Love, Hate & Other Filters

Rating: ⭐⭐
Author: Samira Ahmed
Genres: Young Adult
Pub Date: Jan. 2018 (read Apr. 2018)

This was disappointing. I picked this from my library’s limited selection of audiobooks because I’ve been having a lot of success with Young Adult audiobook’s lately and I’ve been seeing some buzz about it.

To be honest, I didn’t even look at the synopsis, I just new it was about an Indian teenager who was into film. I didn’t like the Maya’s voice from the beginning and I found her such a whiny narrator to listen to. When I hit the 20% mark and this book was still just a surface level romance novel, I debated DNFing and went back to look at the synopsis. When I realized the main premise of this book was actually supposed to be about a terrorist attack and the struggles many Muslim people suffer to be accepted after any terrorist attack, I decided to stick it out.

I appreciate what Samira Ahmed was trying to do with this book. She addressed several different themes: the struggle of Indian daughters to breakaway from their parents expectations, the struggle of any teenager to pursue a career in something as unstable as the film industry, and the xenophobia and hate against Muslims and those who are “othered” in the United States. These are all great themes and I was interested in exploring the different ways people react in the aftermath of a tragedy and how some people let their hate overcome them, while others fight for those who are marginalized. But I thought the execution in this book was terrible.

Honestly, this was a romance novel with a brief look at some of the themes I’ve discussed above. It didn’t explore any of these themes in any great depth and I thought all of the characters emotions were very surface level. This book had more unyielding parents (I’ve read a lot of books of this nature lately), but the drama felt really forced and not authentic. In theory I understood that Maya’s parents were trying to protect their daughter in a world that is not very kind, but no one used any reason in this book (Maya included), except for her Aunt, and everyone felt extremely 1-dimensional. The main story was ultimately a romance and it wasn’t a very well written one. It was so cliche and I just couldn’t help rolling my eyes through the entire thing. This book just had so much more potential, but it got bogged down with a heavy romance and the author barely explored any of the complex themes she introduced into the story.

Even though this tacked something I haven’t seen addressed much in literature, I would not recommend this book. It was too poorly written and executed. Pick up I Am Not Your Perfect Mexican DaughterThe Nowhere Girls, or The Poet X instead.

The Nowhere Girls

Rating: 
Author: Amy Reed
Genres: Young Adult, Fiction
Pub Date: Oct. 2017 (read Apr. 2018 as audiobook)

Why aren’t more people talking about this book?!! This was so fantastic and such a great example of how much impact a YA novel can have!

I am on fire with reading audiobooks lately. I get one audiobook a month on audible and I had a huge backlog because I hadn’t used it at all since November, but this was my 4th audiobook in the last month and I’ve finally run out of credits and will have to go back to the library’s crappy audiobook selection now. I may have to buy a hard copy of this book too because the writing was just too good and sometimes I miss things on audiobook, so I’d really love to give this another read. (the audiobook narrator is still great though!)

The Nowhere Girls tells the story of 3 girls in high school: Grace, Rosina, and Erin. Grace is a self-identified, christian, fat girl who just moved to Oregon from the South because her mother, who is a pastor, was too progressive for their mega-church. Rosina is a gay, mexican girl who constantly fights with her mother over the excessive amount of responsibility she feels is placed on her and wonders if she’ll ever have a loving girlfriend. Erin has Asperger’s and struggles to make friends and relate with people. Her family moved to Prescott 2 years ago after an incident that happened to Erin and now her father is never home and her mother is overly obsessed with Erin’s health.

Erin and Rosina are each other’s only friends and they welcome Grace into their group when she starts at school. When Grace finds upsetting messages written on the walls of her bedroom, she discovers that her new home used to belong to a girl named Amy who claimed to have been gang raped at a party the year before. No one believed her and she was essentially forced out of town. Grace is upset by the cries for help etched into her wall and asks Erin and Rosina for more information on how this could possibly have happened and whether there’s anything they can do about it. They are apathetic at first, but eventually, the Nowhere Girls are born, a group for girls who want to talk about the unfairness of the world and the expectations that are placed on them as women, and do something to change it.

I’ve seen some comparisons of this book to Moxie, which I also read last year. Both books were published last year and a focus on combating rape culture and empowering girls. Moxie seems to have gotten most of the buzz, which is a shame because, while I liked Moxie, I thought this was a much stronger book. This is an exploration of rape culture, identity, diversity, and inclusion. Moxie was a great book too, but is a more white-feminist exploration of sexism and rape culture, this felt way more gritty and intersectional. There were some actions that the nowhere girls took that I kind of questioned (the sex strike), but Reed has her characters question those actions too and I liked the journey her characters took in trying to navigate the complicated world of gender politics. She did briefly feature one black girl who felt the Nowhere Girls was a group for white girls, and I wish she’d explored this angle a little bit more, but still a fantastic and thought provoking novel overall.

Amy Reed explored a lot of aspects of rape culture in this novel from a lot of different perspectives. I liked that she didn’t just focus on Grace, Rosina, and Erin, but that she also linked in a lot of side characters with little snippets from their perspectives. But I still thought all 3 of the main perspectives were very strong. I really appreciated that Reed included a christian perspective outside of the context of a christian novel. I can’t actually think of many examples of religious exploration in YA novels outside of specific christian fiction, which is often preachy and not that relatable. I liked that Grace and her family were down to earth and that they were able to find a way in which their faith and liberal mindsets didn’t have to be mutually exclusive. I liked that Reed acknowledged that it’s both okay to want to wait until marriage to have sex and to have no desire to wait. That saying yes is just as important as saying no.

I thought Erin’s character was really well done as well, although I’d be interested to hear from someone with Asperger’s if this was an accurate portrayal. I liked Rosina a lot too, but I struggled to understand her mom. This is the 3rd book I’ve read lately about a Mexican family and they all had similar themes of familiar conflict, but I thought Rosina’s mother had almost no humanity. I know she was frustrated with Rosina, but come on, Rosina is a teenager, she’s obviously going to act out and it didn’t really seem like her mom really cared about her all.

But these are small complains because I really did love this book. It represented so many different experiences, while also being really well written. I read The Authentics earlier this month and complained that it was just too feel good and the conflict lacked depth. The Nowhere Girls is the complete opposite of that and the reason I think YA books shouldn’t be afraid to really go there. Teenagers are complex and emotional people and authors shouldn’t be afraid to challenge their thinking. I would recommend this book to any teenager and any adult because it has some great discussions about rape culture and it will make you mad!

The Authentics

Rating: ⭐⭐
Author: Abdi Nazemian
Narrator: Kyla Garcia
Genres: Young Adult, Fiction
Pub Date: Aug. 2017 (Read Mar. 2018 as an Audiobook)

I am tearing it up with audiobooks this month! Granted this one was half the length of the audiobooks I usually listen to, but still.

I admit, after listening to I Am Not Your Perfect Mexican Daughter, I totally did a search on the narrator Kyla Garcia and found that she’d narrated another book on my TBR, which is the main reason why I decided to read The Authentics. Garcia did a fantastic job narrating this book as well, but sadly this was not on the same level as I Am Not Your Perfect Mexican Daughter.

This is young adult literature that definitely reads like young adult. I usually don’t have any trouble reading YA because there are some really great YA authors out there who tells stories that have a lot of depth and themes that are applicable to everyone, not just teenagers. This book definitely still had themes that anyone could enjoy, but the story felt pretty juvenille. It actually has a pretty surprising twist early in the novel that I would have been completely pissed about if I was Daria, but in my opinion this book was missing the emotion. It lacked tension and grit and I feel like the author was afraid to go there and instead wrote more of a “feel-good” family novel. There’s nothing wrong with “feel-good”, but I thought this story had a lot of potential and it just lacked impact and execution.

Daria is a 15 year old Iranian-American teenager. She was born in America and has never been to Iran, but she is very proud of her culture and her and her friends, who come from very diverse backgrounds, do their best to always “be authentic”. This all changes when their English teacher challenges them to do a presentation about their heritage and Daria learns something shocking about her family’s past. Daria begins to question everything she thought she knew about herself and her parents and finds it increasingly difficult to be authentic.

I don’t want to give anything more away about the story. There’s several different plots throughout the novel between Daria’s feud with her former best friend, her conflict with her family, and a new love interest, but I thought they were all mediocre and pretty surface level. Maybe I’m out of touch, but I like to give teenagers a bit more credit than I think the author does in this book. Everything about Daria’s fight with Heidi felt childish and the romantic relationship made me cringe. Teenagers have more depth than this and the whole thing just felt lacking.

That said, I really did enjoy the opportunity to read about Iranian culture and I do believe that diverse stories like this need to be told and are incredibly important. I just really wanted more from this. It may be unfair to keep comparing it to I Am Not Your Perfect Mexican Daughter, but it’s hard not to when they deal with a lot of similar themes (the daughter that can’t live up to their immigrant mother’s expectations) and the latter was so much better written and had so much more depth.

I Am Not Your Perfect Mexican Daughter

Rating: ⭐⭐⭐⭐.5
Author: Erika L. Sánchez
Narrated by: Kyla Garcia
Genres: Young Adult, Fiction
Pub Date: Oct. 2017 (read Mar. 2018 as an Audiobook)

I listened to I Am Not Your Perfect Mexican Daughter on audiobook and it is definitely the fastest I’ve ever listened to an audiobook! I LOVED IT!

I’ve written a few times about how I don’t love fiction audiobooks because I think they can be very unforgiving of an author’s writing and for some reason hearing fiction read out loud always seems to make the writing sound cheesy or lame. I think non-fiction translates better to audiobooks overall, but this is hand-downs my favourite fiction audiobook that I’ve listened to and I think the narrator, Kyla Garcia is TOPS!

I Am Not Your Perfect Mexican Daughter was a National Book Award finalist in the young readers category and tells the story of Julia, a teenage daughter of undocumented Mexican immigrants. Julia’s older sister Olga has just died tragically in a road accident and her whole family is reeling from the loss. Julia’s mother always viewed Olga as the perfect daughter and Julia’s sharp contrast from Olga creates a lot of tension with her mother, who doesn’t understand why Julia is so difficult.

Julia is 15/16 years old (can’t remember) and she is extremely brash and confrontational. She’s constantly picking fights with those around her, she lies to her parents, she can be vulgar, and she is of course, grieving. In the wake of Olga’s death, Julia starts to discover some of her sister’s secrets and finds that her sister may not have been as perfect as she led everyone to believe. She struggles to justify this new Olga with the sister she knew and in her grief, she acts out against her friends and family.

A lot of the reviews for this book are pretty critical of Julia and I can understand why a lot of readers didn’t like her. She’s not a particularly likable character, but like Scarlett O’Hara, her flaws were what I loved about her, and I definitely loved this character. I have to give some of the credit to the narrator because I thought she captured Julia’s voice and the tone of this novel perfectly. Her Mexican accent was fantastic and she absolutely read this like an angst-y, grief-ridden teenager.

Julia had a lot of spunk and while I couldn’t believe some of the things she was gutsy enough to say to people, I thought she was incredibly relatable as a teenage daughter of immigrants. She’s grown up in completely different circumstances than her parents and they struggle to relate to each other. She’s lived her whole life in the shadow of her perfect older sister and even though Julia is really smart and accomplished herself, she’s always been overshadowed by her sister in her parents eyes. She is critical of Olga’s desk job and can’t imagine settling for a job like that when she wants to be a writer, but her parents are critical of her dreams because they don’t believe a writer is a real job and as people who have done labour their entire lives, they can’t imagine anything better than Olga’s desk job.

Following the death of her sister, her mother suddenly wants to try and give Julia everything she was never able to give Olga. She fears for Julia’s safety and is extremely protective of her, forbidding her to go to parties or spend time with boys. But Julia just wants to live her life and the wedge between her and her mother only grows bigger. Julia becomes depressed and overwhelmed by the constant pressure to be more like Olga and how critical her mother is of everything she does and wants.

While I thought Julia sometimes took things too far, I was incredibly sympathetic for her. She is grieving and her world is crumbling and she has little support to navigate the scary new world around her. I thought this book was so well written and that Sanchez captured what its like to be a teenager so well.

The only reason I rated this 4.5 stars instead of 5 stars is because I didn’t love the last third of the book as much. Julia eventually goes off to Mexico for a period of time and I didn’t think this added a whole lot to the story overall. She does learn more about her family there and starts to better understand her mother, but I felt these epiphanies still could have happened in America and that removing her from America made us have to press pause on the rest of the drama in the story, which made it feel a little bit disjointed. There’s a lot of plot points that surface in the last few chapters of the story and they felt a little out of place because her trip to Mexico disrupted the flow of the story.

But overall, I absolutely loved this and I would highly recommend the audiobook. I’m not convinced I would have liked this quite as much if I’d read it because I thought the narrator did such a good job as Julia!

American Street

 

 

 

 

 

 

Rating: ⭐⭐⭐⭐
Author: Ibi Zoboi
Genres: Young Adult, Magical Realism
Read: Jan. 2018

Ibi Zoboi! Way to rip my heart out and stomp on it! What even? I was not expecting this.

This was the last book in my January Challenge to read 3 books about immigration. I read Girl in Translation and Pachinko earlier this month and loved both of them. American Street was a whole different kind of story, quite unlike either of the others. It was probably my least favourite of the 3 books, but still really good.

Fabiola Toussaint was born in America, but raised in Haiti because her mother didn’t have citizenship. Her Aunt Jo and her 3 cousins, Chantal, Pri, and Donna all live in Detroit and regularly send money back to Haiti to help out Fabiola and her mother. When Fab is entering her junior year of high school, they send enough money for her and her mother to finally move to America for good. Fab has American citizenship, but her mother has to get all the necessary visas to “visit” America. Unfortunately, when they enter America, Fab’s mother is detained at the border and she is forced to go on to Detroit without her.

Her aunt and cousins live at the corner of American Street and Joy Road. Fab has been desperate to come to America to live in the land of the free, but she doesn’t feel very free with her mother detained in an immigration prison in New Jersey and navigating her cousins’ world is scary and overwhelming. Her cousins are notorious at school and a little rough around the edges. Fabiola is pulled into their world and discovers the dark underside of what it costs to chase after the american dream.

Like I said, this was really different from any of the other immigration books I’ve read this year. I think Zoboi really captures Fab’s Haitian spirit and what it’s like growing up black in Detroit. She intertwines some cultural elements, like Haitian vodou, which is very much a spiritual thing for Fab, but is usually interpreted more like witchcraft in modern society. She weaves in some magical realism which surprised me and first, but I thought really worked with the story.

Voice was key for me in this novel. I’m a privileged white girl who grew up in a predominantly white town, so I definitely can’t relate to Fabiola or her cousins, yet their voices rang so true. I had no trouble believing in Zoboi’s characters. Fab’s uneasiness when she first arrives at her aunt’s house; Chantal’s desire to chase education but her reluctance to leave her family; Donna’s inability to say ‘enough is enough’; and Pri’s fierce and protective love for her sisters. My only complaint would be that Zoboi didn’t actually go deep enough into each of these characters. She formulated some really excellent characters, I just wanted more of them.

I really wasn’t anticipating where the plot of this story went. I thought it was mostly going to be about Fab trying to re-unite with her mom. While this was definitely an underlying conflict throughout the entire novel, Zoboi tackled a lot of other issues in this story. Although I would have liked to have heard her mother’s story as well and learn about what it’s actually like to be detained. I never really knew where the story was going and felt quite out of my depth with some of the content, much as I imagine Fabiola must have felt arriving in Detroit and trying to fit in with girls attacking each other over boyfriends and drugs passing hands on the sly. But Zoboi was quite unflinching in her delivery. I really did not see the end coming in this book and parts of it and brutal.

So like I said, probably my least favourite of the 3 books that I read, but actually very complimentary because this offered a totally different perspective than the other two. The characters in Girl in Translation and Pachinko are very meek and I loved Fabiola’s strength in this novel. She makes some pretty big mistakes, but she’s not afraid to chase after what she wants and she is very brave and courageous. Her culture shock was quite different and I liked getting another perspective. She could have let herself be pushed around, but she wouldn’t stand for it and decided to make her own place. Family is a central theme to this novel and I enjoyed the messiness that was the Francois sisters and Fabiola’s relationships with them.

Way to go Zoboi, this is a great debut novel!