Black Girls Must Die Exhausted

Rating: ⭐⭐⭐⭐
Author: Jayne Allen
Genres: Fiction
Pub. Date: Sep. 2021 (read Nov. 2021)

This book was an impulse buy for me when I saw it on sale at Chapters. I haven’t quite figured out what the deal is with the book – it’s listed as a 2018 release on Goodreads, but it’s definitely being promoted as a new release, with the second book being released Feb. 1, 2022 (again, despite being listed as a 2019 release on Goodreads). 

Either way, I decided to purchase it and heard a positive review about it from GabbyReads and decided to jump right in, otherwise I haven’t seen any other hype about this. Which is a real shame because I ended up really liking it!

Black Girls Must Die Exhausted features 33 year old Tabitha Walker, a reporter with KVTV news in Los Angeles. She is up for a promotion at work, which she has worked insanely hard for, when she finds out that she has fertility complications that means she needs to have a baby within the next 6 months if she ever wants to get pregnant naturally. That, or she can freeze her eggs. 

This was such an interesting premise to me as I’ve been starting to hear more and more about – young(ish) women deciding to freeze their eggs to give them more time to establish their careers – and it’s something I’ve never seen written about. I’m 31 and relate to feeling pressure about when you’re going to have kids, so I jumped at the chance to read about another young 30 year old. So many bestsellers focus either on proper young adults (17-20 year olds) or on women already married with children, I’ve always felt like there’s been a huge gap of meaningful books in the new adult genre and rarely see any books about 30 year olds that don’t already have established families. I feel firmly in this category of millennials that have not yet had children, so it was a real joy to read from Tabitha’s perspective.

It’s very much a character driven novel about what it means to be a working black woman and centers on familial relationships, friendship, and romantic love. I found it to be a little heavy handed at times – with the author falling into the “show don’t tell” trap that ensnares a lot of debut authors – but I felt that she was trying to cover over the gaps in perspective that some of her non-black readers might have, so I was able to look past it. She covers a lot of themes within 350 pages, but I liked that this was a thoroughly modern storyline and that she included some really tough choices, with honest depictions of their impacts. I feel like we’re so used to getting the happy ending in stories like this and I really liked that the author was committed to exploring the reality of Tabitha’s situation, rather than trying to write a happy ending for the reader.

The main complaint I have with this book is that it ended too soon. I know it’s a series and there are going to be more books, but I felt like the author tied up a lot of loose ends much too quickly and easily in the epilogue. She takes her time throughout the entirety of the novel, but once she hit 350 pages it was like she realized she had to finish and a lot of the book’s major plot points concluded in the span of a few pages. I would have preferred for her to either write a longer book, or to just leave these items as loose ends to be followed up in the next book. From the sound of the synopsis for the next book, it’s not going to be an immediate continuation of this book, which is a little frustrating. It just made the ending quite disappointing after having invested so much time in the story. 

Anyways, I would still recommend this book and I am anxiously awaiting the second book, which is slated for (re)release just a few weeks!

She Who Became the Sun

Rating: ⭐⭐⭐.5
Author: Shelley Parker-Chan
Genres: Fantasy
Pub. Date: Jul. 2021 (read Nov. 2021)

I used to read so much fantasy. I loved getting lost in other worlds and getting to return to the same characters over and over again – it made for such an enjoyable reading experience for me. Unfortunately over the last few years, I feel like I’ve almost completely lost my ability to read fantasy. Learning about new worlds seems exhausting and the thought of having to follow a storyline over multiple books daunting. But every couple months I try a new fantasy book to see if I can overcome the slump.

I’ve been hearing a lot about She Who Became the Sun and I wanted to try at least one book nominated in the Goodreads Choice Award fantasy category, so I decided to go with this one. It started off great and I was really invested in Zhu’s character and thought her growth while at the monastery was really interesting. Then something dramatic happens between 15-20% and I was catapulted into a completely different story – it was engaging, but something about the storytelling and pacing just seemed off throughout the rest of the novel.

She Who Became the Sun takes place during the Ming Dynasty in 1345 China and centers around a poor, starving, young girl who steals her older brother’s fate and seeks refuge in a monastery – hiding her true identity and gender. Parts of this book are excellent – primarily the author’s exploration of gender roles, identity, and dysphoria. Initially I got strong Mulan vibes, but Zhu definitely becomes her own character throughout the course of the book. The premise was great and I was invested in Zhu’s character and journey. I found it a bit confusing keeping track of who was who, but there’s some really interesting history in here and it’s a time period I don’t know a lot about, so I really enjoyed that aspect.

Where I struggled is that the author never builds any momentum in the story. She would pick up the pace and energy in the narrative in each chapter, only to have it completely ramp back down in the following chapter. For some reason she chooses to skip over major events, often focusing more on the political side of things than the action. I love a book that has both, so I found this an odd choice. It was just lacking balance and it caused me to keep losing interest in the book whenever I would put it down.

This is the first book in a series – I’d like to think I will continue on with it, but I honestly suspect I won’t. Given that the second book doesn’t have a name or release date yet, I’m sure I will have forgotten all the major plot points by the time it’s released. I get the hype, but unfortunately it just wasn’t enough to raise me out of my fantasy slump. 3.5 stars – good premise and nice writing, but suffers pacing issues.

Where Hope Comes From

Rating: ⭐⭐⭐⭐⭐
Author: Nikita Gill
Genres: Poetry
Pub. Date: Feb. 2021 (read Oct. 2021)

I don’t often review poetry because I’m not always sure what to say about it after the fact, but I wanted to write a short review for this one since I enjoyed it so much. I read one of Gill’s other anthologies, Wild Embers, a few years ago, as well as the collection she edited called SLAM. Those were both great, but this was definitely my favourite.

Where Hope Comes From is a collection of poems about life during the pandemic. I knew the pandemic was soon going to start showing up in a lot of books and to be honest, I wasn’t really looking forward to it. We’ve all lived through it for almost 2 years now and in some ways I want the escapism of simpler times. I stumbled across this one in Chapters and bought it because I thought it might be nominated in the Goodreads Choice Awards.

I’m so glad I did buy it because I ended up enjoying it so much more than I thought I would! I feel like we’ve consumed so much media about the pandemic in the past 2 years, but until I picked this up I had no idea how much I needed to read thoughtful and reflective writing about the pandemic. Granted, this is mostly about the early pandemic and I would argue the second and third waves were emotionally much more challenging than the first one, but I feel like Gill does such a great job of evoking all the feelings I felt at that time and giving voice to the pain and sadness that we’ve all felt over the past 2 years.

Poetry is a medium unlike any other and it was such a good reminder of collectively what we’ve all been through. The poems are simple and I think that’s what makes them so powerful. They are very accessible to a wide audience. I oscillate with poetry because I really like it, but a lot of the time I feel like it’s just a bit over my head. Nikita Gill’s poetry is relatable and it’s just what I needed in a time when I think we’re all ready to move on, but burnt out over what we’ve collectively experienced. Definitely recommend if you’re feeling reflective.

An Embarrassment of Critches

Rating: ⭐⭐⭐⭐
Author: Michelle Good
Genres: Humour, Non-fiction, Memoir
Pub. Date: Oct. 2021 (read Nov. 2021 on Audible)

I read Mark’s first book last year as an audiobook. It was a bit of an impulse buy when I was doing a bunch of jigsaw puzzles and looking for some humour to get me through the pandemic. It was funny and I really enjoyed it. You could tell the stories were embellished, but Mark is an excellent storyteller so it didn’t bother me. 

I was more excited to read An Embarrassment of Critch’s and quickly bought a copy on Audible when it was released. Mark narrates both books and I highly recommend doing the audio for this reason. I love all the different voices and accents he uses throughout the book and it made me nostalgic for Newfoundland. 

In my opinion, this book is the perfect companion book to Son of a Critch and I kind of see it as an extension of his first book. I know his first book is centered on his childhood, but when I finished it last year, my one complaint was that I wanted to read more about how he got into comedy and his time on 22 Minutes. That is exactly what An Embarrassment of Critch’s delivers and I had a lot of fun reading it.

I’m currently reading Rick Mercer’s new book as well and it’s really hard not to compare the two. In terms of laughs, I would give the edge to Mark Critch, but there’s more of a sincerity to Rick’s memoir that I thought was missing from Mark’s. I think this is totally fine since the primary intent of Mark’s work is humour and storytelling, but he does tackle several more serious topics as well. While he tries to reflect and be contemplative about his experiences (thinking mostly of his recount of traveling to Afghanistan), I couldn’t help but think his recollections were somewhat surficial and portrayed through rose-tinted glasses. In some ways his essay selection reads more like a checklist of his accomplishments rather than a reflective look-back on his career. Although, he does talk about some of his mistakes over the years, but I felt like his exploration of these errors in judgement were included as more of a PR move rather than any meaningful contrition about them.

But really these are minor complaints. I enjoy his comedy and love watching his impressions and sketches on 22 Minutes. He is an excellent storyteller and I can pretty much guarantee I’ll be picking up any future books he may decide to write!

In My Own Moccasins

Rating: ⭐⭐⭐⭐⭐
Author: Helen Knott
Genres: Memoir, Non-fiction
Pub. Date: Aug. 2019 (read Nov. 2021)

I picked this book up last summer when I was book shopping in Sidney on Vancouver Island (aka the book capital of the Island!). It’s been sitting on my shelf ever since taunting me. In an effort to finally read it, I put it on our book club voting list and it won as our December book pick. 

I was momentarily daunted when I first started the book because I thought it might be a dense read, but I was quickly pulled into Helen’s writing style and engaging storytelling. He holds nothing back in her book foreward, making it clear who she wrote this memoir for and that she doesn’t want your pity or judgement. It’s a sobering reminder that might be off-putting to some, but I thought it was so great because it set the tone upfront that Helen is the custodian of her own story and it is hers to share for her own means. Colonialism has taken enough from her and it is her turn to take something for herself.

I definitely don’t judge her and I hope I empathize with her rather than pity her. But mostly I admire her. Technically, this is well written and I was really impressed by her calibre of writing. She says she is a great lover of literature and self reflection and I definitely found both of these to be true. Memoirs can often be more about the story than the writing since we can’t expect everyone with a meaningful story to tell to necessarily also be a good writer. But Knott has both and it made the reading experience all the more enjoyable.

Emotionally, this book is a roller coaster. Knott splits her story into 3 parts: the dreamless void, the in-between, and the healing. The dreamless void is the longest part of the book and covers her struggles with all kinds of abuse, both from violent acts perpetrated against her, as well as her ensuing addictions to alcohol and drugs. It is the hardest section to read and very much like peeling back the layers of an onion. Her turbulent home-life and the many racial injustices she and her family face chip away at her self worth and she looks for relief in all the wrong places. However, where the right places would be, I really have no idea. 

Knott feels like a bit of an enigma to read about because through all her suffering and addiction, you still get glimpses of a very reflective and accomplished individual. She has pulled herself together on several occasions only to have it all fall apart again when she is unable to face her past trauma. What I admire her for are the in-between and the healing and these are the parts of her story that really stuck with me. She is able to identify the many ways in which colonialism and racism have worked against her and her family. She is able to pinpoint the long term impacts of residential schools while also not being afraid to look critically at herself. Many are unable to escape the cycle of abuse and addiction and I thought her incredibly courageous in being able to face her trauma head on and say, ‘no, I am worth something and I will not let this rule my life anymore.’

So while it is hard to read about the dreamless void, it is critical that we bear witness to it. Not, as Helen says, to educate ourselves or gain insight or humanize indigenous voices. But because these are voices we need to amplify and we have been silencing them for too long. We should be uncomfortable, but we should also be inspired.