Tag: 2019 publication

Searching for Sylvie Lee

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Rating: ⭐⭐⭐⭐⭐
Author: Jean Kwok
Genres: Fiction, Mystery
Pub. date: Jun. 2019 (read Aug. 2019)

I really like Jean Kwok’s writing style. I read Girl in Translation last year and loved it and have been dying to read Searching for Sylvie Lee since I first read the synopsis. Both books are quite different, but left me with similar feelings. I feel like both were probably 4 star books, but something about the writing and the characters just makes me feel very strongly about them and in the end, I rated both books 5 stars. Searching for Sylvie Lee does get a little dramatic and unbelievable towards the end, but because the book was really about character development for me, I can let it slide.

Searching for Sylvie Lee is told from multiple perspectives, with the most dominant (for me anyways), being told from the point of view of Amy. Amy is younger sister to Sylvie and both are daughters of Chinese-American immigrants. Their parents moved to America and struggled to survive, deciding to send their first daughter, Sylvie, to the Netherlands to live with her grandmother until they could afford to give her a better life. She returns at the age of 9 (I think, can’t quite remember), after the birth of the second daughter, Amy. The story is narrated by Amy, Sylvie, and their mother, so we get many perspectives from this small family.

To Amy, Sylvie is the epitome of accomplishment and she greatly looks up to her, considering herself the lesser sister. To Sylvie, Amy is the image of innocence. She works very hard to be successful because she feels her parents will never love her as much as Amy since she was raised away from them for the first part of her life.

When their grandmother becomes ill, Sylvie returns to the Netherlands to say goodbye, but disappears before returning home. No one knows what happened to her and Amy’s dutch relatives don’t seem too concerned about Sylvie. But Amy knows Sylvie would never just disappear like that, so she jumps on a plane for the first time in her life and travels to the Netherlands to search for the truth.

This is the prefect family drama about all the feelings of love and resentment that exist within the family dynamic. Everyone has their own secrets and the unspoken past has had longstanding and far-reaching consequences on the entire family. Sylvie has a life in Holland that none of her family in America could really understand and the impact of growing up under the thumb of her Aunt impacted her in ways the sisters don’t understand until much later. Sylvie struggles to be the daughter she thinks she should be, while Amy is afraid to live her life the way she would like to.

Everyone has secrets and they have been tearing the family apart for decades without them even realizing it. This is very much a book about the immigrant experience, but also a book about living courageously. I thought that each character was well realized and developed. Everyone had flaws, but it only made them more relatable and served to make me empathize more with each character.

Like I said, it’s a character driven book, but it does have a strong plot to support it. We’re propelled by the mystery element of what happened to Sylvie, but discover so many secrets and deceptions along the way. That said, don’t come to this book looking for a mystery/thriller. It’s not the driving force of the story, but rather a tool to connect with the deeper pain and anguish of each of the characters. The ways they’ve been wronged, the mistakes they’ve made, and the ways in which they’ve been misunderstood.

Magic for Liars

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Rating: ⭐⭐⭐
Author: Sarah Gailey
Genres: Fantasy, Mystery
Pub. date: Jun. 2019 (read July 2019)

I’ve been on a fantasy hiatus for the last 6 months, so well done Sarah Gailey on writing a book that finally inspired me to break the fast! I’ve been really dis-enchanted with YA fantasy lately, but this adult fantasy finally piqued my interest!

Everything about Magic for Liars seemed interesting and unique. On the surface, it sounds like the same tired Magic School trope, but it has a lot else going for it. Yes, it is set in a magic school, but the premise of the story is about private investigator Ivy Gamble being asked to investigate a gruesome murder that took place at the magic school.

Ivy herself is not magic and lives firmly in the non-magic world. However, her twin sister, Tabitha, is magic and has been working as a teacher at the school for several years. Most non-magic folk are unaware of the existence of magic, but Ivy has been in the know since Tabitha was first invited to attend magic school and she was not. Since then, there has been a bit of resentment between the sisters and they have grown apart.

The magic system in this book was quite different than other fantasy books I read, which I really liked. People with magic are still very much ensconced in the real world, with the study of magic being very deeply ingrained in other fields, such as medicine, math, and science. Some branches of magic are little understood and the magic itself seems to be in some ways much more unstated then similar books, but in other ways much more intense.

What I liked about Magic for Liars is that Gailey takes many fantastical tropes and integrates them into their story, while at the same time, poking fun of them. The most obvious is the “chosen one” trope, but we also have the childhood misunderstanding, the competitive sisters, the psychopathic cool girls, the PI who has to solve their own childhood crime, and a misleading romance, just to name a few. I also liked the diversity that Gailey tried to include in the story. Gailey is non-binary and I thought they did a good job at including diverse relationships, without throwing them in your face.

Despite all the great things Gailey tried with this novel though, sadly I still didn’t love it. Something about the writing just didn’t flow that well and I felt pretty disconnected to the characters throughout much of the novel. I wanted to empathize with Ivy, but I did think she was unnecessarily harsh with Tabitha when they were younger and the misunderstanding between them seemed too obvious to have been the misunderstanding that it was.

So overall, this was a 3 star read for me. I definitely liked it, but I didn’t love it. I am impressed with it as a debut novel though and I’m excited to see what Gailey writes in the future!

On Earth We’re Briefly Gorgeous

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Rating: ⭐⭐⭐.5
Author: Ocean Vuong
Genres: Poetry, LGBTQIA+
Pub date: Jun. 2019 (read July 2019 on Audible)
Narrator: Ocean Vuong

I was intrigued by this book, but it wasn’t super high up my TBR. However, I loved listening to the author’s voice in the audiobook sample, so I decided to read it. I’m so glad they got the author to narrate this one because I’m not sure anyone else could really have done it justice.

Initially I really liked it. The writing is poetic and it flowed really nicely. The author’s reading is emotional and I enjoyed listening to it, but I must admit, parts of the book were over my head and left me wondering how I should feel about it.

The book is crafted as a letter to the protagonist’s mother. It’s unclear to me whether this book is fiction or non-fiction, so I’d love some insight from other readers if you have it. It certainly read like non-fiction and I internalized it as such, but it could have been fiction.

Initially I liked that it was a letter from son to mother, Little Dog talks about the relationship he had with his mother and how it impacted him emotionally as he grew up. How their Vietnamese past influenced his childhood in America and shaped all of his relationships with his family members.

From there, Vuong moves on to the relationship Little Dog had with his friend Trevor and the struggle of being not only an immigrant, but a confused gay teenager. I found many parts of the story upsetting, but really appreciated their inclusion in the book and thought it brought a great depth to Vuong’s story. However, it did affect my reading of the book as a letter from son to mother. This format worked really well when confronting his childhood demons and the relationship with his family, but I thought the format had less meaning when it got into Little Dog’s exploration of coming to terms with his homosexuality. I don’t have the lived experience to really comment on its effectiveness, but personally I just found the ‘letter to mother’ format lost some of its potency in this part of the book. Just a comment on format, not content.

Mostly I’m left confused on how to rate the book though because parts of it were definitely over my head. I’ve been reading a lot more poetry lately (I used to never read it), but I definitely still struggle with the accessibility of poetry. I want to love it, but I think I just haven’t spent enough time reading poetry to really understand the nuance of it. I really enjoyed the writing, it was flowery, but not overwhelmingly so, but sometimes it’s just so overloaded with metaphors that I kind of missed out on the point. I really liked a lot of this book, but there were definitely some sections where I found myself tuning out.

Overall though, a very thoughtful book and debut for this young author, so well done! I would not be deterred from reading his stuff in the future.

Ask Again, Yes

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Rating: ⭐⭐⭐⭐
Author: Mary Beth Keane
Genres: Fiction, Literary Fiction
Pub. date: May 2019 (read Jul. 2019)

This is the exact kind of literary fiction I love to read. After last year’s fantasy-fest, I’ve been reading a lot of different stuff, much of which falls into the general and lit fiction genres and I’ve really been enjoying it. Ask Again, Yes gives me so many vibes from Little Fires Everywhere (even the cover looks the same!), but it definitely holds its own in the genre.

Ask Again, Yes tells the story of two families that grew up together in New York state and the impact and consequences of their actions over 4 decades. Francis Gleeson and Brian Stanhope worked together for a brief time in the police force and end up living next door to one another in Gillam. Both their wives are pregnant around the same time and while Lena Gleeson gives birth to 3 daughters, Anne Stanhope struggles with fertility before eventually giving birth to a son, Peter. Anne never got along with the Gleeson’s and when her son, Peter, and the Gleeson’s youngest daughter, Kate, become best friends, all parents struggle with it, eventually leading to a tragic event in Peter and Kate’s 13th year.

Eventually everyone goes their own separate ways, but the consequences of that night ripple through everyone’s lives for years after. It’s not a fast moving story and I could definitely see some people struggling with it, but Keane explores a lot of different themes and I thought the book was super insightful into different human behaviours.

Ask Again, Yes explores a lot of different questions. Can we ever escape the past? Can we learn to forgive those who have hurt us? Are we really capable of change? Are our behaviours learned or inherited? It’s a sad read at times and hopeful at others. But what I really loved was how well developed and how genuine every single character was. When it gets down to it, I didn’t actually have very much in common with any of the characters, but their thoughts, emotions, and reactions are all incredibly relatable. On paper their relationships look great and if you try to articulate how they aren’t, it’s really hard, and yet you understand why some of the characters make such bad decisions.

As someone who is getting married within the month, I was so anxious reading about some of the relationships and marriages in this book. More than one marriage is challenged; some of them fail, others survive. But what made it so scary was that I felt most of the problems in the relationships were solvable, and yet I understood why someone might choose to walk away from that relationship anyways. A scary thought when you’re getting ready to walk down the aisle yourself, but impressive for an author. She has incredible insight into human nature and I had no trouble believing that the characters would act the ways they did.

Overall I didn’t think this book had quite the charm of Little Fires Everywhere. I think they both had a lot of interesting things to say, but Ask Again, Yes does drag in some parts, whereas I always felt propelled forward by the narrative in Ng’s books. But it still explores a lot of relevant themes and I found it a little more realistic in its character portrayals. Mental Illness is a big part of this book, although I struggle to verbalize what the theme was. Mostly it was just something that was present throughout the book. Keane never tells us how to feel about it, but does demonstrate how our feelings on mental illness have grown over the decades. It’s not something to be ignored and it’s not something to be ashamed of. Recommend to lovers of character-driven stories.

The Grace Year

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Rating: ⭐⭐⭐⭐
Author: Kim Liggett
Genres: Sci-fi, Dystopian, Young Adult
Pub. date: Oct. 8, 2019 (read in July 2019)

Special thanks to Netgalley and Wednesday Books for providing me with a free advanced copy in exchange for an honest review.

I was halfway through this when I had to set it aside to read my book club pick for the month, No Exit by Taylor Adams. Both of these books are f***ed and I feel like I’ve been so anxious for the last two weeks because of it.

Both of these books succeeded in racking up my blood pressure, but that’s about where the comparisons end. No Exit was not a good book, this was.

The Grace Year is dystopian fiction about a society that believes women have a powerful magic that they grow into when they get their first period and that they must be sent away for a year to burn off that magic before they can be welcomed back into the community as wives. It’s a total wild ride that had me enthralled from the very beginning. It’s a dark read with a lot of violence, but unlike some other books I’ve read, the violence achieves something. Liggett uses that violence to make powerful social commentary on the roles of women in society, the way we treat one another, and how things could be different.

The Grace Year refers to the year when the girls are sent away to live in the woods and burn off their magic. The society is very much controlled by men who believes women need to be punished for Eve’s original sins. The Grace Year is never spoken about in the community, but is a grim time in every women’s life. Many come back missing body parts or emotionally scarred, and that’s just the girls that return. Many never return and are instead taken by poachers who harvest their body parts because the community believes in the medicinal properties of the dead girls magic.

While all the other girls are concerned with landing a husband before their grace year, Tierney is perfectly content to labour in the fields when she returns, not wanting the be controlled by a man. But once the girls begin their grace year and discover the freedom they have for the first time in their lives, they start to turn on one another and realize the real danger is not the poachers, but the pain they will inflict on one another.

It’s a dark book and I did struggle with it at some points, but like I said, I think the violence serves a purpose in this book, which is why I was able to read through it. Liggett has an interesting writing style and the book itself has a really interesting structure. The girls take out their frustrations on one another because they’ve never been allowed to express emotion before or learned healthy ways to deal with their anger. They have allowed the men to control them for so long that they’ve completely lost any sense of compassion and have never experienced the beauty of female friendship and empathy.

Liggett keeps us guessing throughout the novel and I thought she did a great job with world building. At first things are a little confusing, but the confusion makes it more engaging because you don’t really understand the terrors lurking in the woods or why they exist. The narrative doesn’t follow the traditional storytelling structure, yet the concept of moving through the seasons of the grace year provides enough structure to guide us through the story.

I’m not sure if this is meant to be a standalone or not. I went into it thinking it was a standalone, but now I think it could go either way. It still works as a standalone, but I could also see the author expanding the story. There’s lots of room to continue developing the ideas of this book, but sometimes it’s not needed. The ending is ambiguous and I kind of like it that way.

The Grace Year will be available in stores Oct. 8, 2019.