The It Girl

Rating: ⭐⭐⭐
Author: Ruth Ware
Genres: Mystery, Thriller
Pub. Date: Jul. 2022

The title of this book has been driving me nuts ever since I saw the cover. I hate that the title is in all-caps because I can’t help but read it as The I.T. Girl every time! After having read it, I can confirm this is about an “it” girl and in fact has nothing to do with I.T. In case you also work in a technical field and were unsure, lol.

It’s no secret that I love Ruth Ware. I’ve read everything she’s ever written. In terms of storytelling, I don’t think she’s the best mystery/thriller writer ever and I actually rate most of her books very middle of the road. But I do think she is an excellent suspense writer and I find her books so compulsively readable, which is why I return to them over and over again. Even though I haven’t loved all her books, this was the first one where I actively struggled to read it.

This book is about 50-100 pages longer than all of her other books, and it felt like it. She employs the dual timeline in this book and while I think it was effective, in the first half, it only served to slow down the story. Hannah Jones is our main character and we learn from the start that her Oxford University experience came to a quick end when her roommate, April, is murdered at the end of her first year. An Oxford Porter is convicted of the crime based on Hannah’s testimony and when he dies in prison, Hannah starts questioning her memory and whether there was more to that night than she remembers.

The story is told between flashbacks to her time at Oxford and her cool group of friends that centered around “it girl” April Coutts-Cliveden, and her quiet current day life in Edinburgh. I was mildly interested in her life at Oxford – April is an interesting character. She is manipulative and makes a lot of questionable choices, but you know from the beginning that she ends up dead, so it’s hard to be overly critical of her. Hannah is more of a forgettable character, which is not aided by the fact that in her desire to forget April’s death, she is leading a very forgettable life herself – a life that is undeniably tedious and boring to read about. 

I understand why Ware uses the dual timeline and I do think it is effective later in the story, but it’s too indulgent in the early stages and it slowed down the pace. I think if the book had been shortened by about 50 pages, it would have tightened up the story a lot and made the whole book more compelling. In general, the second half of the book was executed better and I was much more invested in the story past the 50% mark. It has some classic Ruth Ware twists and I felt like we were finally getting to the grit of the story.

Overall, I think Oxford is a compelling setting for a story like this because of the whole “closed campus” intrigue. The notion of the “it girl” was interesting – April is a vibrant and outgoing character with a lot of self-confidence, yet there’s no denying that she is mean-spirited. Why do these two things often seem to go hand in hand? Do people get drunk on their popularity and privilege? Why do other people tolerate such meanness from their supposed friends? These are all interesting questions (to me anyways), that I would have loved to see Ware address to give the book more depth. Unfortunately, we don’t look at any of these themes and I was left feeling conflicted about what I was supposed to think about April. 

Overall, I think this book held a lot of promise, but unfortunately was poorly executed. Not her best.

Finlay Donovan is Killing It

Rating: ⭐⭐⭐⭐.5
Author: Elle Cosimano
Genres: Mystery, Thriller
Pub. Date: Feb. 2021 (read Apr. 2021 on Audible)

I listened to this entire audiobook during one rainy weekend while doing jigsaw puzzles and LOVED it! GabbyReads recommended it on her booktube channel and said it was a good audiobook, so I downloaded it on Audible and was immediately pulled into the story. The whole plot is an absolute nightmare train-wreck, but in the most unputdownable way!

Finlay Donovan has recently divorced her husband after he started shacking up with their realtor and she’s struggling to manage her two kids while simultaneously trying to deliver on a book deal for which she has huge writer’s block. She’s spent the advance on her book and the bills are piling up – if she doesn’t submit the rest of her book soon, she might be asked to return the advance.

She meets her agent in a shop to discuss the outline of her murder mystery and an eavesdropper misinterprets their conversation, thinking that Finlay is actually a hired killer. Finlay receives an anonymous note with a huge sum of money to dispose of the woman’s husband. The whole thing is a huge misunderstanding and Finlay tries to tell the woman she’s not a killer, but after doing some research on the husband and reflecting on the huge sum of money, is it possible she could be?

It sounds like an intense book, but the writing is so light and the author packs a ton of comic relief into the narrative that made it such a fun read. It reminded me a little of How to Get Away With Murder because of the run-away storyline. Finlay is a mess and she always seems to be a step behind everything that’s happening around her, which would make for a very stressful reading experience if not for Finlay and Vero’s comedy. 

I don’t want to give anything away about the story because you should definitely experience it for yourself – I’ll just say that Finlay and her sidekick, Vero, make for some truly excellent heroines. I don’t normally give 5 stars to mystery novels and this is by no means quality literary writing, but it was just so much fun to read and when I reflected on it, there was really nothing I would change about it, so 5 stars it is! Recommend if you’re looking to get out of a book slump!

His & Hers

Rating: ⭐⭐⭐
Author: Alice Feeney
Genres: Mystery, Thriller
Pub. Date: Jul. 2020 (read Jan. 2021)

Alice Feeney’s debut, Sometimes I Lie, was a big hit with my book club when it came out. So I was excited to read His & Hers as our book club pick for February. I don’t think it’s as strong as Sometimes I Lie, but it is a quick, edge-of-your-seat thriller that I devoured in just a few hours.

I don’t want to get too much into the synopsis because it’s always better to go into these kind of books blind, but as the name suggests, the narrative bounces between two central characters, divorced couple Jack and Anna. Jack is a detective and Anna a news reporter. When a woman is murdered in the small English village of Blackdown, both Jack and Anna find themselves covering the story, but they are both also secretly connected to the victim.

Like I said, this is a quick paced thriller that takes you on a winding path. If you’re looking for a quick read that you don’t have to think about too much, this is it. The writing is good in that we really have no idea where the story is going. The author constantly toys with your train of thought, giving you some answer throughout, but always more questions. Overall it was a fun read, but there were a few things I didn’t like about it.

Before I get into the spoiler part of my review, I’ll just say that I thought the story had quite a few plotholes and while the author does always keep you guessing, I didn’t love the writing style. I found the writing a bit disjointed and confusing at times. I think that it was intentional not to give too much away, but I often felt like I just had no information. It’s hard to describe, but I felt like the fun of guessing who did it was removed from the story because the order of information was intentionally confusing I didn’t even bother.

I also found the content disturbing – I know murder mysteries are bound to be a bit disturbing, so it’s not a critique, just a note that it made me uncomfortable and that some people might like a trigger warning for rape. I also hate the use of children as a plot device in murder mysteries. Lots of mysteries center around children and trauma and that is fine, in a way this book does, but the author also leaves several children orphaned and generally I just thought it unnecessary. I felt more like they were used to make the reader feel bad rather than for any important plot reason.

Finally, this is a criticism of the title of the book more than anything. But “His & Hers” implies to me an exploration of two different sides of the same story. Yes this story had two protagonists, but to me it was really no different than any other dually narrated story. I didn’t think the book really explored his and her perspectives of an event. It really was just a simple shared narrative. A minor criticism as it doesn’t affect the enjoyment of the story, but hey, I’m a reader, I care about word choice.

Anyways, those are my critiques. Overall it was a standard 3 star mystery thriller. I liked it, but didn’t love it.

Okay now for the spoiler part of my review. I found quite a few plot holes and I want to document it while it’s still fresh in my mind because it’s bound to come up at my book club discussion!

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Plot holes:
– Why did Anna go into Zoe’s house on the day of her murder? The end confirmed she didn’t do it, so what was she doing?
– Why did the killer tip Anna off after they murdered Helen Wang? I assumed originally it was to throw suspicion on her, but wouldn’t the killer want to avoid any suspicion on Anna?
– Why was Priya always talking to Anna’s mom? The author alludes that we should be concerned about this – I figured originally it was because of her mom’s dementia and the body in the backyard. But in light of the final revelation, I’m not sure why we should be concerned about this. Do we think Priya suspects the real killer?
– Not a plot hole, but overall I just thought both Priya and Richard were weak red herrings. Catherine was the obvious suspect, so I did like the little plot twist with Cat Jones.
– Why was Jack absolved of all suspicion? They make reference to the discovery of Catherine’s diaries, but they wouldn’t have found any murder plans within them… I know Priya witnessed Cat attack Anna’s mom as well, but again, not proof she was the murderer. Her children had been kidnapped, surely hysteria would be expected, or did the police not figure this out. They would have had to know now that both the kids parents were dead.

One by One

Rating: ⭐⭐⭐⭐
Author: Ruth Ware
Genres: Mystery, Thriller
Pub. Date: Sep. 2020 (read Sep. 2020 on Audible)

If you know me at all, you know I’m a huge Ruth Ware fan. The best phrase I can think of to describe her books, and I say it all the time, is ‘compulsively readable’. It seems like this book has just been getting mediocre reviews, but for the most part, I actually really liked it. 

I think one of the reasons I really liked this was setting. One by One is set on a french ski resort up in the alps. There’s a number of chalets located at the top of one of the gondolas and on this particular week, the chalet has been rented out by the employees of the company Snoop. Snoop is a popular social media app that can be used to listen to music and snoop on what other people, from friends to celebrities, are listening to at the same time. However, like any tech start-up company, there’s a lot of drama going on behind the scenes. 

The chalet is full of the Snoop staff and two employees when an avalanche hits, snowing them in and cutting everyone off from escape. Tensions mount and when several people start to show up dead, the whole chalet descends into chaos. Who can you trust when you’re snowed in with a killer?
The narration alternates back at forth between two of the individuals snowed in at the chalet and it has the old school closed door mystery vibe. Something about being snowed in and knowing the killer is among you is just enthralling. Plus I did get into all of the Snoop company politics and drama and I thought it added to the story. 

I flew through the book in just 2 days, but I have the same criticism I have with most of Ware’s book – the book climax is just too early. For some reason she always reveals the killer at like the 75% mark of the book and devotes the last part of the book to the “thrill” I suppose. But it never really works for me. Of course you need some kind of thrill to accompany your big reveal, but Ware always drags it on too long. Plus I was a little bit disappointed with who the killer turned out to be, but I didn’t guess it until close to the end, so I guess I can’t complain too much.

Overall I still really enjoyed this book. I’d give the setting an A. It’s not my favourite Ruth Ware (I think that may be Turn of the Key), but I definitely enjoyed the reading experience.

The Silent Patient

Rating: ⭐⭐.5
Author: Alex Michaelides
Genres: Mystery, Thriller
Pub. date: Feb. 2019 (read Mar. 2020 on Audible)

I have very mixed feelings about this book. I can’t deny that the ending was pretty good and the story was compelling for the last hour (I listened to this one). but the rest of the book was just so damn boring!!!

The Silent Patient tells the story of Alicia Berenson and her therapist, Theo Faber. Alicia was found years earlier in her home having shot her husband in the head 5 times. But after the event she completely clams up and refuses to speak, being admitted to a psychiatric hospital called The Grove. Theo is a psychotherapist and is intrigued by Alicia’s story and believes he can help her. He gets hired on at the Grove and begins looking into Alicia’s past, trying to get her to speak.

What surprises me most after finishing this book is how everyone calls it a page turner and says they couldn’t put it down. Until the big twist, I honestly thought this book was so dull. I really didn’t like Theo and found his repeated attempts to get Alicia to speak super boring. There’s a bunch of red herrings along the way, but I didn’t find any of them particularly compelling either.

At the same time that Theo is investigating Alicia’s past, we get snippets from her diary that she wrote prior to the murder of her husband. In the audiobook, her diary is narrated by a female voice actor, while the rest of the book is narrated by a male voice actor for Theo. I do have to acknowledge that the audiobook may have played a role in my lack of enjoyment of this book. The audio sample was of the female voice actor, who I actually really liked, but it turned out that 70-80% of the book is actually narrated by Theo, and I really didn’t like his voice actor. Although that might be the point because in the audiobook Theo comes across as really pretentious and patronizing. Not sure if others got the same tone from reading the book.

Anyways, despite liking Alicia’s voice actor, I still had a lot of problems with the diary, namely that NO ONE WRITES LIKE THIS IS A DIARY. Alicia includes full dialogue in her diary, which to me was a huge oversight on behalf of the author. I found the story in Alicia’s diary compelling, but it just wasn’t the right medium to tell it if you’re not going to commit to the idea that your character actually wrote it as a private memoir. Diaries are written for the writer and this diary was clearly written for an audience. It just felt like sloppy writing to me.

Moving on, I thought the twist was pretty good, but not totally shocking. I kind of saw it coming, I just wasn’t really sure the logistics of how the author was going to make it work. It’s one of those things where I felt like I knew what the end result was going to be, I just didn’t know how I would get there. I’ll give the author some credit though because I definitely did miss the signs.

I think I’m going to rate to rate this one 2.5 stars. I get the attraction, but I was definitely disappointed with it and was anxious to just finish so that I could move on to something more enjoyable. Maybe I would have had a different experience with this book had I read the paperback, but I just really didn’t like Theo and I felt the story was lacking in intrigue.