I picked up this book while on holiday from a thrift store in a backwater town in BC because I had only brought 1 book with me and had finished it too soon. It had limited selection, but this book featured a dog and sounded cute, so it could have been a lot worse!
It actually started off really promising. Our protagonist, Sloan, rescues a runaway dog and then takes care of him when she can’t get a hold of his owner, Jason, for 2 weeks. Jason is a semi-famous musician who was out in the Australian wilderness backpacking and didn’t know that his dogsitter had lost his dog until he returned to civilization. Sloan agrees to watch the dog until he returns to America and they start having cute exchanges via text and phone. Sloan is getting over the death of her fiancé 2 years previously and this is the first time she’s been attracted to a man since.
Their phone calls and text banter were really cute and I loved that the book centered around a dog. It had a good amount of depth and I was enjoying it. Unfortunately, I thought the author blew through the initial attraction way too quickly and the couple immediately starts dating. Sloan faces some initial challenges with the relationship as she tries to move on with her previous relationship, but I thought Sloan and Jason’s relationship got too intense too fast and the pacing didn’t work. I felt like I was at the climax of the novel at just the halfway mark, which made me question what the author was going to focus on for the second half without any romantic tension.
This is where she lost me. The novel takes a turn and focuses more on the struggles of being in a relationship with a rock star who’s always on the road. I felt like the “Sloan-as-a-widow” and the “couple-on-tour” plots were 2 very different storylines that just didn’t mesh with one another. Sloan was on a healing journey and then all of a sudden she’s chasing Jason all over the country? I felt they should be two different books with two different sets of characters.
There were other aspects I didn’t like – Jason is a bit of a womanizer – he’s very confident in himself, which should be a turn-on, but he read more as cocky to me and I wasn’t really into it. Both parties fell too hard, too quickly, and it removed some of the believability for me.
The other aspect I didn’t like was Lola’s character as the crazy-ex girlfriend. It’s bad enough when men call women crazy and portray them as such, but it’s so much worse when women do it to each other. So I was initially very turned off by this side plot, but I ended up being impressed with how the author handled in the end. Lola turns out to be pretty misunderstood and I appreciated when the characters were able to reconcile with each other and understand how Lola had been manipulated and abused by her record label.
So overall it was a bit of an odd novel. I liked parts of it and disliked other parts, but I think it is a fairly standard 3 star read at the end of the day and considering I picked it up in a thrift store, it exceeded my expectations. I wouldn’t recommend, but also, don’t regret reading.
Rating: ⭐⭐⭐⭐.5 Author: Emily Henry Genres: Fiction, Romance Pub. Date: May 2022 (read May 2022)
It’s been almost 2 months now since I read this and I’m really regretting not writing a review about it then…
Emily Henry is quickly becoming an auto-buy author for me! I read People We Meet on Vacation and Beach Read earlier this year and am even debating reading some of her YA backlist. Of the 3 books I’ve read, I think Book Lovers might be my favourite! Beach Read had some definite flaws, but I really liked the friends to lovers aspect of People We Meet on Vacation. The plot of Book Lovers sounded a bit cheesy to me, but the story is so well crafted that I ended up loving it!
Nora Stephens is a literary agent for authors and has a tenuous relationship with Charlie Lastra, an editor who once passed on one of her biggest client’s bestselling book. Nora’s sister Libby convinces Nora to join her on a getaway to the small town in which her bestselling book is set, where they continually run into Charlie and learn the real reason why he passed on editing the book. But what Nora’s more curious about it why her sister really wanted them to take this trip and has a sneaking suspicion she won’t be very pleased when she uncovers the truth.
So the book has a pretty standard romance setting and plot, but what makes it stand out is the dialogue and characterization. First off, this is really a story about sisterhood, which is one of my all time favourite themes, and the romance that blooms during the sister trip is super organic and fun. Nora and Charlie have chemistry and I was really impressed with all of their banter. Emily Henry is quick witted and her dialogue is sharp. There’s no awkwardness and it’s a lot of fun to read. Like most enemies to lovers stories, Nora and Charlie are barely enemies, but I liked how quickly they become friends. There was an authenticity in easily sorting out your differences and acknowledging that your first impressions were misplaced.
I’ve said this of Henry’s other books, and it holds true in Book Lovers, that she is really great at bringing a strong dose of realism and depth to her romances. There’s always something going on in the story beyond just the romance and her characters are always realistically flawed, but in a way that is believable. Too many romances feature unrealistic men and while it’s nice to dream such a “perfect” man might exist, I like my love interests a little more nuanced.
What I liked about this one was that Nora and Charlie were very much the anti-heroes. Nora believes that she’s the high-powered, but lonely woman that always gets left behind in the city for the easy-going country girl, whereas Charlie’s the guy who always puts other people’s needs and happiness before his own. I loved that this book was basically in defense of all those women who like city life and pursue their careers over love. It’s about knowing who you are and what you’re willing to compromise.
As a side note, I’d also like to say that I loved that Nora was tall! I feel like almost all romances these days feature giant men and tiny women and I loved Henry’s exploration of height in a relationship and how little Charlie cared about it. The whole line about “there’s no such thing as a ‘too tall’ woman, only men who are too insecure to date them” had me swooning over Charlie! So I appreciate the realism since the average height for men and women is 5’9″ and 5’4″.
Then there’s a whole other element of this story that looks at Nora’s internalized guilt and responsibility. She’s taken on a lot of ownership over her sister’s happiness and this is very much about learning to let the people you love go. Letting them be responsible for their own success and happiness and being okay when your dreams don’t necessarily align with one another.
To conclude, I really liked it and read the entire thing over the span of 2 days. If you’re looking for a fun summer read, definitely pick up Book Lovers!
Rating: ⭐⭐⭐⭐ Author: Emily Henry Genres: Fiction, Romance Pub. Date: May 2021 (read Mar. 2022)
So many people told me to read Beach Read, but I just had a feeling this was the one for me. I’m still planning to read Beach Read, but after a slew of enemies to lovers books recently, I really wanted to read one about friends to lovers because I had a sneaking suspicion I would really like it. And I did!
This book is a lot more subtle than some of the other romances I’ve read, but it’s the one that felt the most real to me. Poppy was a more relatable character – as sexy as the enemies to lovers trope was in books like The Love Hypothesis and The Spanish Love Deception (and as compelling as those plots were) – I do really think this is the better book. Every person I’ve ever loved has been my friend first and there’s something so lovely reading about two people that genuinely like each other.
People We Meet on Vacation is about two friends, Alex and Poppy, and their relationship over the past 12 years. They’ve been friends for a long time and even though they live in different cities, they’ve always taken the time to travel together once a year… until something happens on their most recent trip and they don’t talk for 2 years. Poppy realizes she misses Alex and invites him to take one more trip with her, to which he agrees.
This book is subtle and I liked that about it. It’s not as quick paced as some of the other romance books I’ve read because the present day storyline is constantly interrupted to return to one of their past trips. This slowed the pacing down initially, but as you progress further into the book, you realize this friendship is not quite the relationship you thought it was. There is just as much romance in the development of their friendship, because it never really is just a friendship. Just-friends don’t bring this kind of complicated conflict into your other relationships and you can’t help but root for these two people to be together.
I say this is a subtle book because it is also very much about loneliness and allowing people the space to say and be who they really are. Poppy and Alex recognize that love isn’t always the most important part in a relationship. Relationships are also about making the space for your partner to communicate their needs and being willing to compromise on your life together. That two individuals still need to take the time to work on their own shit before they can be what the other person needs. I felt like this had a lot more maturity and that they had the kind of solid foundation that a successful relationship would be built on.
I also liked that both characters were well developed and flawed. I really think Alex is one of the strongest love interests. To talk about romance we must acknowledge that they are primarily written by women, for women, and so the men are often a bit more fantasy than most of the men I’ve met in real life. We read romance for the escapism of it – because we are human and we want to read emotional stories about people falling in love. But so many of the men are almost so perfect in their love for the protagonist they become caricatures. Alex felt very real, like someone I could honestly fall in love with myself. He’s quiet and a bit weird. He has anxieties and he’s afraid to put himself out there. He knows what he wants, but isn’t quite sure he deserves it and recognizes the ways in which he’s not willing to compromise.
Likewise, Poppy is chasing after something she thinks she wants without realizing that it’s really that she’s running away from something instead. We’re sold this ideal and she thinks filling her life with travel and new people will make her happy – that it will compensate for the inadequacies she felt when she was younger. We all like to think our bullies go on to make nothing of themselves, but they are just flawed people too and we are only holding ourselves back by trying to prove ourselves to them later. If you make decisions based on the way you are perceived by someone else, you are still not living for yourself. Was it unrealistic that two friends could be so blind for so long? Maybe, but these two people wanted such drastically different things that I could believe it.
It’s also a subtly sad book that made me reflect a lot. I really wasn’t sure if we were going to get a happy ending or not. I wish the author had dedicated a bit more time to the ending because she introduced several new themes in the last 50 pages about self care and compromise, that I really would have loved to see explored further. So overall I really liked this book, perhaps even more than The Love Hypothesis. I did rate that one higher because it was so compelling and I couldn’t put it down, but I do think this is the better story. The other books I read were that fun, all-consuming love, this was gentler, but it also felt a lot more real. It’s nice to get swept up in a love story, but it’s also nice to sink into one, and that’s what I feel like I did with this one.
The Love Hypothesis is making me re-think everything I thought I knew about reading!
I like romance – I know this about myself. But I’ve always preferred it as a side plot, originally in lengthy fantasy series. Then I got fatigued with fantasy and started reading a lot of literary fiction and historical fiction and didn’t really think about romance at all. Every now and then I stumble upon a good love story (the most recent was probably The Simple Wild, which I first read in 2018) and remember how much I do enjoy them.
The market is saturated with romance books with beautiful covers these days and I see popular books shared regularly on bookstagram and booktube (and booktok), for some reason The Love Hypothesis caught my eye. It received a lot of praise and hype in a short time, and when I found out it had a STEM setting and was basically glorified Rylo fanfic (Kylo Ren and Rey, I know right?), I was definitely intrigued. I took a look at the cover (easily saw the character resemblance) and impulsively grabbed a copy at my local indie.
I got home and joked with my husband about how I’d actually bought a romance book. I told him I’d heard it was good and then proceeded to read the synopsis out loud, laughing because I had to admit, actually reading it, it didn’t sound very good (to me at least). But friends, I could not put this book down! I’m now questioning everything and wondering if I should get more into the romance scene, but the selection is a bit paralysing and the book blurbs always sound bad, so please give me your recommendations because I’m a total newbie and I have no idea what I like!
But let’s get into the book. I gave it 5 stars. Objectively, it is 100% not a 5 star book – there are many other books that I have rated less than 5 stars that were much better than this. But I can’t deny that this was pure joy and escapism and I was so happy the entire time I was reading it, so I think it deserves the 5 stars. We can enjoy things that are not works of art and make us feel just a little bit shallow. I have criticisms, I’ll talk about them – but let’s talk about why this was so great first.
Setting. The Love Hypothesis is set at Stanford University and features a bunch of grad students and faculty advisers and all the drama of the academic world. I have only ever been an undergrad, so I don’t know what it’s like to be a grad student, but I am a woman in STEM and I am married to someone who had a very long and painful grad student experience, so I could definitely still relate. It seems like both a respected and thankless field. Why on earth are our scientists and researchers paid so little and forced to work and move around for so long before gaining any semblance of normality? When my husband finally left academia, we were both relieved and have never once looked back.
Characters. Olive is an excellent character. I loved the demi rep in this book and I felt her to be an extremely relatable every-woman. Likewise, Adam is flawed, but you can’t help but love his sensitive side. The plot of this book is centered around the fake-dating trope and as corny and unrealistic as it was at times, it was also strangely well done and believable. Olive and Adam are funny and more than once I found myself laughing out loud at their witty banter. They’re smart characters that are very much grounded in reality – I say that because it’s obvious that Ali Hazelwood knows this world. She hasn’t fabricated it for the sake of a story, she knows it and as a result, her characters feel very genuine and organic.
Title IX. It’s been a while since I watched the documentary, The Hunting Ground, which is all about Title IX, so I’m a little fuzzy, but it’s basically the law that prohibits sex-based discrimination and harrassment in educational environments, such as universities. At first the joking about Title IX made me a little uncomfortable, but I like that Hazelwood decides to tackle sexism in academia. This is something that exists at all levels of post-secondary education, but I’ve predominantly thought of it in terms of cases like Brock Turner, where young undergrads get taken advantage of at campus parties. This tackles the inherent sexism that is built into the old-boys club of academia.
It is not easy to be a woman in STEM. There are amazing women like Anh out there that are working to make STEM more accessible to more diverse backgrounds of people, but they are always at a disadvantage and the system is still always working against them at every level. One of the stats that has always made me saddest in my own profession (engineering), is that while the number of female graduates is up in certain disciplines, it doesn’t carry through to the profession and many women leave within the first 5 years of their career. It also doesn’t speak to the diversity of women entering the profession. Hazelwood brings depth to the story with this plotline and it made it more meaningful than just another romance.
It’s a fun and sexy book. It’s predictable, but for me, it had the perfect amount of banter, slow burn, and spice. Not unlike Olive, I’m not really into hook-ups, but spending time with people I trust, and I loved how their friendship developed, it felt natural and authentic. We really get to know both of the characters. It definitely has some spice (I know that’s important for a lot of readers), but in moderation, which is how I personally prefer it. The story builds up to a natural climax, in more ways than one 😉 without being overly indulgent (Sarah J Maas, I’m looking at you). It was cute.
So what didn’t I like? Mostly minor things that I can overlook, but I still think it’s important to acknowledge some of the shortcomings. As I said, this story got it’s start as Reylo fanfic. I don’t really have a problem with that, I’m a bit of a Reylo fan myself and it’s what enticed me to pick up the book, so I don’t fault Hazelwood for that. After reading it, I don’t actually think this is Reylo fanfic, it’s not the vibe I got from the story. The vibe I did get is that Adam Carleson IS Adam Driver. His appearance is described on many occasions and he is Adam Driver right down to his dimples. I wish she had at least given him another name besides Adam to make it a little bit less obvious.
Which brings me to my next point that Olive is not Rey. In fact, Olive’s appearance is barely described anywhere in the novel. We gather that she is 5’8″ and pale with freckles, but beyond being described as slim, I can’t recall ever getting a description of her hair, face, or eyes. I think she’s written more as a stand-in character, for both the author and any woman that finds Adam Driver dreamy (ahem, me included, lol). I’m not sure it’s a bad thing, but it just made her a bit forgettable to me. Which I didn’t want because she is a strong character and I don’t want her to be a Bella or Ana type stand-in. A minor criticism, but I just wanted the characters to be Olive and Adam unto themselves, not Adam Driver and any stand-in white girl.
My last complaint involves getting into some spoilers, so don’t read ahead unless you’ve already read the book.
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My last complaint is about how the real Title IX incident is dealt with. It’s upsetting when Tom comes on to Olive. I thought he was a little over-the-top villainous in that I thought Tom would probably be smart enough to be a bit more subtle with his intentions until a more opportune moment, but I can’t deny the truth in the interaction. I didn’t fault Olive for not wanting to pursue anything or report him. Women are rarely believed and get pulled through the mud for it. At the time, she had no other prospects for her work and potentially would tank her career if she reported him. But once she decided she was going to do something about it, I was disappointed that she let Adam speak for her.
Other people rarely intervene on behalf of sexual harassment victims. Sure it happens and how wonderful to have a powerful ally, but I would have loved to see smart and plucky Olive take Tom Benton down all on her own – be her own saviour. Adam could have supported her, but together her and Anh could easily have made it happen too and it would have given her a lot more agency as a kick-ass female scientist. But I can overlook this shortcoming as well because it is exhausting to always have the burden fall on minorities. It’s why we need more allies. So I can accept that Olive could have gotten Tom fired on her own, but that it’s also great that she didn’t have to.
To conclude, the fact that I’m able to write a review this long about a 300 page romance novel is telling. I did love it and I’m not really sure where I’ll go from here. I may try and seek out some more romance novels, or I may just move on and remember this one fondly, only time will tell!
Woohoo! First person on goodreads to rate and review this book!
I’ve been going through a bit of a poetry phase and stumbled across this anthology in the Poetry section at Chapters. I had no idea it was a brand new release, but I liked the premise of it and decided to buy a copy. It’s only 50 pages long, so I read through it in 2 sittings.
Grief & Loss & Love & Sex is about all of the above, but mostly grief. Lara’s sister passed away by suicide and this is really her response to dealing with that grief. She includes a prologue about the book and her sister that was really moving, before getting into some of the poetry she wrote about how she was impacted and affected by her sister’s death. I really like her style of poetry. It’s not too dense to read and I like the spoken word feel of it. It has a good beat to it and I like that much of it rhymed. I feel like not that much poetry rhymes these days, which is totally fine, but I appreciate clever and well written prose.
In my opinion, most of the anthology focused on grief and loss, but Marjerrison does start exploring themes of love in the last third. Personally I didn’t find this poetry quite as engaging, but since this anthology very much reads like a personal, healing journey, I don’t think it really matters if it didn’t pull me in as much. There’s a strong emotional theme present throughout the entire anthology and I really do hope that the writing of it helped the author to heal. A great debut – very moving.
Rating: ⭐⭐⭐⭐
The Paperback Princess 