Tag: Sci-Fi

Saga, Volume 10

Leave a comment

Rating: ⭐⭐⭐
Author: Brian K. Vaughan, Fiona Staples
Genres: Graphic Novel, Sci-fi
Pub. Date: Oct. 2022

In celebration of the release of Volume 10 after a 3 year hiatus, I re-read the first 9 volumes and wrote a collective review about them. Since Volume 10 is a pretty big departure from the rest of the series, I had to also dedicate a review just to this volume.

I get what Vaughan and Staples are trying to do with this new installment. The entire series has taken place in the midst of a war and despite lots of deaths, it’s naive to think our central family wouldn’t also be impacted. So I get what Vaughan and Staples are trying to convey… but I still hate it. It’s too depressing. I know that’s the point and that war is devastating and heartbreaking and people just have to go on living anyways. But my poor heart can’t take it.

I’ve spent 3 years waiting for Volume 10, and now that it’s here, I kind of wish it didn’t exist. It’s like when a popular show from your childhood gets a reboot. You think it’s going to be great to spend more time with your favourite characters, but it’s somehow never quite the same… it’s not able to capture the joy and goodness of the original. You’re trying to time travel and all you’re left with is a poor imitation.

That’s what volume 10 was for me without a certain someone. It’s still timely and perceptive, but the joy is gone. That special thing that made the original so wholesome and heartwarming is no longer there. Saga for me has always been first and foremost about family. I know a lot of people are here for the creativity of the series and the artwork, but that’s just what makes this family unique. I was here for the love and all I felt in this installment was the loss.

I’m not sure if I’ll continue with the series after this. It’s hard to walk away from, it is truly something special, but I left a piece of my heart in volume 9. After waiting 4 years for this, I’m disappointed.

Saga, Volume 1

Leave a comment

Rating: ⭐⭐⭐⭐.5
Author: Brian K. Vaughan, Fiona Staples
Genres: Graphic Novel, Sci-fi
Pub. Date: Oct. 2012

I’ve been reading Saga for the better part of 5 years now, so let’s talk about it. I recently bought the special edition box set of Volumes 1-9 and decided to re-read the series before jumping into Volume 10, which was just released after a 3 year hiatus.

I’m so glad I made the decision to re-read these because I remembered very little of them and yet somehow I think I liked them even more! Saga is a graphic novel sci-fi series that is the brain-child of Brian K. Vaughan and the stunning visuals of Fiona Staples. It is far reaching in scope and the content is explicit, including violence, sex, and nudity. It is undeniably weird and unlike everything else I normally read. Despite all this, something about it speaks to a large audience of people because it has a huge fan base.

I know there are a lot of readers who are here for the imagination of it. It’s extremely creative and the artwork is amazing. For those who like graphic novels or sci-fi, it’s easy to understand the appeal. However, the reason I believe it’s so popular is because the storyline is so human in nature. This world is filled with all kinds of foreign planets and beings, with convoluted politics stretching to the far reaches of the galaxy. But Vaughan decides to center the narrative around a new mother and father (Alana and Marko) and their infant daughter Hazel.

Alana and Marko are very reminiscent of Romeo and Juliet. They are from enemy planets who have been embroiled in war longer than either of them can remember. Their love is forbidden and their daughter considered an abomination by most in the galaxy. There’s a whole host of secondary characters, but at its core, this is a familial love story. They are just 2 individuals trying to find some semblance of peace in which to raise their daughter away from the hate. This is what I think makes it brilliant. I’m not a big sci-fi fan, but I love a good family drama, which is why the series popularity is so wide-reaching.

In addition to their well realized central characters, Vaughan and Staples have a VERY large cast of secondary characters. Sometimes it’s hard to keep track of everyone and some characters come and go, but it contributes to the very rich world-building and highlights diversity in a non-traditional way. Each volume is just ~150 pages, but the creators tackle a lot of societal issues within its pages. We’re exposed to war, violence, death, revolutionaries, religious fanatics, drugs, sex trafficking, abortion, racism, sexism, and transphobia, as well as more positive themes, such as family, friendship, and love. Like I said, it’s far reaching in scope.

The plot is at times shocking and the series should have pretty much every trigger warning you can think of. If you’re in a healthy enough place, I think it’s an excellent read. I view volumes 1-9 as a kind of first era of the series. Volume 9 is heartbreaking and after the 3 year hiatus, Volume 10 felt very different in scope as the plot takes a major departure from the early volumes. To acknowledge this, I wrote a separate review for Volume 10 as the series starts what I feel is its second era. I may or may not continue with the series, but view the first 9 volumes as an incredible read. Collectively, I would give this series 4.5 stars.

Paper Girls, Volumes 1-6

Leave a comment

Rating: ⭐⭐⭐
Author: Brian K. Vaughan
Genres: Graphic Novel, Sci-fi
Pub. Date: Apr. 2016 (read Mar. 2022)

I don’t usually write reviews for comics, but I read the entire 6 volume series over 3 days, so I wanted to say a little something about the series as a whole. Paper Girls isn’t new, it’s been around long enough that the series was finished before I ever started reading it. It seems like a lot of people have read it because of Saga’s fame, but it doesn’t have as good reviews as Saga, so I was sitting on reading it for a long time. Ultimately, I decided to give it a go because I found the entire series at my local library and I’ve always thought the artwork for the series looked gorgeous!

I heard it was a bit confusing to read, but I didn’t find it that bad. Saga’s always been a bit confusing and jumped around from character to character, so while I didn’t know exactly what was happening in Paper Girls, it wasn’t as difficult to follow as I thought. Plus it was made easier by the fact that I really liked the 4 main characters. 

Paper Girls is about 4 girls from the 1980’s who accidentally get catapulted into a different year when time travellers infiltrate their town on Halloween. They’re sent to the future and spend the next 6 volumes hopping around through time trying to get back to their reality. They meet people from other worlds and even get to meet future versions of themselves. The only thing I didn’t quite grasp was how the whole time travel thing gets initiated in the first place, but it was a fun romp through space and time, so I was able to overlook it.
 
The characters are all around 12 years old I believe, which I thought was a bit young, but it has really strong stranger things vibes and I really liked the artwork and time period. I didn’t like the homophobic slurs that are written into the text, I know the authors were trying to make it indicative of the time period, but I don’t think it was necessary, nor did I really think if fit the character of the paper girls. 

My favourite volume was Volume 3 because I really liked Wari. There are a lot of other side characters that come and go throughout the series, but I wish there had been more consistency between some of these characters. For example, I liked that Wari returned and that we got several versions of Erin and Tiffany, I thought they were really strong. But then some of the other characters seem to only be there briefly and I’m not sure they added a lot to the text. I’m struggling to remember all their names now, but thinking of the old woman (Charlotte?), the Prioress, and the other character on the front of Volume 5 (is it implied that this character is a future version of Mac? because that was never clear to me, but would make her inclusion more important). Otherwise I didn’t think any of these characters really added much.

Anyways, it’s a weird series of course, but I did like it. It’s not a long read and worth it is you want something fun!

The Toll

Leave a comment

Rating: ⭐⭐.5
Author: Neal Shusterman
Genres: Science-fiction
Pub. date: Nov. 2019 (read Dec. 2019)
Series: Arc of a Scythe #3

Oh boy, this book. Holly Black’s Cruel Prince trilogy and Neal Shusterman’s Arc of a Sycthe trilogy both concluded around the same time and I read them one after the other. I had mixed feelings about all the previous books in both series. I liked them, but didn’t love them. While Holly Black’s conclusion totally shocked me in the best possible way, Neal Shusterman’s conclusion had the opposite effect.

I would actually give the edge to Shusterman’s first book over Black’s because while I also find his writing style kind of boring, his plot had a lot of depth and the first book made me think a lot about humanity, death, technology, and AI. While I’m fuzzy on the details of Thunderhead now (except for that crazy cliffhanger ending), it also raised a lot of interesting social commentary about different ways of thinking and how prejudice and power can corrupt and turn people against one another.

I thought Shusterman lost all of this in The Toll. This book was super long and inspired no critical thought from me. I don’t really understand why the Thunderhead decided to mark everyone as unsavoury and keep it that way and I felt like Shusterman totally abandoned his themes about AI and how involved they are in our life. The Thunderhead starts to become a sentient being, but I feel like it’s not really discussed in the book the impact that would have if our robots suddenly started feeling and how unlikely it is that society could recover from all-knowing robots suddenly having the ability to feel.

I felt like the plot totally went off the rails, with Shusterman trying to make this more of a blockbuster action story rather than the thoughtful, scary dystopian world he created in the first book. I also recently finished reading the Golden Compass series and I had similar thoughts about Philip Pullman’s final book in that both authors completely lost the subtlety of the first two books, which made for a much less interesting or impactful read. I felt like this book was self indulgent. The plot didn’t feel at all clever because nothing ever seemed to link together. While all our main characters do eventually end up in the same place, I felt like I was reading separate and unrelated storylines the entire book. Plus like, what was actually the point of it all?

SPOILERS AHEAD
.
.
.

Honestly, the ending was just a huge disappointment for me. I feel like Shusterman avoided actually dealing with the monster he created in Goddard and I felt like it was cheap to just get rid of him with a random “fail safe” that basically just killed off all the scythes. Shusterman just used space travel to avoid the whole trauma of how you deal with death in a society that can no longer die. It was disappointing. I wanted a different kind of showdown between the new order scythes and the old order that better represented how the general population would feel about the whole thing. The general population would still hugely outnumber scythes and I would have like to see more of a revolution from them. The Thunderhead marked everyone unsavoury – I feel like they would be pissed off and revolt. Plus the whole idea of new vs. the old and different trains of thought leading to extremism is so relevant to our society today, I would really have liked to see these themes developed in a way that was more relatable than space travel.

Anyways, this was never my favourite series, but I’m impressed that I actually saw it through when I’ve since given up on better fantasy series. Overall, a very disappointing ending and I’m relieved to just be done with it.

Recursion

2 Comments

Rating: ⭐⭐⭐
Author: Blake Crouch
Genres: Science fiction, Thriller
Pub. date: Jun. 2019 (read Oct. 2019)

Okay, I need to get my thoughts down about this book before I start to forget them! Recursion was my book club’s pick for October and I was pretty excited to read it because we also read Dark Matter together a few years ago and all really liked it. I really hadn’t wanted to read Dark Matter, but I ended up loving it, so I was cautiously optimistic about Recursion.

I am going to have to give the edge to Dark Matter, but Recursion takes you along the same wild ride as Dark Matter does. Crouch writes this really interesting blend of sci-fi and thriller, which I think works really well. His plotlines are totally f-ed up, but embody everything that makes for a great I-cant-put-this-book-down read. They have lots of mind-bending science and crazy plot twists, but also maintain a nice balance of emotional depth and characterization. It’s easy to get caught up in the science, but Crouch always grounds his characters through their relationships and it makes for a much more compelling read.

I think it’s best to go into Dark Matter and Recursion blind, but if you want a small synopsis, Recursion basically looks at memory functions – how we remember (or don’t remember) things and how those memories impact our personal well being and understanding of time. What would happen if we could record and map our memories? Would it help people who suffer from diseases like Alzheimer’s, or does it have the potential to completely warp our sense of time and space.

I did really like this book – it has a strong start, it’s very engaging, and it’s definitely hard to put down. But I ultimately decided to give it 3 stars instead of 4 because I struggled with the last third of the plot, which I found numbingly repetitive, and I thought the ending had some major plot holes.

But that’s all I’ll say about that for now. For the rest of this review, I’m going to have to get into some spoilers. I have a lot of thoughts about the ending and I’m hoping that other readers (or my book club) might be able to clear up some of my questions, but if you haven’t read the book and are planning to, definitely tap out of this review now. Major spoilers ahead. You’ve been warned!

.

.

.

So here’s where I struggled with this book. I thought it had great pacing during the first half, but the more messed up everything got with the chair, the less interested I got. The world ending time loop at the end was a nightmare and it just went on forever. It gave me anxiety while also being super long and boring. You could tell Helena was taking the total wrong approach to ending the time loop and with every reset I was counting how much older she was getting and just kept finding it less and less believable that she would be able to live the same life over so many times without losing her mind. By my count she was like 282 years old when she finally died!! As someone who has not even yet reached the age of 33 (the length of the time loop), I found it hard to fathom reliving your life for that long. I thought it was realistic that she finally just passed away from sheer mental exhaustion, but it was a little annoying to have Barry then come in less than a year later and solve everything. Helena was the hero of this story for me and it was really annoying to watch stupid Barry take all her glory.

Fellow readers, I need your help in understanding the ending, because to my mind it has some serious flaws. Here’s all my issues:

1. How did Barry just go back to a dead memory? Going to a dead memory killed the original test subject (forget his name), so why was Barry able to do it? I feel like this should have been explained.

2. On that note, when the first guy died from going to a dead memory he had this wonderful experience where he went to heaven (or whatever you want to call it), which was enough to make him kill himself later, how come no one else had this experience in their many deaths?

3. Barry basically solved the time loop by going back to the original timeline and stopping Helena from dying, which is what started Slade’s obsession with the chair, but I don’t see how this was any different than Helena going back to the age of 16? She was always returning to that time because it was still part of her original timeline, but the fake memories would always still catch up with everyone later. Wouldn’t the fake memories still catch up with everyone in Barry’s original timeline?

4. Or does the memories not catching up have to do with the fact that Barry is springing off of a dead timeline? I don’t really get why that would matter though, I guess the fake memories from the other timelines haven’t been created when you launch off a dead timeline, but it still begs the question, how did Barry return to a dead timeline?

5. What happened to Helena’s memories from her original timeline – the one where she worked for the R&D company? Slade apparently kills her for the first time in 2018, but I don’t remember her ever gaining those memories?

I think that mostly sums it up. But like I said, it was kind of disappointing to see Barry solve the problem, especially when Slade tells us that Helena originally figured it out and then he reset her memories (which also doesn’t make sense, she would have got those memories back n’est pas?) Or did she not get the memories back because Slade went back to a dead timeline? That would make sense actually, maybe that is the answer to why she never remembers Slade killing her either? I guess I will go with the answer that previous memories don’t catch up with you in a dead timeline, which would explain a lot of my confusion and questions 3-5, but still raises the question of how you travel to a dead timeline?

Anyways, this helped me sort through my thoughts, but still doesn’t change my rating. Crazy action doesn’t always make your story compelling and I just didn’t find the last third of this book compelling. But I’d love to hear everyone else’s thoughts on the ending and all the plot twists! Am I right about the dead memories thing? Do you have the answer to any of my other questions? Would love to know what everyone else thought!