Okay, so I’m really on the fence about this one. I liked the content and series development in this book more than the last book (A Perilous Undertaking seemed a bit like a side mystery to me and didn’t really advance the series plot that much), but I struggled to get into it at the beginning.
A Treacherous Curse has a compelling enough mystery, but it starts off so slow. After Veronica and Stoker start investigating, the first half of the book is basically just them interviewing people with very little action. If you like getting into the details of trying to get the mystery, you might enjoy it, but I just found it slow and kind of boring. But then in the second half the book really picks up and I ended up enjoying it more than the last book. There’s a lot of action and I thought the actual mystery was super clever.
What I did really like about this book though was the character development. We finally get some of Stoker’s backstory!! The first book is all about Veronica and the second book feels like a bit of a dead weight in terms of character development, but we learn all about Stoker’s history in this book, which I found a lot more engaging. It was the main factor that propelled me through the first half of the book cause I was so enthralled with what happened with Caroline.
But damnit Raybourn, I need some more romance in this series please! I mean, it’s totally clever to draw out the tension between your characters, but I’m a little obsessed with Veronica and Stoker and I need to see a bit more action here!
So overall, 4 star character development, 3 star pacing. Was on the fence if I would continue the series, but I’ve been convinced and just ordered the next two!
I don’t have too much to say about this sequel, but I want to write a short review.
It’s impossible to deny that A Perilous Undertaking didn’t have quite the same charm as A Curious Beginning. Everything about the first book is just so delicious – the blending of genres and our quirky, progressive, mystery solving heroine are so fun and unique. I laughed a lot and thoroughly enjoyed reading about the hi-jinx Veronica and Stoker got up to.
A Perilous Undertaking definitely kept me laughing. This is basically a mystery novel set in the late 1800’s about a secret aristocratic sex club. Like wow! Raybourn definitely knows humour! So while I was along for the ride, this book didn’t spend as much time on the personal history of our characters, which I lamented. In A Curious Beginning, Veronica is right in the thick of the mystery and it was a shocking one. Her connection to this mystery was a lot looser and this was more of a “Veronica and Stoker as consulting detectives” scenario.
I still liked it, I laughed, I’ve since read the next book, but it didn’t have quite the same magic as the first book. However, if you love mysteries, you’ll probably still really enjoy these. I tend to read more historical fiction and lit. fiction over mysteries, which may be why I wasn’t as enthralled with this one. Either way, still a great series!
Okay I need to write my review for this because I’m already halfway through the sequel and I don’t want to get the two books mixed up!
I found this book for cheap on book outlet a few years ago and bought the first two books in the series. They’ve sat on my shelf ever since and I never felt inspired enough to pick them up, even though I’d heard good things about them. However, after reading Nice Try, Jane Sinner for the second time, I really wanted to continue the humour, so I poked around my shelves for something funny to read and landed on these.
I’m so glad I finally did because I had SO much reading this book! A Curious Beginning is the first book in a series that currently has 5 books published with a 6th coming out later this year. I’m not sure I’ll read them all, but if they’re all as smart and funny as this one you definitely can’t go wrong!
It’s 1887 and 25 year old Veronica Speedwell’s aunt has just passed away. Veronica was adopted as a foundling by her two aunts and raised all over England. Though she grew up in the 1800’s and was expected to develop important feminine skills like painting, needlework, and the pianoforte, she instead has cultivated her skills as a lepidopterist and travels the world in search of rare specimens of butterfly to sell to her wealthy clients under the assumed male moniker of V. Speedwell. With the death of her only remaining guardian, she sees this as the perfect time to break with her old life and seek adventure elsewhere. However, when her cottage is burglarized during her Aunt’s funeral, she is catapulted on an entirely different adventure.
What makes this book a winner is Raybourn’s effortless blending of genres and the witty dialogue and humour she infuses into the story. Veronica refuses to conform to society’s ideal of a lady and sees no reason why she should be excluded from the fun. When she is thrown together with the enigmatic Stoker, total adventure and hilarity ensue.
This book really has a little bit of everything. It’s historical, it has a mystery, it has romantic elements, and it will make you laugh out loud. From the start, it appears to be a heavily plot driven novel, but as the mystery unravels, we learn much about Veronica and her past. Stoker is still a character very much shrouded in mystery, but I’m optimistic his past will slowly be revealed to us throughout the subsequent novels.
Stoker and Veronica compliment each other well and I loved reading about them and got caught up in their banter. I wouldn’t say they have the most character development over the course of the novel, but they definitely have chemistry. The book is full of tropes, but somehow it all just works. I think it’s because the novel never takes itself too seriously. I could see the potential for Veronica to become a bit of a caricature in the future if the author doesn’t reign in her character, but as a series debut, I thought everything about this worked. My only minor criticism was that things seems to resolve themselves a little too easily and neatly at the end of the novel.
But all in all, I had great fun reading this and immediately jumped right into the sequel! 4.5 stars, definitely recommend!
Rating: ⭐⭐⭐.5 Author: Morgan Rogers Genres: Fiction Pub. Date: Feb 2021 (read Mar. 2021)
Oh Honey Girl. I wanted to love this book so much! There’s so much to love in here – a new adult queer romance filled with a diverse cast of characters that are just trying to figure out their lives while taking care of their mental health. This is absolutely the kind of book that we need more of. I thought the last third of this book was absolutely a four star read, but I found it just so damn slow in the first two thirds.
28 year old Grace Porter has just obtained her PhD in Astronomy after over a decade of studies. But after she blows the interview at her dream job, she goes to Vegas to celebrate her doctorate and gets drunk married to a girl she meets from New York. Grace and Yuki return to their lives in Portland and New York, but both women are extremely lonely and begin to seek comfort in one another.
Grace is half black, half white and has fought against racial bias her entire life. She felt intense pressure from her military father to study medicine, but seeks her own path in astronomy instead. Her whole life has built up to earning her PhD, but after being unfairly discriminated against in her defense and being told she’s the “wrong fit” for her dream job, she begins to question what all her hard work was for. Grace decides she needs a break and joins Yuki in New York to get to know her wife better.
Like I said, I think the premise for this book is so great. It had so much rep and I love that it dealt with so many underrated topics. There’s so few quality new adult books out there – I’m always on the hunt for something great. I know a lot of people have really been loving this, so I’ve been trying to identify where it failed for me. I think it was just that the set-up for the story took too long. It took a long time for Grace to finally fall apart, but I felt like it didn’t take that long for her to put herself back together. I loved the last part of the book that takes place in Florida, where Grace really starts working on herself, but I thought the plot meandered so much before that.
I felt like too much time was spent in Portland – I was anticipating her going to New York, but when she does finally go there, I didn’t really feel the chemistry. I felt like there were all the right plot points, but I just didn’t quite connect with the characters. Yuki’s radio show was a little too whimsical for me and to be honest, I was just kind of bored with the relationship. I wanted to see more sparks fly, either in a good or bad way. I felt like maybe the author just had too many ideas and she struggled to execute them in such a short novel.
There’s a lot going on with the side characters, but I didn’t feel like I spent enough time with any of them. Grace loves Agnes and Ximena, but I didn’t get enough backstory to really understand their friendship. She considers Meera and Raj to be her sister and brother, but I have no idea how those bonds we’re formed. When Raj comes to NY and starts freaking out at her I found it extremely jarring – I loved it in that I was like, yes, here is someone dealing with their angst, this is a great scene – but I didn’t have any context about their relationship in which to process the argument. Raj just came off looking like a total asshole for screaming at Grace about his problems.
Even with Yuki, I thought it was a bad choice to open the novel the morning after they met – why not open with their love story? If I’d seen them meet and heard their banter I feel like I would have been a lot more invested in their relationship, but I felt like I met them at chapter 2 and I just didn’t buy into their chemistry since I was missing their meet cute. Plus I felt like Yuki was really nuanced and had other stuff going on under the surface that was never really addressed. In short, I just felt like every single character and relationship had this whole backstory that I would have loved to hear more about, but instead of getting deep meaningful characterization about any character, I got a surface level characterization of everyone. I wanted more depth and sadly I think this story had too much going on to really get the depth I craved. Grace’s character growth towards the end of the book is really well done, but I wanted more from everyone else.
So all in all, I think this was a good book, but not a great one. It really showed to me that this was a debut novel, but I won’t hold it against the author because everyone has to start somewhere. I think she has all the right ideas, she just needs more time to hone in on her skill. I wouldn’t be dissuaded from reading more from her in the future because I still think this was an important story, despite its shortcomings.
Rating: ⭐⭐⭐⭐ Author: Jasmin Kaur Genres: Fiction, Young Adult Pub. Date: Jan 2021 (read May 2017)
This was an impulse buy at my local bookstore because I saw the author lives in Vancouver and the synopsis sounded so good! I’m so glad I did pick it up because it was excellent! It’s half written in prose, which made for some very dynamic storytelling.
If I Tell You the Truth is about a 19 year old Punjabi girl named Kiran. She grew up in Punjab and is accepted to study at Simon Fraser University. Her parents goal is for her to get an education and then return to marry the son of the neighbour. However, before Kiran flies to Canada, she is raped by her betrothed’s brother and becomes pregnant. She travels to Canada and tries to keep her pregnancy secret as long as possible, but when she decides she doesn’t want to have an abortion, she is forced to tell her family and unfortunately is rejected by them.
She does her best to continue her education as a young mother, but it is difficult and eventually her visa expires, forcing her to take whatever work she can to survive without papers. The narrative eventually transfers from Kiran to her daughter, Sahaara, and we learn more about the struggles their family faces. There are few avenues to citizenship, so they live a small life to avoid attention.
This book is about so many things – rape, teen pregnacy, immigration, #metoo, family, diaspora, healing – just to name a few. The writing is excellent and switches from traditional text to prose throughout the book. I think the first quarter of the book is the most powerful. I was immediately drawn into the story – the trauma Kiran had experienced and her struggles to come to terms with what happened to her and her subsequent choices. It is hard to read about her fear and grief, but I think the author really touches a nerve here and the reality of Kiran’s feelings leap off the page and into your heart. I admired and empathized with her so much throughout the first part of the novel.
After Sahaara is born the narrative switches primarily to Sahaara and follows her as she grows up. I enjoyed this part of the novel as well, even though it takes us in a different direction than the first part of the book. I loved that the story is set in Surrey – it just made it so much more impactful to me as someone who also lives in the lower mainland. Since I’ve lived in Vancouver, it has become a Sanctuary City (since 2018) and I’ve always thought of it as a pretty progressive place. I’ve come to learn since the pandemic started that it is definitely not that diverse safe haven that I thought it was and I think it’s really important to have books about what it’s like to live undocumented in Canada (so many books on this topic are set in America).
So with that in mind, this is definitely a book that I would recommend to anyone and everyone, especially Canadians. That said, I did think the pacing was a little bit off. I felt like the book reached its climax around the 75% mark, and I was curious about what else would happen with so much book remaining. The author goes in a totally new direction for the final quarter. It wasn’t unrelated to the rest of the book – the main plights for the characters are resolved in the first 3 quarters – leaving the rest of the book for them to really heal and take action for others.
This part of the book is also powerful, but I didn’t love it as much as what came before. I think it’s so important to have people that are willing to speak out against injustice, but the plot took such a diversion that I found it a little distracting and almost like I was reading a different book. Don’t get me wrong, I still thought the content was really important, it just felt like the author was maybe trying to address too many things in one book, like it was almost a little too cathartic. Plus I felt it delved away from the ‘show don’t tell’ theme, which was strong for most of the novel.
Overall though, it is a minor criticism. I just thought the first part of the book was a 5 star read, but landed more around 4 stars by the end of the book. It’s still superbly written and I think something like this should be required reading for high school students. Books like this are so much more relevant and important to young people than reading books like Dracula and Catcher in the Rye (a few of my least favs from my high school education). Honestly, as much as I loved some of the classics I read in High School, I become more and more convinced over time that we need to stop forcing them on high school students. I don’t think a lot of students have the maturity at 16 to appreciate them and I fear it does more harm in fostering bad feelings about literature. A total tangent, but I do really wish our education system spent more time on contemporaries like If I Tell You the Truth, The Hate U Give, Punching the Air, Far From the Tree, and The Nowhere Girls. READ IT!
The Paperback Princess 