Category: Historical Fiction

Code Name Verity

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Rating: ⭐⭐⭐.5
Author: Elizabeth E. Wein
Genres: Historical Fiction
Pub date: Feb. 2012 (read Dec. 2018)

I have mixed feelings about Code Name Verity. I’ve heard so many great things about this book and I really expected to love it, but I was really surprised when I actually started reading it.

This book is SLOW. I don’t mind slow books and I often really like slow burn dramas, but I’m not sure this worked for me and I’m surprised that it worked for so many other people. I’m kind of wondering if there’s something wrong with me or if people are just rating this so high based on emotional response to the ending of the book versus the book as a whole.

Code Name Verity tells the story of two friends during World War 2. Maddie is a pilot and got her license before the war started. At the start of the war she is forced off to the sidelines in favour of male pilots and works as a radio operator, where she meets her best friend. I don’t want to name her friend because she takes several names throughout the course of the novel and I don’t want to give away any spoilers. But the book opens with Maddie’s friend having been caught by the Germans in France as an English spy. She is imprisoned by the Germans and tortured for information. She agrees to pass information to them and starts writing her account of the war and her exposure to the British air forces.

I think it’s best to go into this book blind. All you really need to know is that this is a story about two friends and the lesser known roles that some women played in world war 2. The author initially set out to write a story about female pilots in WW2, because she is a pilot herself, and it developed into this book.

I have to give the author props, the book is clever. We view the story from two points of view, with the second half of the book essentially giving us an entirely new viewpoint on the first half. I really liked the narrator in that she was funny and clever even while being interrogated by the Nazi’s. Her personality really shines through, as does her love for her friend. What I liked most about this book was definitely the friendship and the way Wein played around with perspective. From the start of the book it seems like this is ultimately going to be a story about Maddie. Maddie is the focus of the intel that our narrator provides to the Nazi’s and they are particularly interested in Maddie because she is a pilot. But in the second half of the book it becomes very obvious that the story is not just about Maddie. It is about both friends and how each woman is the hero of the other’s story. They both made considerable contributions to the war effort and neither is more important than the other. It’s ultimately a story about friendship and I did think Wein created a very authentic and beautiful friendship.

So I can definitely understand why people love this book, I’m just surprised it has been as widely and well received as it has been. It is well loved among the YA community and I can’t help but wonder if that might have something to do with it’s success. I’ve never seen this one on the historical fiction circuit. I’ve only ever seen this book on the YA circuit and I really don’t want to be a snob about it, but as someone who’s read a lot of historical fiction, I kind of wonder if maybe this was many reader’s first, or only, foray into the genre. It was a very educational book and I definitely appreciate that it exists, but I just can’t get beyond the fact that for about 70% of this book, I was bored. I was interested in the interrogation and prison aspect because when we talk about WW2, we tend to get the camp perspective and this was definitely different than that. But most of the book was about aviation and after a while, it just got really boring and repetitive.

I am struggling to write this review because objectively, I do believe this is an important novel and it did make me think a lot, but it just never captivated me. And you know what, that’s okay. It’s obviously a beloved book to many people and it offers a perspective of WW2 that I haven’t seen before. The ending is heartbreaking. I knew this was going to be a sad book, so I was well prepared, but the ending definitely caught me off guard. Overall, I enjoyed the second half of the book better than the first. I understand now why the first half of the book was written the way it was, but I still think it was a bit overdone. I did love the ending though. I thought it was just the perfect amount of trauma – it was heartbreaking, but meaningful and not done for the sake of emotionally manipulating your readers.

So overall I think I will give this a 3.5 stars. I doubt I’ll be picking this book again, but overall, it was memorable and I don’t regret having read it. It just read a little bit more like history than historical fiction.

Our Homesick Songs

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Rating: ⭐⭐⭐⭐⭐
Author: Emma Hooper
Genres: Historical Fiction, Fiction
Pub date: Aug. 2018 (read Nov. 2018)

I loved everything about this book.

I saw it floating around on Netgalley and Goodreads over the past year and I thought it had the most gorgeous cover, which reminded me of my home in Newfoundland, but I guess I never read the synopsis because when one of the book bloggers I follow posted a review about this book, I couldn’t believe it was actually about Newfoundland. (not that there’s any shortage of books about Newfoundland, I just wasn’t expecting to find one in the mainstream book world).

Our Homesick Songs is by Albertan author, Emma Hooper, and is about the collapse of the Newfoundland fishery in 1992 and the struggle many Newfoundlanders went through in making a living after their traditional livelihood was decimated. The story focuses on the Connor family, who lives in a small town called Big Running, on an island off the coast of Newfoundland. It tells the story of Aidan Connor and Martha Murphy – how they fell in love and were later forced to travel to the Alberta camps to find work – and their two children, Finn and Cora. It’s a family drama at heart, but setting and culture play a huge role in the story.

I grew up in Newfoundland, moving to BC after I finished university. My parents and grandparents are from rural Newfoundland communities and my maternal grandfather was a fisherman. Stories about Newfoundland always hold a special place in my heart because, I think more than anywhere else in Canada, Newfoundland has a very distinct sense of culture and belonging. I was too young to understand the cod moratorium in the early 1990’s, but I’ve witnessed the impact in had on rural Newfoundland, and how the return of the food fishery in 2007 was like a right of passage and a homecoming for many people. Everyone has friends and relatives who were forced to move out west in search of employment – it’s why I have so much family located in Alberta – but there is usually a keen desire to return home.

I was a bit nervous to read this book, seeing as it’s not actually written by a Newfoundlander. I mean, I know people write books all the time about places they’re not from, but you can’t help but feel a little bit nervous about having your beloved home recounted from the point of view of someone else. But Emma Hooper did a wonderful job with this book. Her writing is lyrical and beautiful and it really does evoke a strong sense of homesickness as you read her writing. I think she did a wonderful job capturing the love people feel for Newfoundland, and communicating how heartbreaking it is for people when they are forced to leave. I’m sure I related to it a little bit more as a Newfoundlander, but I really think that anyone can love and enjoy this book.

There’s two main stories being told throughout this book. There’s a current day story set in 1992. The fish have disappeared, and as such, so have the people. Big Running gets smaller every day as families take off for the mainland in search of work. There’s an abundance of jobs in the work camps up in Northern Alberta, so this is primarily where people flock. In an attempt to stay, Martha and Aidan share a camp job on rotation, with each of them doing a month on and a month off. Their children, Finn and Cora, struggle with the loss of one of their parents each month and the disappearance of their community. Cora escapes from her broken family by studying travel guides from the library and re-creating each country in one of the abandoned homes. Finn laments the loss of their way of life and comes up with a plan to try and draw the fish back to their shores. Both children are lonely, as are their parents, who are forced to live apart indefinitely.

The second story is recounted by Finn’s accordion teacher, Mrs Callaghan. She tells Finn the story of his parents and how they met and came to fall in love back in the 1970’s. The stories contrast each other in that one tells the story of how love began, whereas the other tells the story of how it starts to fall apart. And woven through both stories is the music that calls us all together and the importance it plays in Newfoundland culture.

I actually really loved the way Hooper wove music in through the story. Music is an incredibly important part of Newfoundland culture and I thought she really showcased that and linked it in really well with her themes of homesickness and loneliness. Finn plays the accordion, Cora plays the violin, and everybody sings or plays one musical instrument or another. Aidan and Martha sang to each other over the water for years without even being aware of the other. Music plays an important role in bringing people together and reminding them where they come from and I thought Hooper showcased this multiple times throughout the book. I loved when everyone showed up to Finn’s community meeting with their instruments. They knew they might be forced out of their homes, but saw the meeting as a good opportunity for one last community kitchen party.

This book also touches on the issue of government resettlement. It’s a heavy issue in itself and has been the focus of more than one book in the past, but I thought it worked well in this story and wasn’t overdone. It’s another important historical part of Newfoundland that is ongoing to this day, and I think it’s great to inform more people about it. Rural communities are very much disappearing in Newfoundland and it is heartbreaking. It’s difficult for the government to continue maintaining services to small backwater communities and it does happen where residents are encouraged by the government to relocate. For Finn, the deadline to decide on re-settlement was a catalyst to do something. He doesn’t want to leave his home or have his family be separated any longer, so he hatches a plan to try and bring back the fish.

This is a classic kind of slow-burn family drama, but no part of this story read slowly to me. Hooper does a great job on characterization and character development and even though it’s not a plot driven book, I could not put it down. I picked this one up with the intent of reading it simultaneously with a mystery novel, but once I started this one, I literally couldn’t bear to put it down and didn’t touch my other book once until finishing this one. I can see how this kind of writing isn’t for everyone, but I personally loved it.

In conclusion, I can already tell that this is a story that will stick with me and that I’ll be recommending to my family. Everything about this book worked for me and I loved how evocative and introspective the story was. The name Our Homesick Songs is the perfect name for this book because the writing, the setting, and the characters all evoke a very keen sense of longing. 5 stars, no question.

Buried Beneath the Baobab Tree

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Rating: ⭐⭐⭐⭐
Author: Adaobi Tricia Nwaubani
Genres: Young Adult, Historical Fiction
Pub date: Sep. 4, 2018 (read Oct. 2018)

The most overwhelming feeling I have upon finishing this book is that I’m just so glad it exists. Buried Beneath the Baobab Tree is about Boko Haram and the many girls and children they have abducted to their cause since 2009. You may recall in 2014 when Boko Haram kidnapped 276 female students from their dormitory in Chibok, Nigeria. Because of the large number of girls that were kidnapped, the crisis finally garnered international attention and forced the Nigerian Government to take real action in rescuing the stolen girls.

Unfortunately, this wasn’t a one off event. Boko Harem has been pillaging and killing in the North of Nigeria since 2009 and while many of the Chibok girls have escaped, been released, or been rescued since then, many have not. Boko Haram is a radical Islamic group that believe in Sharia law and absolute Islamic government. They kill men and kidnap girls, women, and children, forcing them to convert to islam and act as slaves in their outposts hidden deep in the Sambisa Forest. The boys are radicalized and the girls either act as slaves or are married off to Boko Haram fighters called the Rijale.

Buried Beneath the Baobab Tree is a short book told from the point of view of a kidnapped young girl. She is not one of the Chibok girls, but she was stolen from her village along with several of her friends. She dreams of winning a scholarship to attend university and become educated, but instead she is forced to convert to Islam, change her name, and marry one of the Rijale and attend to his home. Her dreams sustain her through the ordeal and remind her of who she is and that Boko Harem does not adequately represent Islam. But it kills her to watch her best friend lose her grip on reality, fall for her new husband, and begins touting the benefits of Boko Harem and Sharia Law.

There’s nothing I would change about this book. I thought it struck a wonderful balance between introducing us to Nigerian village life and the hopes and dreams of these young girls to the devastating contrast of life under Boko Haram. It’s easy for Westerners to become desensitized to these stories, and I loved that Nwaubani spent the first half of the book developing characters before focusing on the girls kidnapping. It’s an upsetting read, to be sure, but an important one to remind us of the atrocities that Boko Harem has committed, and that are still ongoing.

Thanks to HarperCollins Canada and HCC Frenzy for providing me with a free review copy of this book in exchange for an honest review. Buried Beneath the Baobab Tree is currently available in stores.

The Lost Queen

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Rating: ⭐⭐⭐
Author: Signe Pike
Genres: Historical Fiction
Pub Date: Sept. 2018 (read Sept. 2018)

Thanks to Touchstone for providing me with a free electronic copy of this book in exchange for an honest review.

My blog has been pretty silent over the past week. I’ve been on vacation, so you’ll have to forgive me for my continued absence next week. As a result I haven’t been doing that much reading, but I did finish The Lost Queen, which I received back in August from Touchstone and have finally found time to read.

The Lost Queen is the first book in a trilogy set in 6th century Scotland. It’s recommended for fans of Outlander (which I love) and Philippa Gregory books (which I’ve been meaning to try). It features Langoreth, one of Scotland’s former queens, who has mostly been lost to history. Langoreth was the twin sister of the man who inspired the well known character, Merlin, and had a huge impact on Scotland herself. Signe Pike delves into the histories of both Langoreth and her brother, Lailoken, starting with their childhood and formative coming of age years.

I have mixed feelings about the book. The authors note at the end was fascinating – I love historical novels that explore the history of lesser known figures, especially women because women’s history is rarely recorded and often lost. But I struggled to stay engaged in the book. I’ve had this problem with several books this year (Naomi Novik’s, Uprooted, and Madeline Miller’s, Circe, come to mind), reflecting on the book, I generally enjoyed it and learned a lot, but it wasn’t that enjoyable a reading experience.

I did find this book a bit better than previous books in that I got pretty into it in the last 30 percent and I am interested to see what happens to these characters. We’re told in the book summary that both Langoreth and Lailoken led remarkable lives, but we don’t discover in this book what made their lives so remarkable. This might be why the book read a little slower and may have lended itself better to a single volume instead of a trilogy. It was pretty slow moving and served mainly to introduce us to the characters and the setting. I think it has the potential to get much better in subsequent books.

However, the setting was pretty great. I can say for sure that I’ve never read a book set in 6th century Scotland. I’m not sure I’ve even ever read a book set in the 6th century. I haven’t read a lot of old, old history, so I found this fascinating in that the history is so ancient that England and Scotland don’t remotely resemble the countries they are today. This was a time when Christianity was starting to spread. Scotland had always practiced the “old ways”, but in an effort to gain support from powerful Rome, Christianity comes to the country, creating tension between this new religion and the old ways. It’s incredibly frustrating to read about the injustices committed in this book in the name of Christianity, but still relatable to today.

I also appreciated the familial relationships. So often in this time period, women were seen as little more than property. But I liked how both her father and brother respected and treated Langoreth. Everyone was forced to acknowledge that despite their wishes that things could be different, Langoreth would need to wed to form political alliances for their kingdom. Both the King and Lailoken see value and strengths in Langoreth outside of being a wife, but they also acknowledge that in their time and age, marrying is one of her greatest strengths as well.

Like I said, I struggled with the book in the first half, but ultimately I am interested to see what happens to Langoreth in the next 2 books and to discover what makes her such a remarkable woman. I think this book could have been shorter and I’m hoping for more action in the next book, but I really liked learning about the spread of Christianity and the tension it created in it’s condemnation of the old ways.

Women Talking

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Rating: ⭐⭐⭐⭐⭐
Author: Miriam Toews
Genres: Fiction, Historical fiction
Pub Date: Aug. 2018 (read Aug. 2018)

How do I review this book? It’s just so damn important and something everyone should read.

I saw Women Talking on display at Chapters and as soon as I opened it up and read the forward, I knew I had to read it (plus I’ve been walking to read some Miriam Toews). Women Talking is a fictional account of the real life crimes committed against mennonite Bolivian women. Between 2005 and 2009, in a remote Bolivian community, women were repeatedly waking up having been attacked in the middle of the night. The attacks were attributed to demons punishing the women for their sins, but it was later discovered 8 men were sneaking in the the rooms of women all over the village, knocking them out with an animal aesthetic, and then raping them. Horrifying.

Women Talking focuses on some of the victims of these attacks, women from 3 generations of the Loewen and Friesen families. The rapists have been jailed in a nearby town and the rest of the men in the community have taken livestock to the town to try and sell to post their bail money. While the men are away, 8 women of the Loewen and Friesen families call a meeting (on behalf of all the women) to discuss what to do. When the men return home, the women will be called upon to forgive them, so as they see it, they have 3 choices:

1. Do Nothing
2. Stay and Fight
3. Leave

The entire novel consists of these women talking through these 3 choices and deciding on a course of action, and boy are their conversations illuminating. They discuss many philosophical questions about what each of these choices means and how their village got to this point. Some of the women are hurt, some of them are angry, and some of them are afraid. But while this is an upsetting story, it is also filled with love and even humour. The novel is only a short 200 pages, but I loved getting to know each of these women, watching them talk and relate with each other, share experiences, and share laughter. It is a brilliantly written novel and such a thought provoking piece of fiction. This book matters. Women matter.

There was so much of this book that I loved that it’s hard to pinpoint specific pieces. But one part I found particularly striking was when one of the women (can’t remember who… Ona maybe?) voices that maybe they should consider a 4th choice: asking the men to leave. It’s such an obvious solution. Absolutely the men should be the ones to leave. They are the ones that have violated and torn their community apart, they should no longer be permitted to participate in community life. But the option never really catches any traction with the women and they even openly laugh at it because it really is an outlandish idea to think that the men would consider leaving or even that the rest of the men and community would support the women in forcing these men to leave. It’s a sad truth, but these women understood (and I’m sure most other women do to), that even though it was the option that made the most sense, it would never really be an option.

I don’t want to give too much away about the book, so I’ll just say, please please please go to the library or the bookstore and pick yourself up a copy of this book!