Emily Wilde’s Map of the Otherlands

Rating: ⭐⭐⭐⭐
Author: Heather Fawcett
Genres: Fantasy
Pub. Date: Jan. 2024

I sound like a broken record, but I cannot get enough of Heather Fawcett’s books! Emily Wilde is her first adult fantasy series and I am obsessed! I’m so glad to see it get such high reviews because I do think it’s the type of series that’s not for everyone. It’s a slow burn read and I don’t think it’s everyone’s type of storytelling because it leaves the reader to work out a lot of the intricacies of the world-building. But I think it’s also why it’s resonating with so many people. 

This fantasy world is a mix of the real world and the faerie world. It’s never quite explained to us, but rather it feels like you’re walking into this fully formed world to discover it for yourself. It’s always going to seem a bit mysterious to the reader, but the people in this world don’t really understand faerie either, so that’s exactly the way it should be!

If you’ve heard the term “cozy fantasy”, this is it. Despite always having the coldest settings in her books, this story is filled with warmth. Choosing to tell the story through Emily’s diary entries definitely isn’t the easiest way to build drama because by the time Emily gets around to writing about the drama, you can be lulled into security by knowing that she has at least escaped and is now safe enough to write about it. But this narration also works so well because Emily has the perfect voice to tell this story. Her logical and scientific mind is able to maintain a certain distance from what’s taking place around her, but her soft heart lends a sweet, emotional aftertaste to the story. 

This is the second book in the series and it picks up more or less where the first book leaves off. Emily, Wendell, and Shadow return in this book, but we are also joined by two new characters, Ariadne and Rose. Rose was a good foil to the story and it was fun to see Emily grapple with her academic pursuits while also trying to wrangle her young and enthusiastic niece, Ariadne. It’s another slow burn story, but somehow, it just works so well with this series.

No fantasy is complete without a romantic side plot and this one is so precious! Where most fantasy heroines these days are fiery and passionate, Emily is methodical and soft. She’s undeniably interested in Wendell, but given the complications of where they are both from, the logical part of her brain very much tries to win out over the romantic part. It’s such a different approach to romance than other popular fantasy series and that’s why I think it’s so refreshing. Emily has a different kind of strength and it’s nice to be reminded that women can be a hero in many different ways. She’s not the ‘chosen one’, she doesn’t have any magic, but she is quietly assured of her good reasoning and intellect and uses her smarts to outwit faeries rather than to fight them.

Anyways, this was a pleasure to read from start to finish. The setting and characters are impeccable. I’m so glad we get to spend one more book with Emily and Wendell and I can’t wait to see where the story will go!

Ties That Tether

Rating: ⭐⭐⭐⭐
Author: Jane Igharo
Genres: Fiction, Romance
Pub. Date: Sep. 2020

I picked this book up a few years ago at Powell’s Bookstore as an impulse buy, but I’ve never felt much draw to actually read it. The only reason I think I finally picked it up was because I found the audiobook at my library and the narrator sounded really good, so I listened to it over Christmas while on my jigsaw puzzle kick.

I’m so glad I finally did read it, because it was a lot different and better than I was anticipating. Azere is Nigerian-Canadian. She grew up in Toronto and has been heavily influenced by Canadian culture, but her parents still cling to their Nigerian roots and raise her in fear that she will lose her connection to Nigeria. Her father passes when she is 12 and his dying wish is for her to marry a Nigerian man – a promise that holds Azere hostage for her entire adult life.

Her mother is particularly threatened by the potential loss of culture in her children and is a domineering presence in Azere’s life. Despite working for a successful marketing firm, Azere is characterized as a failure by her mother for not being married or having children. Her mother routinely tries to set her up with Nigerian men and doesn’t seem to care whether those men are actually well suited to her daughter or not. So one night Azere acts out after a bad date and has a one-night stand with a white man, who later resurfaces at her marketing firm as her new co-worker.

This is marketed as a romance, and it definitely has a romantic plot, but I would shelve it more as general fiction. I know this culture conflict is a common refrain for many immigrants, including many of my friends, so I think it makes for a compelling and nuanced story. The characters are frustrating, but you also know they’re coming from a place of love, so it’s hard to either accept or condemn their actions. That said, Azere’s mom definitely had some things to apologize for, but it was nice to see Azere finally take control over her own life and say, “enough is enough”.

My main criticism would be that I thought Rafael had some glaring flaws that I didn’t really like in a male love interest. He hid his past from Azere, and while I understood it was because of the trauma associated with what happened, I didn’t think it was very fair of him to rake her over the coals for not accepting him when we wasn’t willing to share his whole self with her. He also had temper issues that I didn’t have any tolerance for.

But overall, I was pleasantly surprised by this book and quickly rushed out to pick up a copy of her second book, The Sweetest Remedy. I’d definitely recommend the audio version, but I did switch back and forth between audio and paperback and enjoyed both!

Ducks

Rating: ⭐⭐⭐⭐
Author: Kate Beaton
Genres: Graphic Novel, Memoir
Pub. Date: Sep. 2022

I’ve been seeing Ducks everywhere since the Goodreads Choice Awards, which really surprised me when I learned it was a graphic novel written by an East Coaster about the oil sands (this type of Canadian lit doesn’t usually go mainstream). I finally got my hands on a library copy of this beast of book, just in time for it to be nominated for Canada Reads!

It is a really interesting book. The storyline is subtle and we spend a lot of time in dull labour camps, but it’s still very compelling. Kate Beaton grew up in Cape Breton and after completing her Bachelor of Arts degree in the early 2000’s, decides to follow the horde of islanders heading west in order to pay off her student loans.

She moves to Fort MacMurray, a notorious place in northern Alberta that’s known for the oil sands, dirty money, questionable environmentalism, and eastern imports in the form of people. People from Fort Mac probably won’t like my assessment because they’re just trying to make a living, but as Kate concludes towards the end of the book, her motivations for being there don’t make her less complicit in the work being done.

Kate is from Cape Breton; even though I’m from Newfoundland, this is definitely a story any Newfoundlander can relate to. Since the collapse of the food fishery in the early 1990’s, watching your family members and friends head west in search of work is something that has touched everyone. I actually applaud Kate for her courage in going out there alone without a job as a 22 year old woman.

However, it’s undeniable that the oil sands weren’t a great place to be female in the early 2000’s. I’m sure the camps and companies have evolved in the past 20 years to become more progressive, but I’m also sure there are many more subtle ways in which they haven’t. I haven’t worked in the oil sands, but I did a brief stint on a heavy construction project in Labrador in 2013 where sexism was very much still present. My experience was nothing like Kate’s, but her experiences were still very relatable.

Most of what Kate tackles in this book is about mental health and loneliness and how this separation from society and detachment from reality creates harmful and sexist work and safety cultures. She explores the prevalence of toxic masculinity, gendered violence, and microaggressions in male dominated work spaces, and the dichotomy of character that can result from extended periods of time in this environment. There were lots of good men on the sites that Kate never interacts with because they politely leave her alone, but there were also a lot of lonely and frustrated men who become divorced from who they are when immersed in camp life.

At least that is how Kate looks at it. More jaded individuals might look at her experience and say that for some men, that ugliness has always been there and that the labour camps just expose it. I don’t know which is true, probably both, but I appreciated Kate’s exploration of this character change. After her experience, it would be easy for her to be jaded and think the worst of men, but she’s still willing to think more critically about mental health and loneliness.

What drove this home for me is the inclusion of so many Newfoundlanders in the story. There are a lot of Newfoundlanders in Fort Mac, so it’s an accurate portrayal. Traditionally, Newfoundlanders are known for their friendliness and willingness to open their homes to strangers. It’s something I’ve always been very proud of, though I have found in the past 10 years since I left Newfoundland, that there is a limit to this friendliness that it’s sometimes only extended to that which is familiar. By which I mean that I think there is still a culture of othering and outsiders.

Because we so often look at what we love with rose coloured glasses, it’s sobering to look at this negative portrayal of so many East Coast men. As Kate says, “the worst part for me about being harassed here isn’t that people say shitty things. It’s when they say them and they sound like me, in the accent that I dropped when I went to University. That they look like my cousins and uncles… that they’re familiar.” It’s not that she’s saying the behaviour is indicative of where the men come from, just that it’s disappointing to realize that the potential exists in those we know and love.

In fact, when Kate gets a call from the Globe and Mail wanting to write about her experience, she decides not to take the interview. She says of the interviewer, “I don’t think people like her believe that the men they know wouldn’t be any different. They don’t think that the loneliness and homesickness and boredom and lack of women around would affect their brother or dad or husband the same way – why would they? They don’t think about it at all. They never have to.”

I did really like this book. I felt some improvements could be made; it’s a bit long and there is a lot of interactions and filler that I thought could have been consolidated, but it paints a very detailed picture of what life was like for Kate and of capturing how microaggressions can wear us down over time. I’m glad it’s been selected for Canada Reads, because I think it’s especially important for Canadians. Great storytelling and imagery!

Every Summer After

Rating: ⭐⭐⭐⭐
Author: Carley Fortune
Genres: Fiction, Romance
Pub. Date: May 2022

I was really feeling in the mood for a romance and oh my goodness, I devoured this one. Every Summer After has been making the circuit on social media this year and I was particularly excited about it being a Canadian author and novel. I love Canadian lit, but a lot of it is really heavy and often weird. I found this to be one of the most accessible Canadian contemporaries and I loved the setting in Toronto and rural Ontario. It is surprising how much more realistic and relatable a book can seem just from a familiar setting (even though I’ve never even lived in Ontario).

Every Summer After is a second chance, friends to lovers romance between Persephone (Percy) and Sam, beginning when they meet at age 13. Percy’s parents purchase a lakeside cottage in the sleepy town of Barry’s Bay and she quickly becomes fast friends with her next door neighbour Sam, spending every summer with him until they start university. Because it’s a second chance romance, it’s a dual timeline – split between when Percy and Sam first meet, and their reunion a decade later for Sam’s mom’s funeral. I find dual timeline stories can be very hit or miss, but I thought this one was actually really well done. Both timelines were compelling and I found myself equally invested in both (a rare occurrence). 

Second chance romance isn’t one of my favourite tropes. I always find it a bit unbelievable and sad that 2 people could still be madly in love after 10 years without being able to resolve their differences. I don’t buy into the idea that there’s only one person for someone and while I do believe in soulmates, I think they are made through the shared experience of growing and loving together rather than by fate. Knowing the reason why Sam and Percy’s relationship ends the first time around, I could buy into the premise for this second chance romance. I would definitely need time and space from the other person if this happened in my relationship, though I also think I would never have been able to reconcile.

However, as a friends to lovers romance, I adored this story! Booktok is obsessed with enemies to lovers, and they can be fun, but friends to lovers will always take the number one spot in my heart! Friends to lovers stories are so much more believable to me, both because I value emotional connection with people, and I think it’s so easy to fall in love with someone you already like and who already takes up valuable real estate in your life. 

Percy and Sam’s love story was so beautiful and believable to me. It had a very natural progression, with both of them connecting on so many levels before starting a physical relationship. I found Sam to be somewhat frustrating, though I understood his trepidation in getting too serious, too fast. Likewise, I could understand why Percy was upset with him, though I couldn’t excuse the big ugly thing that happens.

But it’s so easy to fall in love at 13 years old and it does become an all-consuming thing to teenagers. Percy and Sam were both so young and trying to make incredibly grown up decisions that they frankly didn’t have the maturity for, so I could forgive both of them for their mistakes. I still fell in love with them – they are good people, even though they are flawed and make errors in judgement, just like anyone else.

I do want to say that this book had too much cheating and almost-cheating for me to really be able to overlook it. The author tries to explain away some of the cheating (the characters hadn’t made a formal commitment; they just broke up; etc) so I guess it really depends on your own personal definition and code when it comes to cheating. I felt that the way the characters bent the rules in some cases to still be hurtful and unfair and I want to acknowledge that you can emotionally cheat on your partner, which for some people is more hurtful than a classic affair. I personally have zero tolerance for cheating, so it was hard for me to overlook it.

So overall I’m a bit uncomfortable with giving this 4 stars, but I can’t deny I was transfixed by the story. All of these characters felt intensely real to me. I wouldn’t call it a fluffy romance novel because there is a lot of depth here. I haven’t read a lot of other second chance romance novels, but the ones I have read didn’t feature characters with the same kind of history as Sam and Percy, which is why I didn’t really like them. Sam and Percy definitely had a lot of history and I’m glad the author dedicates the time to taking us through that history. The reason for their estrangement is very believable and because they were so young at the time and such good friends before that, I could believe the draw between the two of them to want to reconcile, even 10 years later.

So while I don’t condone everything in this book, I can’t deny I still really liked it! Carley Fortune has another book coming out this year, which I will probably read, but from the synopsis, it’s sounds very similar to this one. It’s another second chance romance, but without the history between the characters that Sam and Percy have, so I’m a bit on the fence about it. Either way, I’m glad I read this one! I might be a teensy bit in love with Sam Florek now…

Run Towards the Danger

Rating: ⭐⭐⭐⭐
Author: Sarah Polley
Genres: Non-Fiction, Essays
Pub. Date: Mar. 2022 (read Apr. 2022 on Audible)

Run Towards the Danger is a book I totally picked up because of the hype. It’s not the kind of book I normally read, but I’ve been seeing it get fantastic reviews everywhere, so I decided to get an audiobook copy and give it a listen. I’m not sure I would have finished it had I read a physical copy (just because I struggle with non fiction), but it works great as an audiobook and I loved that it was narrated by Sarah. The book only has 6 essays, but it’s undeniable that Polley is a very accomplished writer and her essays are quite compelling. I struggled a bit with the first one, but it’s very smartly structured in that, while each essay tackles a different topic, they are woven together to promote Polley’s overall ideas and theme. 

Sorry to Sarah’s ego, but I am one of those people who wouldn’t recognize her, nor had any idea who she was. This is a bit of a disservice to myself because I’ve always been a huge Anne fan, but to be honest, I didn’t even know Road to Avonlea was a thing. I think it was probably an age thing for me, but I’ve since done a bit of digging through the youtube archives.  

The core theme throughout this book is about the struggles and long term impacts of being a child actor, as well as the ethics of having children work at all. I really felt for Sarah because it seems like she really can never catch a break. She has had so many health issues thrown at her throughout life, on top of the emotional trauma of losing her mother as a young girl and essentially raising herself in a volatile film industry that didn’t care about her safety or well being. 

The first essay was probably my least favourite because it was significantly longer than the rest and I thought she expanded on a lot of areas that weren’t that compelling, but it did really set the scene for the rest of the book and I thought the essays got stronger and stronger throughout. My favourites were probably Mad Genius, High Risk. and the final essay, which the book is named for, Run Towards the Danger. 

Mad Genius calls out many of the prejudices that exist in the film industry and how the behaviour’s of so many men are excused, putting others at risk, and High Risk highlights the inherent sexism built into our health institutions. It’s harder to pinpoint what I liked so much about Run Towards the Danger, other than that I found it to be extremely compelling storytelling and I was fascinated to learn about concussions. 

So overall, this is a bit of an odd essay collection, but I would definitely recommend it. Sarah is a great writer and storyteller.