to go to a hospital to deliver the babies. The rest of the children spend the night on the river boat with Rill in charge.

However, the following day the police show up and basically kidnap them before dropping them off at the Tennessee Children’s Home. Rill has no idea what happened to her parents or why they’ve been forced to stay at the Children’s Home, but does her best to keep her siblings together, despite the horrors they start to experience.

At the same time, we’re learning about Avery Stafford. A wealthy young lawyer who has returned to her childhood home in South Carolina to be groomed to take over her father’s role as a senator. On a political visit to a senior’s home, she bumps into a old woman named May who seems to know her grandmother and is drawn into a decades old mystery of how these women are connected and what threat this mystery might pose to Avery and the Stafford family in her bid for senator.

Georgia Tann is a real life woman who is often known as the “mother of modern adoption”. She ran the Tennessee Children’s Home, which took care of orphans and children whose parents were too poor to properly take care of them or who turned them over to the state for care. Tann oversaw the care of the children and worked to find them all loving homes (for a price). But what was not known until later is the horrifying conditions the children were forced to live in, the ways they were abused, how they were exploited for financial gain, and the horrifying circumstances through which many of the children were obtained.

While Tann did undoubtedly (indirectly) rescue many children from poor conditions and abusive families and place them in loving wealthy families, she also obtained a lot of the children through shocking means. Some children were kidnapped out of their family homes or off the street, like Rill and her siblings, while others were obtained by tricking the birth mother or parents who were often poor or illiterate. Tann had workers in hospitals who would tell mothers that their newborns had died or trick them into signing papers giving up their children to the state, while Tann would take the children and sell them to wealthy buyers. The extent of the network that Tann had set up is actually shocking and it’s hard to believe that so many people were able to turn a blind eye to the suffering of the children and the birth parents.

Many victims on Tann’s schemes were abused or died while in her care. She did everything to ensure that the children’s families would never be able to find or reunite with their children and separated many siblings, destroying any paper trail that might enable to birth parents to try and get their children back. Equally shocking was that she would sometimes later even harrass the adoptive parents to get further payments from them under the guise of lawyer fees.

Unfortunately Tann was never prosecuted for her crimes as she was very old and sick before they were ever discovered and people generally were of the opinion that the wealthy adoptive families were more fit to raise the children than the poor families would have been anyways. I thought this was a fascinating opinion, although Wingate didn’t explore it very extensively in the novel. I think it’s a question that is still relevant today. Do poor parents not deserve the right to raise their own children just because someone else could better financially provide for their children? Is money all that matters when it comes to raising a child? What is the long term impact on a child who has been stolen away from their biological parents, whether they can remember it or not?

It was a really interesting story and I did find myself engrossed in both May’s story and Avery’s story. Audiobooks aren’t my favourite way to read because I find they are very exposing of an author’s writing, which can sometimes detract from the story. Like I said, this still had some cliche writing, but overall, I did like this book and was fascinated by the piece of history that it exposed.

Eleanor Oliphant is Completely Fine

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Rating: ⭐⭐⭐.5
Author: Gail Honeyman
Genres: Fiction
Read: Feb. 2018

I think I have a bit of an unpopular opinion on this one. I appreciate what Gail Honeyman did with this book and I actually do think it’s a really good story, but I was just so bored for a lot of this book.

Eleanor Oliphant is Completely Fine reminded me in parts of The Rosie Project (but better) and A Man Called Ove (but not quite as good). Eleanor is seemingly fine; she gets up every day and goes to work, she talks to her mum every Wednesday, and every Friday she purchases a bottle of vodka and spends the weekend alone in her flat. She likes routine, she dislikes emotion, and she believes she is completely fine.

Her routine is disrupted when she meets Raymond, the IT guy from her office, and together they witness an old man, Sammy, have a heart attack in the middle of the street. They take care of him until EMS arrives and check in on him as he recovers in hospital. For the first time in her life, Eleanor finds herself enjoying time with other people – building relationships and miking plans outside of her normal routine.

This is definitely a good book. I don’t want to say any spoilers, so I’ll try and talk in general terms, but I really like Eleanor’s evolution throughout this novel. The changes in her do feel very natural and believable and I didn’t think any of the interactions were forced. The novel climaxes at a very odd spot, about the 70% mark, but I did like watching Eleanor grow and heal throughout the last 30%. I liked that it wasn’t rushed or that she’s not just suddenly better, because that is not believable.

I absolutely loved Raymond. He was so down to earth and accepting. The thing I didn’t like about The Rosie Project was that I didn’t ever really buy into Rose and Don’s relationship, but I had no problem believing Eleanor and Raymond’s. Eleanor is a bit of a social outcast, but she’s also pretty likable and funny and I liked that Raymond was able to laugh with her and accept her little quirks and idiosyncrasies.

Taking the time to write this review and reflect on the book is actually improving my opinion of it (and I still have a book club meeting coming up, which might lower or increase my rating). I do think this is a good story, hence why I’m still giving it 3.5 stars, and it did make me think a lot afterwards. But I just can’t ignore that I was bored for a lot of the reading of the novel.

I know this book is narrated the way Eleanor thinks, which is mostly without emotion, but I am a very emotional person, so I found it really hard to engage in the story and I never felt anything tugging at me to pick this book up again once I put it down. And that’s totally fine. These are still important stories that should be told, it’s just not necessarily for me. It still helped me appreciate the way that some other people experience and move about in the world and I don’t regret reading it. Just not going to be a favourite.

American Street

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Rating: ⭐⭐⭐⭐
Author: Ibi Zoboi
Genres: Young Adult, Magical Realism
Read: Jan. 2018

Ibi Zoboi! Way to rip my heart out and stomp on it! What even? I was not expecting this.

This was the last book in my January Challenge to read 3 books about immigration. I read Girl in Translation and Pachinko earlier this month and loved both of them. American Street was a whole different kind of story, quite unlike either of the others. It was probably my least favourite of the 3 books, but still really good.

Fabiola Toussaint was born in America, but raised in Haiti because her mother didn’t have citizenship. Her Aunt Jo and her 3 cousins, Chantal, Pri, and Donna all live in Detroit and regularly send money back to Haiti to help out Fabiola and her mother. When Fab is entering her junior year of high school, they send enough money for her and her mother to finally move to America for good. Fab has American citizenship, but her mother has to get all the necessary visas to “visit” America. Unfortunately, when they enter America, Fab’s mother is detained at the border and she is forced to go on to Detroit without her.

Her aunt and cousins live at the corner of American Street and Joy Road. Fab has been desperate to come to America to live in the land of the free, but she doesn’t feel very free with her mother detained in an immigration prison in New Jersey and navigating her cousins’ world is scary and overwhelming. Her cousins are notorious at school and a little rough around the edges. Fabiola is pulled into their world and discovers the dark underside of what it costs to chase after the american dream.

Like I said, this was really different from any of the other immigration books I’ve read this year. I think Zoboi really captures Fab’s Haitian spirit and what it’s like growing up black in Detroit. She intertwines some cultural elements, like Haitian vodou, which is very much a spiritual thing for Fab, but is usually interpreted more like witchcraft in modern society. She weaves in some magical realism which surprised me and first, but I thought really worked with the story.

Voice was key for me in this novel. I’m a privileged white girl who grew up in a predominantly white town, so I definitely can’t relate to Fabiola or her cousins, yet their voices rang so true. I had no trouble believing in Zoboi’s characters. Fab’s uneasiness when she first arrives at her aunt’s house; Chantal’s desire to chase education but her reluctance to leave her family; Donna’s inability to say ‘enough is enough’; and Pri’s fierce and protective love for her sisters. My only complaint would be that Zoboi didn’t actually go deep enough into each of these characters. She formulated some really excellent characters, I just wanted more of them.

I really wasn’t anticipating where the plot of this story went. I thought it was mostly going to be about Fab trying to re-unite with her mom. While this was definitely an underlying conflict throughout the entire novel, Zoboi tackled a lot of other issues in this story. Although I would have liked to have heard her mother’s story as well and learn about what it’s actually like to be detained. I never really knew where the story was going and felt quite out of my depth with some of the content, much as I imagine Fabiola must have felt arriving in Detroit and trying to fit in with girls attacking each other over boyfriends and drugs passing hands on the sly. But Zoboi was quite unflinching in her delivery. I really did not see the end coming in this book and parts of it and brutal.

So like I said, probably my least favourite of the 3 books that I read, but actually very complimentary because this offered a totally different perspective than the other two. The characters in Girl in Translation and Pachinko are very meek and I loved Fabiola’s strength in this novel. She makes some pretty big mistakes, but she’s not afraid to chase after what she wants and she is very brave and courageous. Her culture shock was quite different and I liked getting another perspective. She could have let herself be pushed around, but she wouldn’t stand for it and decided to make her own place. Family is a central theme to this novel and I enjoyed the messiness that was the Francois sisters and Fabiola’s relationships with them.

Way to go Zoboi, this is a great debut novel!