State of Wonder

Rating: ⭐⭐⭐
Author: Ann Patchett
Genres: Fiction
Pub. Date: May 2011

It took me ~4 months to read this book, so it’s going to be challenging to write a full review about it because a lot of it is not fresh in my mind anymore, but I have to try because I have very strong feelings about it.

This was only my second Ann Patchett book, but I loved The Dutch House when I read it a few years ago, so I was keen to read more of her work. State of Wonder seems to be one of her more popular books and after reading Lily King’s book, Euphoria, earlier this year (which is often compared to State of Wonder), I decided it was time to pick this one up. Maybe this was a bad idea because I couldn’t help but compare it to Euphoria (which I loved), but even without that book as a reference, I doubt I would ever have liked State of Wonder.

If you’re not familiar, State of Wonder is set in the Amazon – I’m not sure what year, but given that this was published in 2011, I’d guess in the early Aughts sometime. Our main character, Marina Singh, is a research doctor with a pharmaceutical company. One of the company’s biggest projects is a new fertility wonder drug that’s being developed by Dr. Swenson in the Amazon. After the disappearance of Marina’s other colleague, Anders, she is convinced to travel to Brazil to track down Dr. Swenson and report back to the company on the progress of the drug.

Given the project’s remoteness and Dr. Swenson’s total lack of interest in transparency to her employers, she proves difficult to find. When Marina does finally locate her, she is swallowed into an entirely new world and is shocked by her discoveries. The ideas presented in the plot are definitely compelling and we are soon enmeshed in a web of moral dilemmas for which there are no simple solutions. I can see why this would shake up the genre of literary fiction because it is quite an intelligent book and it provides a lot of fodder for the reader to reflect on. My main issue was that the storytelling itself was so incredibly tedious and boring.

It’s a modest 350 page book, but Marina spends more than a third of the book just tracking down Dr. Swenson, and it isn’t until around page 250 before the narrative picks up at all. To be honest, I’m shocked that I didn’t DNF it, which I think is a testament to the idea of the book because the story itself is compelling and I genuinely wanted to know what would happen, it just took soooo long to get there. I’d give Patchett 4 stars for creativity and themes, but 1 star for execution because it was terribly painful to get through it.

That said, the longer I sit and reflect on this book, the madder I get about it, but not for the reason you might expect. The story finally picks up in the last 100 pages to the point that I was suddenly engrossed as it goes completely off the rails. After 4 months of tedious pre-ample, I felt like I was on drugs as the narrative gets more and more unhinged and the morals more and more dubious. All of which culminates in an explosive ending followed by a quick exit from the scene, from which I was left with a huge book hangover.

I hated the ending. It is shocking and upsetting and infuriating all at once. I did not see it coming and I was devastated by it. I understand why Patchett chooses to end the book this way, without this explosive ending I would have been left questioning what was the point of the entire story. The ending is set up to shock you and it drives home a very crucial theme about Westerners and our sense of compassion and responsibility. When is it our duty to intervene and when should we take a step back and not insert ourselves into cultures which we know nothing about? This theme is initially explored through Dr. Swenson’s feelings on the locals and is reiterated when Marina finally makes her departure from the jungle in the final pages.

But the reason why I get madder the longer I reflect on it is that despite genuinely hating most of this book, I can’t stop thinking about the damn thing!  Honestly, the plot is good, it just gets lost in such heavy handed writing. I spent so long getting to know everything about Marina, all her character strengths and flaws, to deciding that I liked her, only to have Patchett eviscerate her character in the last 10 pages. It’s really brilliant because we’re presented with these two contrasting characters: Marina and Dr. Swenson, who have very different feelings on the ethics of their work. Yet fundamentally, they’re not that different and the entire book is really a master class in the development of their characters. I almost want to read it again now that I know the ending, I just can’t stand to suffer through it a second time. Although I think I might finally have to pick up Heart of Darkness, which has been on my TBR for over a decade.

So how do I rate this book? I was very settled on two stars when I finished it, but I think I will have to increase it to 3 stars at the end of the day. It’s a smart book, but it leaves me unsure of how to approach Ann Patchett’s books in the future. I don’t think I can read another book with a narrative as thick as this one, but I can’t deny the appeal of the depth of thought and character psyche that goes into each of her stories. I may have to return to audiobook form if I read anything else by her. The Dutch House really worked for me as an audiobook, but I can see how it would maybe read similarly to this in physical form. Either way, I think I will give her older novels (like Bel Canto) a pass, and maybe try some of her newer stuff (commonwealth maybe?) to see how she has developed her storytelling craft.

This was a good story told very poorly. I think if the first third had been tightened up a lot, this would have been a much better book. Either way, it haunts me.

The Dutch House

Rating: ⭐⭐⭐.5
Author: Ann Patchett
Genres: Fiction
Pub. date: Sep. 2019 (read Apr. 2020)

I read The Dutch House way back in April and I really wish I had reviewed it back when I read it. But it was in the middle of Covid back then and I wasn’t feeling much motivation to do anything, so I let it slide, which is a shame because I really loved this book. I’m going to do my best to review it now, but I apologize if some of the details are now a little foggy.

I read The Dutch House as an audiobook, which was a real treat because it is narrated by Tom Hanks! I wasn’t too sure what to expect, but it’s touted as a family drama that spans 50 years, so I was definitely intrigued. The story is about brother and sister Danny and Maeve – from their childhood right up to their late adulthood. At the center of the story is the Dutch House, an old and extravagant manor that was purchased by their father when they were children. Through a serious of events and misunderstandings, Danny and Maeve find themselves kicked out of the Dutch House, and though it’s decades before they ever cross the threshold again, the house and the fall out from the house still dominates their lives for many years to come.

It’s really a fascinating concept for a story. You don’t think of a house as being a protagonist to a story, but I also read Melina Marchetta’s, The Place on Dalhousie, last year and it’s interesting how much value we’ve learned to place on our childhood homes and how those spaces can influence us far into our adult years. Houses are after all so much more than just buildings, they are homes and the memories and feelings we attach to them are powerful driving forces.

At it’s heart I think this is really a novel about the influence our parents have on us and how powerful family bonds can be. Danny grew up tagging along after his father, Cyril, who was a self made business man who finds wealth in owning and renting real estate. Cyril thought he had finally escaped the cycle of poverty for his family, so it comes as a shock to Danny when he finds himself at the bottom and forced with making his own way in the world. At the same time, Maeve’s childhood is defined by the disappearance of her mother. Her mother never loved the extravagance of the Dutch House and leaves to volunteer in India. Danny and Maeve are always told about their mother’s goodness, but all they can see is the woman who was never there.

Both struggle from abandonment in different ways and the eventual falling out with their stepmother Andrea over the ownership of the Dutch House casts a shadow over the rest of their lives. Maeve is discontented at being cut out of the Dutch House and puts all her effort into helping Danny become as successful as possible, despite how miserable it makes him. Each character’s greed over the Dutch House ultimately consumes their lives, with each thinking that wealth will make them happy, when really it’s only the family that lived in the Dutch House that could do that.

This is the exact kind of literary fiction I love and reminds me that I really should read more family dramas. Each character is enormously flawed and nuanced. To the outsider it’s so obvious that Maeve needs to let go of the Dutch House and Danny to start pursuing his own happiness, but each continues down their own path of destruction, completely blinded by their feelings of injustice. Every character is complex, as are their relationships with one another. I suppose some people might find the plot lacking in drive, but these characters and their relationships with one another were like a train wreck I couldn’t look away from.

Tom Hanks narration is excellent and I think this is one book that time has improved for me. The characters were definitely frustrating at times, but looking back on it, the whole song and dance and obsession over the Dutch House was just so enthralling. Families can pick you up, but they can also let you down, and I loved watching how Danny and Maeve both grew and were stunted by their emancipation from the Dutch House. Would definitely recommend this book!