Rating: ⭐⭐⭐⭐ Author: Michelle Good Genres: Humour, Non-fiction, Memoir Pub. Date: Oct. 2021 (read Nov. 2021 on Audible)
I read Mark’s first book last year as an audiobook. It was a bit of an impulse buy when I was doing a bunch of jigsaw puzzles and looking for some humour to get me through the pandemic. It was funny and I really enjoyed it. You could tell the stories were embellished, but Mark is an excellent storyteller so it didn’t bother me.
I was more excited to read An Embarrassment of Critch’s and quickly bought a copy on Audible when it was released. Mark narrates both books and I highly recommend doing the audio for this reason. I love all the different voices and accents he uses throughout the book and it made me nostalgic for Newfoundland.
In my opinion, this book is the perfect companion book to Son of a Critch and I kind of see it as an extension of his first book. I know his first book is centered on his childhood, but when I finished it last year, my one complaint was that I wanted to read more about how he got into comedy and his time on 22 Minutes. That is exactly what An Embarrassment of Critch’s delivers and I had a lot of fun reading it.
I’m currently reading Rick Mercer’s new book as well and it’s really hard not to compare the two. In terms of laughs, I would give the edge to Mark Critch, but there’s more of a sincerity to Rick’s memoir that I thought was missing from Mark’s. I think this is totally fine since the primary intent of Mark’s work is humour and storytelling, but he does tackle several more serious topics as well. While he tries to reflect and be contemplative about his experiences (thinking mostly of his recount of traveling to Afghanistan), I couldn’t help but think his recollections were somewhat surficial and portrayed through rose-tinted glasses. In some ways his essay selection reads more like a checklist of his accomplishments rather than a reflective look-back on his career. Although, he does talk about some of his mistakes over the years, but I felt like his exploration of these errors in judgement were included as more of a PR move rather than any meaningful contrition about them.
But really these are minor complaints. I enjoy his comedy and love watching his impressions and sketches on 22 Minutes. He is an excellent storyteller and I can pretty much guarantee I’ll be picking up any future books he may decide to write!
Apples Never Fall is my book club’s pick for November. We’ve read a lot of Liane Moriarty books in the club and she does consistently write good books, but nothing has ever quite had the same impact as Big Little Lies and I’m starting to get a bit fatigued with her writing. This book was fine – I didn’t love it, didn’t hate it, pretty standard 3 star read.
Apples Never Fall focuses on the Delaney family, Joy and Stan and their 4 adult children. They are a family of tennis players and have had a pretty decent life until a girl named Savannah shows up on Joy and Stan’s doorstep and subsequently moves into the house, puting the Delaney children on edge. When Joy Delaney goes missing a year later and Stan looks poised to take the fall for her disappearance, it stirs up old resentments in the family and brings some family secrets to light.
Let’s start with what I liked about the book. It is a pretty good character portrait of each of the Delaney’s. Sometimes things aren’t always what they appear to be on the surface and Moriarty explores the theme that every marriage has its weaknesses, no matter how stable or loving it may appear from the outside. Moriarty tackles a lot of issues, from gender roles, to mental health, to physical health, to domestic violence, to the weight of our parents expectations and how they shape children into adults.
What I didn’t like – Moriarty tackles a lot of issues. While it’s great that she highlights some issues that you don’t often see portrayed, such as dealing with chronic migraines and the fatigue of domestic labour, I think she was a little too ambitious. I felt like she tried to cram a lot into this book and it made it all seem a bit surface level. For example, I don’t think we really ever went in depth to Amy’s mental health issues or the shortfalls in Joy and Stan’s marriage. There’s a lot to dig into, but Moriarty spreads herself too thin to do any of these issues justice.
But even though she couldn’t quite tackle everything, this book was still too long. I felt like she didn’t do the issues justice and yet she still somehow spent too much time waffling on each of the characters. I felt like there was so much thrown in that just wasn’t needed. This is a mystery novel at its core, but the pacing gets caught up in so much background information on the large cast of characters that I felt the story never really picked up any momentum. I thought Savannah was a really interesting character and I wanted to know more about her and her past, but we get so much info about each of the boring Delaney siblings that I just lost interest and when we finally do get some insight into Savannah’s psyche, it’s just a bit too late.
Because sadly I just didn’t find any of the Delaney’s compelling. Joy was by far the most interesting to me, but I had almost no interest in Stan or any of the siblings. I just didn’t care about their problems. They’re a pretty well-to-do middle class white family and it was honestly just boring. I didn’t care about their tennis drama, I was unsure why I should care about Harry, and all of it just kept distracting me from the only parts I was interested in – Savannah and what happened to Joy.
Now I want to talk about the ending though, because that was fascinating. Again, I felt the pacing was a bit off. The book seems to come to a conclusion which I found fairly unsatisfying, but I was mystified to see I still had an hour left on my audiobook after this revelation. There is a second, shocking ending which is the part I found fascinating and would have loved to have seen developed a bit more. But unfortunately it comes a little too late in the story and made me question what was the point in including it at all? It is surprising, but I felt there’s so much more Moriarty could have done with it that would have made for a much more compelling book overall.
So in conclusion – the book was fine, but I wish it was 100 pages shorter and explored a bit of a different angle. The family dynamics were interesting, but in the long run, forgettable.
This is usually one of my favourite posts of the year, but I haven’t done it since 2018, so I’m thrilled to return again this year! Almost the entire year of 2020 was a book slump for me and while I didn’t do much reading through summer of 2021, overall this was a much better year and I’m a lot more excited about the books I read.
As usual, I’ll be doing 2 posts that collectively feature my top 15 reads of the year. This post is dedicated to my favourite books of the year that were actually published in 2021 (because I read a lot of new releases) and the second post will feature my Top 7 Reads of 2021 that were published in other years. So without further ago, let’s get into it – these are intentionally ordered in terms of how much I loved them.
What’s Mine and Yours snuck on to my list this year. It was an impulse purchase on Audible that I ended up really enjoying. It has low ratings on goodreads, but I felt it was such a meaningful story that touched on huge number of social issues: race, class, status, family, grief, and of course, love. It features a large cast of characters and I liked how the author examines nature versus nurture and how blinding privilege can be to another’s experience.
7. Where Hope Comes From by Nikita Gill
Where Hope Comes From is a short poetry anthology by Nikita Gill that I cannot stop thinking about since I read it. I find her poetry a bit hit or miss, but picked it up when I saw it was about the pandemic. I wasn’t really looking forward to the pandemic starting to show up in books, but I couldn’t deny that it was exactly what I needed. Reflection is an important part of processing things that happen to you and it was cathartic to read about someone else’s experience with the pandemic and to feel solidarity and acknowledgement of some of the crap we’ve all been through in the last year.
I’m sensing a bit of a theme, but If I Tell You The Truth was another impulse buy from my local bookstore. Jasmin Kaur is a local author (to me) and this story is written in prose and set in the BC Lower Mainland. I ended up loving it. The writing is fantastic and features a young Indian girl who moves to Vancouver for university to find herself pregnant. The author explore a lot of themes, particularly family and gender dynamics in Indian culture and the struggles of immigration. The writing is incredibly honest and heartfelt and I felt so connected to the characters.
The Strangers was my second read by Katherena Vermette and was nominated for the Giller Prize this year. This book gutted me within the first chapter and I couldn’t stop reading about the 4 female members of the Stranger family. It’s a multi-generational story that examines the circular nature of trauma and the racism that still exists in Canada’s family and social services. Vermette is an excellent writer and I connected deeply with each of her characters.
This is book that I had no right to enjoy as much as I did! It’s a mystery/thriller about a crime writer who is mistaken for a hired killer when overheard talking about her latest book plot with her publicist. When she’s offered a huge sum of money to off a woman’s husband, things quickly get out of control and spiral into a fast paced train wreck of epic proportions. It’s an easy-to-read style that translated so well to audiobook. It’s not a literary masterpiece in any way, but I had a lot of fun with it and couldn’t put it down!
Infinite Country was yet another surprise read that I picked up on Audible and ended up loving. It’s a very short book, but succinct. It’s a beautifully written immigration story split between America and Colombia that captures the heartache of having your family separated and your kids growing up as part of two different cultures. The struggle to make a living in a hostile environment and the dream of one day reuniting your family. We all just long to be together.
If you’ve been reading my reviews for a while you probably know I love Phoebe Robinson. She consistently gets better with every novel she publishes and this audiobook was easily my best of the year. It’s a collection of essays written for a large audience and I love how she seamlessly blends humour with her astute observations on social issues. She is so relatable and an important voice for black women. I still think about essays from her last novel and I loved her reflections on the pandemic, on her decision not to have children, and her thoughts on the white saviour complex.
Without a doubt this was my favourite book of the year. Once There Were Wolves is a haunting story about Inti Flynn and her determination to re-introduce wolves into the Scottish Highlands. The townspeople are vehemently opposed to the wolves out of fear and when one of the villagers go missing, Inti is worried her wolves will take the fall. It’s a wonderful blend of literary fiction and mystery and has the most lonesome atmosphere of grief and sadness that permeates the entire novel. Inti is trying to come to terms with the traumatic events of her shared past with her twin sister and McConaghy uses the loveliest prose to explore themes of loss, abuse, feeling, and sisterhood. Can’t recommend enough!
Rating: ⭐⭐⭐⭐⭐ Author: Charlotte McConaghy Genres: Fiction Pub. Date: Aug. 2021 (read Oct. 2021)
It’s fitting that Once There Were Wolves is my last post of 2021 because (unless I happen to read a really good book in late December) it was my favourite book of the whole year! I read Migrations last year and really liked it, so I was cautiously optimistic about Once There Were Wolves. I wasn’t sure if maybe McConaghy was a one-trick pony, but this book has firmly cemented her as an auto-buy author in my books!
I haven’t been able to stop thinking about this book since I read it and I have a feeling it’s going to be my favourite read of 2021. I can definitely see how this book might not be for everyone, and I could see Migrations being the more universally accepted book of the two, but I loved everything about this book and actually preferred it.
Once There Were Wolves is set predominantly in Scotland and is about the expedition 30-year old Inti Flynn is leading to re-introduce wolves into the Scottish Highlands. Wolf territory has been shrinking over time and a (real) project to re-introduce wolves to Yellowstone National Park in 1995 was hugely successful. The prey had been taking over the park and without predators to keep them in check, were over-eating the flora and causing erosion at streams and water sources. The wolves completely changed the landscape of the park, breathing new life into the wilderness and bringing a balance to the ecosystem.
Inti’s childhood was split between Australia and the wilds of British Columbia and she travels to Scotland with her twin sister, with whom she is very close. Unfortunately, she is not welcomed by the farmers in Scotland and receives a cold reception and opposition to her work. Nevertheless, she finds some allies and is determined that her project be a success. But when a villager turns up dead and the townspeople suspect the wolves, Inti makes some questionable choices.
So the plot is pretty straightforward, but like most of my favourite books, this is not a plot driven novel. The key word when talking about this book is atmosphere. Charlotte McConaghy is a talented wordsmith, but part of what makes her novels so compelling is her ability to create a very strong sense of setting and atmosphere. The loneliness and wild of the highlands seeps from every scene and creates this overarching feeling of great loss and sadness. It maybe sounds a bit depressing, but it’s also enthralling. It’s not a fast paced story and yet I was totally invested in Inti’s project and her past.
McConaghy’s characters are broken and damaged people and as she slowly reveals their histories to you, you become more and more invested in their characters. This is not a happy story and it deals with difficult and complex themes like abuse, violence, trauma, and how our childhood and formative years can impact us into adulthood. I feel like McConaghy packs so much punch in so small a novel. There are so many parts I haven’t even touched on yet – Inti’s relationship with the town sheriff, her relationships with her family members, and the fact that Inti has a rare condition called mirror touch, which causes her to literally feel what she sees those around her experiencing.
It’s ambitious for a novel that’s under 300 pages, and yet it all works. McConaghy doesn’t waste time on things that don’t matter and she trusts her reader to draw their own conclusions from the story rather than spelling everything out for us. I feel like there were no ideas out of place. To write such beautiful prose, while also delivering on a character driven mystery novel is an impressive feat!
Definitely a trigger warning for rape and domestic violence. But I do feel that McConaghy handles these topics well. I’ve read several rape/harassment scenes this year that really bothered me because I felt that they were included for shock value, whereas I think in this book they are handled with sensitivity and purpose. It is not included to shock us, but rather to invite the audience to reflect on the devastating impact to the victim and how those events influence and shape a person. It is a dark book, but also a hopeful one. Inti is a broken person, but like the wolves, she is willing to try again, to try and heal herself and keep moving forward. The wolves can heal landscapes, but maybe they can also heal people and communities.
5 stars – I can’t wait to read this again soon.
Side note: I can’t help but mention that I find it fascinating that prior to her two literary novels, McConaghy wrote YA fantasy. I have no idea how they compare in terms of writing, plot, or quality, but I do find it a bit annoying that she seems to be trying to distance herself from them and pretend they don’t even exist. Her author blurb on the back of the book literally calls Migrations her “debut novel”. Like I get trying to re-invent yourself, but that’s a straight up lie. What’s wrong with making your debut in the YA fantasy scene? Be proud of all your books and where you started, it just shows your versatility and growth as an author.
This is going to be a short review to match a short book. Em was the last of the Giller Prize nominees that I read. I’ve seen the author’s other book, Ru, floating around the Canadian Lit scene for years and decided to give this one a try when I saw it on the longlist. I was intrigued by the time period, ‘Operation Babylift’, and the impact of the Vietnam War on the beauty salon industry in North America, as detailed in the synopsis.
I’ll say upfront that of all the nominees I read, this was my least favourite. I did still like it and was impressed by how much history Thuy was able to cover in such a short book – I thought it was a solid 3 star read. But it was an ambitious novel and I felt it just didn’t deliver on what I thought I was getting from the book jacket. The book is told mostly in prose, which makes for a quick reading experience, which is exacerbated by how quickly Thuy jumps from topic to topic.
I can see why it would be nominated for it’s unique style and it is perceptive. She says a lot with a limited amount of words, which is definitely a skill, the style just didn’t quite work for me. I think the first part of the novel is the strongest, which focuses on the My Lai massacre. This really drew me into the book and it was interesting the associations Thuy made to move the story along. I just wanted more from the rest of the narrative and didn’t find the part of the story set in America to be as tightly executed. It almost worked, I just wanted a bit more from it.
The Paperback Princess 