Verity

Rating: ⭐⭐⭐⭐
Author: Colleen Hoover
Genres: Thriller, Mystery, Romance
Pub. date: Dec. 2018 (read Nov. 2019)

Every year I see the new Colleen Hoover book and say, “nah, I don’t think I’m gonna read her new book this year.” Then every year she gets nominated in the Goodreads Choice Awards and I decide to read it anyways.

I heard all kinds of reviews about how f-ed up this book is, which are all totally true. Verity is filled with plot twists, suspense, and a really creepy atmosphere, but the biggest question the book leaves me with is this: who the hell classed this book as a romance?!!!

Hoover is known for her romances, which to be honest I don’t really love, but in the last few years she’s been branching out from her normal material in favour of some more thought provoking storylines and social commentary. But romance has still always been central to her stories, so I was surprised when I started reading this one and found myself smack dab in the middle of a mystery thriller! I like a good mystery thriller, but I find them a bit repetitive after a while. Not Verity though – it gripped me from the very start and held my attention to the last page. Hoover still weaves some romance into the story (which I wasn’t that big a fan of), but I was able to move past it because the rest of the writing was great!

I’ve said this before, but Hoover is one of the best first chapter writers I’ve ever encountered. Starting a new book often feels like a bit of a chore because it takes a while to sink into the writing and the narrative, but once I made the decision to read Verity, I was really excited because I knew Hoover would deliver on a compelling beginning. But it wasn’t just the first chapter that was gripping. I read the whole thing in less than 24 hours and pretty much never put it down except to go to work. Say what you want about her romances, but Hoover is a compelling writer.

So what is Verity about might you ask? I skipped reading the synopsis on this one and honestly, I’d advise you to do the same. If you want a mind-bendy, slightly disturbing book with a killer twist, read no further and pick it up. If you need a bit more to go on, Verity is about ghost writer Lowen Ashleigh. She’s asked to author the 3 remaining books in an immensely popular thriller series because the original author, Verity Crawford, is no longer able to do so. To search for material on the rest of the series, she visits the author’s house to go through her office and strikes up a friendship with Verity’s husband, Jeremy. While there, she discovers a disturbing manuscript that makes her question everything she’s been told about Verity.

The setting reminded me a little of Ruth Ware’s, The Turn of the Key, while the plot and storytelling reminded me a lot of Alice Feeney’s, Sometimes I Lie. Lowen discovers a number of disturbing revelations about Verity’s past as creepy things start happening in the house that make her question her sanity. There’s a few random plot lines that don’t really seem to go anywhere, but they still add to the overall atmosphere of the book.

I’ve also said before that I’m not a big fan of the men Hoover writes as the love interests. This was the first Hoover book I read that focused less on the romance than the other aspects of the story though, so it was a welcome change. Emily May sums of my feelings about Hoover’s love interests well in her review where she notes, “I think I enjoy Hoover’s fucked-up books so much because I usually find her regular romances kinda fucked up. I like her books so much more when she’s writing about trauma and morally-questionable characters than when she’s trying to sell me a douche as a love interest.” Which brings me back to my original question – who decided to market this book as a romance? Everything about this book is “mystery/thriller” and someone needs to get this out of the romance genre so that more people pick it up.

Anyways, to sum it up, I really enjoyed it. The themes don’t have the same significance as some of her previous work, but it was still really fun to read and gripped me the entire time I was reading it.

Recursion

Rating:
Author: Blake Crouch
Genres: Science fiction, Thriller
Pub. date: Jun. 2019 (read Oct. 2019)

Okay, I need to get my thoughts down about this book before I start to forget them! Recursion was my book club’s pick for October and I was pretty excited to read it because we also read Dark Matter together a few years ago and all really liked it. I really hadn’t wanted to read Dark Matter, but I ended up loving it, so I was cautiously optimistic about Recursion.

I am going to have to give the edge to Dark Matter, but Recursion takes you along the same wild ride as Dark Matter does. Crouch writes this really interesting blend of sci-fi and thriller, which I think works really well. His plotlines are totally f-ed up, but embody everything that makes for a great I-cant-put-this-book-down read. They have lots of mind-bending science and crazy plot twists, but also maintain a nice balance of emotional depth and characterization. It’s easy to get caught up in the science, but Crouch always grounds his characters through their relationships and it makes for a much more compelling read.

I think it’s best to go into Dark Matter and Recursion blind, but if you want a small synopsis, Recursion basically looks at memory functions – how we remember (or don’t remember) things and how those memories impact our personal well being and understanding of time. What would happen if we could record and map our memories? Would it help people who suffer from diseases like Alzheimer’s, or does it have the potential to completely warp our sense of time and space.

I did really like this book – it has a strong start, it’s very engaging, and it’s definitely hard to put down. But I ultimately decided to give it 3 stars instead of 4 because I struggled with the last third of the plot, which I found numbingly repetitive, and I thought the ending had some major plot holes.

But that’s all I’ll say about that for now. For the rest of this review, I’m going to have to get into some spoilers. I have a lot of thoughts about the ending and I’m hoping that other readers (or my book club) might be able to clear up some of my questions, but if you haven’t read the book and are planning to, definitely tap out of this review now. Major spoilers ahead. You’ve been warned!

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So here’s where I struggled with this book. I thought it had great pacing during the first half, but the more messed up everything got with the chair, the less interested I got. The world ending time loop at the end was a nightmare and it just went on forever. It gave me anxiety while also being super long and boring. You could tell Helena was taking the total wrong approach to ending the time loop and with every reset I was counting how much older she was getting and just kept finding it less and less believable that she would be able to live the same life over so many times without losing her mind. By my count she was like 282 years old when she finally died!! As someone who has not even yet reached the age of 33 (the length of the time loop), I found it hard to fathom reliving your life for that long. I thought it was realistic that she finally just passed away from sheer mental exhaustion, but it was a little annoying to have Barry then come in less than a year later and solve everything. Helena was the hero of this story for me and it was really annoying to watch stupid Barry take all her glory.

Fellow readers, I need your help in understanding the ending, because to my mind it has some serious flaws. Here’s all my issues:

1. How did Barry just go back to a dead memory? Going to a dead memory killed the original test subject (forget his name), so why was Barry able to do it? I feel like this should have been explained.

2. On that note, when the first guy died from going to a dead memory he had this wonderful experience where he went to heaven (or whatever you want to call it), which was enough to make him kill himself later, how come no one else had this experience in their many deaths?

3. Barry basically solved the time loop by going back to the original timeline and stopping Helena from dying, which is what started Slade’s obsession with the chair, but I don’t see how this was any different than Helena going back to the age of 16? She was always returning to that time because it was still part of her original timeline, but the fake memories would always still catch up with everyone later. Wouldn’t the fake memories still catch up with everyone in Barry’s original timeline?

4. Or does the memories not catching up have to do with the fact that Barry is springing off of a dead timeline? I don’t really get why that would matter though, I guess the fake memories from the other timelines haven’t been created when you launch off a dead timeline, but it still begs the question, how did Barry return to a dead timeline?

5. What happened to Helena’s memories from her original timeline – the one where she worked for the R&D company? Slade apparently kills her for the first time in 2018, but I don’t remember her ever gaining those memories?

I think that mostly sums it up. But like I said, it was kind of disappointing to see Barry solve the problem, especially when Slade tells us that Helena originally figured it out and then he reset her memories (which also doesn’t make sense, she would have got those memories back n’est pas?) Or did she not get the memories back because Slade went back to a dead timeline? That would make sense actually, maybe that is the answer to why she never remembers Slade killing her either? I guess I will go with the answer that previous memories don’t catch up with you in a dead timeline, which would explain a lot of my confusion and questions 3-5, but still raises the question of how you travel to a dead timeline?

Anyways, this helped me sort through my thoughts, but still doesn’t change my rating. Crazy action doesn’t always make your story compelling and I just didn’t find the last third of this book compelling. But I’d love to hear everyone else’s thoughts on the ending and all the plot twists! Am I right about the dead memories thing? Do you have the answer to any of my other questions? Would love to know what everyone else thought!

No Exit

Rating: ⭐⭐
Author: Taylor Adams
Genres: Mystery, Thriller
Pub. date: Jun. 2017 (read in Jul. 2019)

Oh boy… I don’t know how to rate this. It’s a fast-paced, dark psychological thriller. It definitely kept me on the edge of my seat, but it was so exhausting to read. The premise was interesting, as the name suggests, this is a closed room mystery thriller where are protagonist is trapped in a snowstorm nightmare with no way out.

Darby Thorne is on her way across the Rockies to visit her dying mother for Christmas when the snow forces her to stop at a rest stop to wait out the weather. There’s 4 other people at the rest stop and no cell service. While there, she discovers one of the others is concealing a massive crime and her attempt to right the wrong ends in a nightmare of epic proportions.

So I wasn’t sure how much of the plot to reveal in my review, but apparently I never read the synopsis before reading this book because Darby discovering a child trapped in a dog cage in the back of one of the vehicles at the rest stop was a total shocker to me, but is actually revealed right in the book synopsis. I wish I’d known this going in because it might have greatly influenced my decision to read this book. I hate stories that mess around with children and find them difficult to read, so had I realized that earlier, I might have opted out of this one. But my book club picked this as our July read, so I stuck it out.

Overall, I do think this was quite a good book and I can see why people might like it. It’s super fast-paced, the stakes are high, the setting is claustrophobic, and our protagonist is relatable. But I personally struggled with it because it includes child violence and graphic depictions of torture and other violence. I find all these things extremely disturbing and hate reading anything with torture in it, particularly if child violence is involved. I had to give up Game of Thrones after season 3 because I couldn’t deal with the torture.

Which is why I’m unsure how to rate this. I don’t think anyone is going to argue that this is outstanding literature. It’s a mindless thriller book that I think pretty much accomplishes what it sets out to. There’s very little character development and it didn’t make me think that much; there are no hidden meanings or deep themes weaved into the story. Mostly it just made me anxious for the entire week that I was reading it. I propelled through it, but mostly just because I wanted it to be over.

I do think the book was dragged down a little bit by the setting and timeline. Any book that takes place in a span of 8 hours with a setting this small will face a challenge in keeping the reader engaged and I don’t think Adams really overcame that. The story started to feel repetitive and towards the end it was really dragged out. There are several false endings and I feel like the author kept dragging it out to make a large enough page count to call this a proper book. Despite the tense nature of the story, I started to get bored towards the end as the same trauma kept repeating itself. Plus, a lot of the drama was unbelievable and I think the author relied on a lot of what I would consider lazy plot devices to carry the story (i.e., the never-ending cell battery and repeatedly using the same escape route).

Beyond that I don’t really have a whole to say about this one. The idea held a lot of promise, but I don’t think the author quite delivered. As a mystery/thriller, I’d give it 3 stars, but I’m going to give it 2 stars overall because it just wasn’t for me. It’s not a reflection on the book or the writing, just that it wasn’t to my tastes.

The Turn of the Key

Rating:
Author: Ruth Ware
Genres: Mystery, Thriller
Pub. date: Sep. 5, 2019 (read May 2019)

Let’s just start by saying: I love Ruth Ware. I’ve read everything she’s written and it’s taken me a while to figure out what it is I like so much about her. None of her books are my favourite, yet I always can’t wait to get my hands on her newest book. It took a while, but I’ve come to the conclusion that I love her books because they are just so damn readable. She has this old school Gothic mystery thing going on and her closed-door crimes are very reminiscent of Agatha Christie.

The Turn of the Key has similar elements to some of her other books, but I actually found it quite different. Ware takes a different approach to this book, telling us upfront what the central crime is, just not who is involved or how it happens. Rowan Caine is our main character and has been working as a nanny for the past few years when she takes a position in a private home in remote Scotland looking after the Elincourt family. Sandra and Bill are both wealthy architects and have converted their home from an old estate into a modern architectural marvel, integrating all kinds of fancy technology into the design to make it a “smart home”.

It’s a lucrative position for Rowan, but when Sandra and Bill take off immediately after arriving, leaving her alone in the huge house with their 4 children, she starts to wonder if there may be more secrets about this post than she was made aware. Previous nannies quit the position because of fears of the house being haunted, of which Rowan is skeptical, but as strange things start happening, she can’t help but wonder if the weird things happening are a result of the faulty smart home technology, or something more sinister.

Ware takes an interesting approach by opening the story with Rowan in prison for the death of one of her charges. We don’t know which child has died, or how, but Rowan maintains that she is innocent and recounts her story in a letter to a lawyer requesting he help her. This book is creepy. I could see how some readers might not like it as much as some of her others because it is more of a slow burn mystery, but I really liked it. Ware spends a lot of time developing the atmosphere of the story and drawing us further and further in to this creepy house in Scotland. It does take a while for the action to get going, but I loved how remote the story was and how it made me question every single interaction for potential answers. I also loved her use of smart home technology in the story. Technology has gotten so creepy and this really drew attention to the ways it has invaded our lives and in some cases made things more complicated.

One of the main complaints I’ve had with Ware’s books in the past is that I think she has really weird pacing. She tends to hit the climax at around 70% in the book, the mystery always continues, but when you hit the high point that early it’s hard to stay engaged for the last 30%. That was not the case with this book. She keeps you on edge, with the creepiness continuing to amp up until the very end.

The only thing I will say is that things finish up so quickly at the end and are so easily explained that it was a bit of a let down. I mostly correctly predicted the ending, but it didn’t take away from my enjoyment of the book. The atmosphere was what won this book for me and I really liked the creepiness factor. My only complaint now is that I have to wait 4 months for everyone else to read this and another year or more for her next book!

Special thanks to Simon and Schuster and Edelweiss+ for providing me with a free advance copy of this book in exchange for an honest review.

The Stories You Tell

Rating:
Author: Kristen Lepionka
Genres: Mystery
Pub. date: Jul. 9, 2019 (read Mar. 2019)
Series: Roxane Weary #3

Thanks for Minotaur Books for providing me with a free advanced copy of this book in exchange for an honest review.

This series is fantastic! I really liked the first book, but honestly, they just keep getting better and better. Roxane is such a great character and I love the balance Lepionka has found between the mystery element and the development of her recurring characters. The secondary characters change up a bit from book to book, but I love Roxane’s relationship with her family and her growing friendships with Tom and Shelby. No comment on Catherine.

Lepionka is a really great writer. I’ve said this in other reviews, but I know she’s great at connecting her readers with her characters because of the level of frustration you feel for them. The characters are extremely compelling and her plots of so relevant to today’s society. They are always, predominantly, mystery novels, but she weaves a lot of relevant social commentary into her stories that makes them so much more meaningful and relatable to her readers. She didn’t have to do anything special with these books and I think they still could have been successful, but I love that she takes the effort to make her stories diverse.

I love that Roxane is bi-sexual and I love how she incorporated some thoughtful commentary on racial justice and equality in this book. Her previous books have focused on the inequity that women face in the justice system and I like how she spent a little bit of time in this book looking at how black people are disenfranchised in the system and drawing attention to the ways in which white people don’t realize what kind of privilege they actually have.

I’m not going to get into the plot too much. At this point, the plot of the mystery doesn’t really matter to me, I’m here for Roxane. I would definitely recommend reading the series in order though because otherwise you’ll miss out on all the great character development! The only thing that wasn’t great about the book was that the transitions between scenes were very abrupt, with no break in structure to let us know the scene had changed. I think this is just a quirk of the ebook arc I had though and I’m expecting this will be changed in the finished copy.

So in conclusion, I highly recommend this series. I totally flew through this installment and read the whole thing in a single day!