Rating: ⭐⭐⭐⭐.5 Author: Elle Cosimano Genres: Mystery, Thriller Pub. Date: Feb. 2021 (read Apr. 2021 on Audible)
I listened to this entire audiobook during one rainy weekend while doing jigsaw puzzles and LOVED it! GabbyReads recommended it on her booktube channel and said it was a good audiobook, so I downloaded it on Audible and was immediately pulled into the story. The whole plot is an absolute nightmare train-wreck, but in the most unputdownable way!
Finlay Donovan has recently divorced her husband after he started shacking up with their realtor and she’s struggling to manage her two kids while simultaneously trying to deliver on a book deal for which she has huge writer’s block. She’s spent the advance on her book and the bills are piling up – if she doesn’t submit the rest of her book soon, she might be asked to return the advance.
She meets her agent in a shop to discuss the outline of her murder mystery and an eavesdropper misinterprets their conversation, thinking that Finlay is actually a hired killer. Finlay receives an anonymous note with a huge sum of money to dispose of the woman’s husband. The whole thing is a huge misunderstanding and Finlay tries to tell the woman she’s not a killer, but after doing some research on the husband and reflecting on the huge sum of money, is it possible she could be?
It sounds like an intense book, but the writing is so light and the author packs a ton of comic relief into the narrative that made it such a fun read. It reminded me a little of How to Get Away With Murder because of the run-away storyline. Finlay is a mess and she always seems to be a step behind everything that’s happening around her, which would make for a very stressful reading experience if not for Finlay and Vero’s comedy.
I don’t want to give anything away about the story because you should definitely experience it for yourself – I’ll just say that Finlay and her sidekick, Vero, make for some truly excellent heroines. I don’t normally give 5 stars to mystery novels and this is by no means quality literary writing, but it was just so much fun to read and when I reflected on it, there was really nothing I would change about it, so 5 stars it is! Recommend if you’re looking to get out of a book slump!
I’ve read 3 Jane Austen’s in the last month and the narratives are already starting to run into each other in my mind, so I figured it’s time I write some of my reviews.
P&P was not my first Austen, but it was the first that I’ve read and loved. For some reason I seem to have an interest for classics only in audio form and I listened to both Emma and S&S in the last two years. The version of Emma I listened to was free and while I listened to the whole audiobook, I found it a little tedious. I followed that up with Rosamond Pike’s version of S&S and had even less luck and DNFed at 60%.
So I’m not sure what possessed me to make another attempt, but when I saw all 6 books available for 1 credit and narrated by a full cast, I couldn’t resist. I’ve always felt that Jane Austen aught to be an author I should love. Her wit and sarcastic commentary about social class, wealth, and romance just screams my kind of book and I’m thrilled to have finally realized my love for her!
I can’t recommend these audiobooks enough! I’m halfway through and have loved them all so far. They’re each narrated by a different actress and feature a full cast for the characters and dialogue. I do find Austen’s casts a little daunting at the start of each book in trying to keep all the characters straight, so I think the full cast has helped immensely in this regard. Claire Foy does an excellent job narrating P&P and to date the cast of P&P was also my favourite. Especially the actress who plays Elizabeth, I thought she did a wonderful job!
Apparently I’ve read retellings of P&P and seen the movie, and yet have never picked up the original text. I watched the Kiera Knightly movie in high school and hated it, but I’ve resolved to rewatch it now that I’ve actually read it as I’ve heard it’s quite good. I’m tempted too by the mini series because I think Colin Firth is just the best Mr. Darcy, but I’m not convinced I’ll ever find the time to watch the whole thing.
So despite already knowing the story, I loved this so much more than I expected! There are a lot of subtleties with the family that I never picked up on in the past and I found myself so amused by Mrs. Bennet and Mr. Collins. Austen’s humour is something I’d read about but never really fully appreciated until this read through. Her characters are both hilarious and exhausting – it’s a wonder women don’t agree to the first marriage proposal that comes their way because the whole process of ensnaring a husband seems so tiring and tedious.
So I laughed a lot at the secondary characters, was enthralled by the drama of it all, and fell totally in love with both Elizabeth and Mr. Darcy. I didn’t realize Austen’s novels were so full of villains and I definitely got caught up in the intrigue of it all. I love that despite knowing her characters are all going to have happy endings, I never know which characters I can truly trust and to never let your first impression of a character carry too much weight.
I’m not going to both getting into a plot synopsis, we all know the story of P&P, but I found myself much more endeared to Mr. Darcy in this book. I feel like some of the retellings and other renditions don’t quite capture the goodness of his character and despite feeling resolved not to like him, I found myself falling for him just as strongly as Elizabeth.
The novel highlights for me were (in no particular order): – Mr. Collins assured proposal to Elizabeth – Mr. Darcy’s unexpected and insulting proposal to Elizabeth – Mrs. Bennet blaming absolutely everyone but herself for her family’s failures and her general ridiculousness – The Gardiners goodness – Elizabeth telling Lady Catherine to suck it – Mr. Darcy’s selflessness in trying to help the Bennet family at the end – Lydia being an idiot – Jane’s sweetness – Mr. Bennet supporting Elizabeth when she declines Mr. Collins – Elizabeth’s feisty character
Rating: ⭐⭐⭐⭐ Author: Tiffany McDaniel Genres: Historical Fiction Pub. Date: Aug 2020 (read Dec. 2020 on Audible)
I’ve been dying to read Betty ever since I laid eyes on the beautiful cover art and read that it was a fictional recount of her mother’s experience growing up in a large family with a white mother and Cherokee father. It’s a long book and I decided to listen to the audiobook.
I was expecting a sad story and I read there were some hard to read scenes in the book, but I wasn’t expecting just how difficult a read this would be – by which I mean difficult content, not the writing. Betty is a coming of age story about the family’s third youngest child, Betty, the author’s mother, but it really focuses on the family as a whole and I loved that the author cast such a wide scope in her story telling.
The book starts with how Betty’s parents met and then tells the story of their 8 children. It seems like a big cast at first with so many siblings, but we spend a lot of time with this family and we grow to know each of the characters deeply.
This was a hard book to read because Betty’s family experiences hardship after hardship. They lose 2 of their children at early ages (I can’t remember now when exactly either passed away, but they’re not featured in the story beyond mention), and the rest of the children suffer varying levels of trauma. Even their parents have faced a great deal of trauma and the book really showcases the cycle of violence and suffering.
I read a few interviews with the author after finishing the book and while this is her second book, apparently she’s been trying to publish it for years and struggled to find a publishing house that would work with the manuscript she had. She was told that the story contained too much suffering, that it wasn’t believable that one person or family would suffer so much, and worse of all, that people wouldn’t relate to Betty as a young girl. That will give you an idea of the kind of story that you’re in for, but I’m glad the author opted not to change her story because while it was upsetting to read, I had no trouble believing it.
Indigenous Peoples have been wronged by both Americans and Canadians and our governments for centuries. Betty’s dad, Landon, was Cherokee and tries his best to honour his heritage and impart his ancestral wisdom on to his children. But he has also been mistreated and wronged as a Cherokee man and we catch glimpses of this throughout the story. While most of the children take after their mother (read: white) in appearance, Betty takes most after her father, and as a result, she is the most bullied of the children outside of the home. But in her home, she is also her father’s favourite and puts the most stock and importance into his traditional wisdom.
The hardest scene for me to read in the book was when Betty’s mother describes to her the abuse she experienced at the hands of her parents. It’s a traumatizing story on it’s own, but the way her mother chooses to share it is it’s own kind of horror and deeply emblematic of the way abuse cycles down through generations. This book has everything from violence, rape, incest, animal abuse, death, self harm, and suicide. But it also has some really beautiful scenes as well.
Landon Carpenter was for sure the highlight of the story for me. It’s hard to say whether Betty’s parents were really good parents or not – they certainly had their faults and a very laid back approach to parenting, but Landon’s love for his children was so evident throughout the course of the novel that I was able to forgive some of his other misgivings. He tried to be a good dad – to provide for his children and pass on traditional knowledge. I found a lot of faults with Betty’s mom and siblings, but I think Landon really did try his best. When I read the trigger warnings about this book, I was bracing myself for a horrible father figure, so it was really nice to find a caring and empathic one instead.
This isn’t a book I think I could ever pick up again, but I’m really glad I read it and I think it is a story that will stick with me for a long time. I’m so glad the author was able to finally share it.
Rating: ⭐⭐⭐ Author: Glendy Vanderah Genres: Fiction Pub. Date: Mar. 2019 (read Dec. 2020 on Audible)
This was an impulse buy on Audible because I liked the narrator and the cover art is really pretty. The book started so strong and I was immediately pulled into the story! The premise of the novel is that while doing her field research on buntings in a small town in rural America, Jo stumbles upon a young girl, Ursa, who claims to be an alien. Jo, of course, doesn’t believe her and tries to reunite the girl with her family. But the girl has resolved that she will stay with Jo and together they befriend their neighbour, Gabe, who runs a homestead next door and sells eggs to the locals.
Jo and Gabe are both struggling with their own issues and the presence of Ursa is a distracting, but healing influence in their lives. However as time passes and no one comes looking for Ursa, they start to wonder how she ended up with them and what her real story might be.
Like I said, the story starts really strong. It’s impossible not to love Ursa – she’s a vibrant character who’s full of life. She claims she’s decided to stay on earth until she “witnesses 5 miracles” and it’s hard not to be impressed with her zest for life. The author also adds more depth to Jo and Gabe, one of whom is a cancer survivor and the other who is battling depression. I really liked that the author added this complexity to the story and I was convinced I had stumbled upon something that was going to be truly magical.
Unfortunately, the further the story progresses, the more it starts to fall apart. The elements that I was impressed with early in the book start to become problematic, leaving me scratching my head about why the author chose to include them at all. The last third of the book went in a totally different direction than what I was anticipating and I found it to be both jarring how quickly the plot seemed to diverge, and disappointing how the author seemed to abandon the ideas presented at the start of the book.
I’d like to dive a bit more deeply into these issues, so the rest of my review will have spoilers and I suggest you quit here if you’re planning to read this book. . . . . . I loved that Jo was a breast cancer survivor and I was impressed with the creation of a character who had already come to terms with her double mastectomy and the loss of her ability to bear children. She was able to look back on those decisions with no regrets, which I thought was such a great message. Similarly, Gabe was suffering from depression and I was really into the inclusion and intersection of these emotional struggles.
Beyond that, I found the author’s portrayal of depression problematic. Jo had almost no regard for his depression; she clearly didn’t understand it and continually pushed Gabe outside of his boundaries as if that was all he needed to be healed. He told her he had extreme social anxiety and had never kissed anyone before and her first instinct is to make a move on him without even asking his consent first. I thought it was so insulting and that it would have driven Gabe away from her or made him extremely uncomfortable.
But that wasn’t all, she kept badgering Gabe about his family and inserting herself where I felt she didn’t belong. Forcing Gabe to have conversations and interactions he didn’t want to have and then the author passing her off as so amazing for helping Gabe to confront his demons and grow. Personally, I thought she was a bit of an asshole and I would have been so mad at her for constantly meddling if I had been Gabe. Plus, I don’t care how much a person complains about a member of their family, you never get to insult them. They are always allowed to vent, but the way Jo bitched and complained about Gabe’s sister was so rude.
As for the ending, I don’t fault the author for the direction she took the story, I just was really hoping for something more poignant. I wanted magic from this story. I wanted Ursa to actually be an alien. I thought her presence would be healing for Jo and Gabe and that we would witness something magical for the final miracle as a result of her presence. I was looking for more magical realism from this story and what I got instead was a hard dose of realism.
The story quickly changes track with a shootout on Jo’s property and from there a magical introspective story turns into some kind of crime drama. It was just such a change from the first half of the story that I felt like I had whiplash. The writing lost its magic and became repetitive and whiny.
The other problem I had was with Ursa’s behaviour. Suddenly our quirky little alien turns into an out of control, scheming, dangerous child. Did I believe a child could behave like this? Sure, but it was so worrying! Ursa knew exactly how to manipulate those around her to get whatever she wanted, which I found extremely frightening, not endearing like I suspect was the author’s intention. Did I want Jo and Ursa to be together? Of course, but to me, Ursa’s behaviour indicated that she would be impossible to discipline and I’d be extremely concerned about how manipulative she will be as she grows. I know she went through something extremely traumatic, but I think this girl needs a lot of therapy. It was cute when she was an alien, but as an orphaned girl, she’s a compulsive liar who will threaten those around her and throw tantrums until she gets what she wants. It was concerning. Plus I still don’t think Jo would have ever been granted the right to be her foster mom, nor did I think she deserved it.
So overall, this book had so much potential, but really flopped in the execution. I can’t fault the author for the direction she took the story, it’s her book, but it just wasn’t what I was hoping for and I can’t look past all the problematic elements.
Rating: ⭐⭐⭐⭐ Author: Emma Donaghue Genres: Historical Fiction Pub. Date: July 2020 (read Oct. 2020 on Audible)
With everything that’s going on right now, I was super intrigued by the plot of The Pull of the Stars. It’s set in 1918 Ireland during the last global pandemic. The entire book revolves around 30 year old nurse Julia, who works in the maternity ward of the Dublin hospital. However during the pandemic, she is assigned to the pandemic part of the maternity ward, which is where all the women with flu symptoms have been sent.
The Pull of the Stars wasn’t quite what I was expecting, but it was definitely compelling. Emma Donaghue made the somewhat interesting choice to set almost the entire novel within the hospital over a span of only 2-3 days. Throughout that time, we see the strain that Julia is under as a nurse and the limited resources of the hospital due to the pandemic. Donaghue focuses both on the challenges the flu has on the mothers and their labours (in many cases it caused the women to go into pre-mature labour, which obviously complicated the births), as well as the challenges women in general faced during the time period.
At 30, Julia is unmarried and considered a bit of a maid. Besides nursing, she mostly takes care of her brother, who came back from the war severely traumatized. The hospital is extremely understaffed, so they bring in a young volunteer named Bridie to help in the ward. Bridie was raised in the convent by nuns and her situation shines a light on the catholic church and the unfair advantage they took of girls and women without families or who found themselves in bad situations. Bridie was abused by the nuns and then forced to continue working for them to pay off her indenture for the care she received as a girl (even though the nuns are paid by the state). Donaghue explores this theme of abuse of power by the church throughout the novel and I found it really eye-opening and enraging.
Finally, the novel also has a small focus on female doctor, Kathleen Lynn, a former rebel who’s supposedly on the run from police. I liked how Donaghue explored what it meant to be a female doctor at the time, how she was perceived by men, and how her approach to medicine and labour differed from that of the male doctors. She definitely saw more of the humanity of the new mothers when they experienced complications in labour and generally was less judgmental of those who had fallen pregnant outside of wedlock.
So overall I thought it was a really interesting book. The themes were subtle and a lot of time did focus on the new mothers and their complicated births, so I liked how the author explores the other links between church and state, especially since it’s so relevant with the story being set in 1918 Ireland. The only thing I didn’t like is that there’s a hasty romance thrown into the story near the end that felt very much out of place. I get what Donaghue was trying to do and I appreciate her for trying to explore some other themes, but it just didn’t work for me. It was too short lived and I don’t think it really added much to the story overall.
Otherwise, this was a good book that wasn’t too long or overwritten. I listened to it on audiobook and thought the narrator did a good job.